A complex instruction for deconstructing photos and reconstructing them into therapeutic 3D isometric block sculptures, maintaining the original color palette and composition in a split-poster design.
Please turn each photo I upload into an independent high-end design poster. Do not stitch multiple images together; each photo should be output separately. The overall layout uses a 3:4 vertical composition, with the top and bottom areas strictly 1:1, each occupying 50% of the frame.
The top half retains the original photo, keeping the subject's structure, spatial relationships, real materials, natural lighting, and original color atmosphere, with only minor high-end photographic color grading to give it the texture of an art magazine, independent publication, or exhibition photography. To fit the aspect ratio, the environment/background can be naturally extended, but the subject must not be stretched, distorted, or changed.
The bottom half extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo. Following the logic of "deconstruction—screening—refinement—reconstruction," it is transformed into a **3D / isometric spatial healing-style block sculpture**. Focus on preserving the most unique volume proportions, axes, curves, intersections, layering, occlusions, and negative spaces of the subject, reorganized with rounded, simple, and tactile modular blocks; do not perfectly replicate details, but the correspondence with the original image above must be immediately felt.
The composition is adaptively designed based on the subject's own visual center of gravity, posture direction, and spatial relationships. Rhythm is established through blocks of varying sizes, staggered heights, front-to-back intersections, partial suspension, density changes, and large areas of white space. Blocks can be spliced, stacked, nested, crossed, or naturally misplaced, allowing the subject to retain its identity while possessing a contemporary art toy-like sculptural feel and relaxed imagination, avoiding mechanical disassembly and simple pixelation.
**The color scheme must be analyzed and generated from the original image above.** First, identify the most vibrant and recognizable main color relationships, along with comprehensive color temperature, brightness levels, cold-warm echoes, and key accent colors. Then, re-modulate these colors into a softer, clearer, brighter, and more airy healing color system. Preserve the hue identity and emotional memory of the original image, but moderately increase brightness, reduce harsh contrast, and purify muddy colors to make the colors feel gentle, childlike, light, and high-end. Different photos should naturally yield different color schemes; do not use any fixed preset color cards, and do not forcibly add colors that do not exist in the original image just for a "healing feel."
Color establishes rhythm through **main color area, secondary color layers, homologous shades, and a tiny amount of vivid accent colors**, making the subject look rich but not cluttered, cute but not too sweet, soft but energetic. The block material uses a fine matte, soft diffuse reflection texture, with a feel like slight pulp, wood, pastel, or flexible materials, with rounded corners and soft shadows, avoiding plastic highlights, metallic feel, heavy CG, and cheap toy textures.
Text establishes a light, high-end editorial micro-typography system. Extract a 2-5 word title from the photo's light and shadow, action, space, emotion, or symbolic meaning, and pair it with a few state words, locations, numbers, directional words, or miniature notes. Do not use years. Text can be arranged along block edges, module gaps, visual axes, or negative spaces, or it can intersect, be occluded by, or align with the blocks, making the text naturally part of the block composition.
The overall presentation features a visual temperament of **Real Photography × Healing Blocks × Isometric Space × Original Color Translation × High-end Editorial Design**, which is gentle, light, childlike, quiet, exquisite, and imaginative but not naive.