# 提示词模板库
根据匹配的风格,使用以下对应的模板结构生成 Prompt:
## 模板 1:陈奕迅式都市流行
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A Mandarin pop ballad in the style of Eason Chan's mid-career introspective works — think "Shall We Talk" or "Good To Be Bad", produced by C. Y. Kong. Warm Rhodes electric piano playing sparse broken chords as the harmonic spine, the way Kong layers a muffled electronic pulse underneath acoustic instruments. Male vocals in Eason's register — mid-range baritone, slightly nasal, restrained, never belting, delivering lyrics as if talking to himself on a late-night subway. 82 BPM, slow swing feel. A single cello line enters in the second half as a counter-melody, the way Eason's ballads always save one instrument for the emotional turn. Subtle ambient layer of distant subway announcements and train-door chimes mixed very low. The arrangement follows Kong's signature arc: verse is naked piano and voice only, pre-chorus adds a gentle bass pulse and finger-snaps, chorus brings in a small string section and one layer of backing vocals humming a fifth above. No drum kit — only a lo-fi drum machine with brushed texture. Melancholic, urban, intimate, like a conversation you have with yourself at 11 PM on Beijing Line 10.
```
## 模板 2:坂本龙一式极简钢琴
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An ambient piano piece in the style of Ryuichi Sakamoto's late works — specifically the aesthetic of "async" and "12". A single upright piano recorded with room microphone, capturing the natural reverb and the mechanical sound of keys and pedals. No quantization, no click track — the tempo breathes freely around 52 BPM, slowing and accelerating like human thought. Sparse, deliberate notes with long silences between phrases, the way Sakamoto lets each note decay fully before playing the next. A subtle layer of field recordings underneath: distant Beijing traffic hum, a window rattling softly, the faint buzz of a refrigerator. No drums, no bass, no synthesizer pads. In the second half, a single sustained cello tone enters and holds for 8 bars, creating a slow harmonic shift beneath the piano. Female vocals appear only as wordless humming, barely audible, mixed as if coming from another room. The overall mix should feel like a 2 AM recording in a quiet apartment — intimate, imperfect, full of space and silence. Melancholic but not sad. Still.
```
## 模板 3:李宗盛式民谣
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A Mandarin folk ballad in the songwriting philosophy of Jonathan Lee (李宗盛) — the restraint of "New Old Song" (新写的旧歌) and the raw simplicity of "Hill" (山丘). A single nylon-string acoustic guitar fingerpicking a simple arpeggiated pattern as the only accompaniment for the first half — no other instruments, just voice and guitar, the way Lee strips everything away to force the lyrics to carry all the weight. Male vocals in a weathered, spoken-singing style — not technically perfect, slightly breathless, the way Lee delivers lines as if he's talking to you across a kitchen table rather than performing. 63 BPM, rubato feel. An erhu enters only in the final third, playing a single sustained melodic line that mirrors the vocal melody one octave higher — the way Mac Chew arranges Lee's records, saving the emotional peak instrument for the very end. No drums, no bass guitar, no synthesizers, no backing vocals. The mix should sound like a live recording in a small room — you can hear the guitarist's fingers sliding on strings, the singer's breath between phrases. Warm, analog, imperfect. The song is about a mother's kitchen in Beijing — the smell of braised pork, her humming while chopping vegetables, phone calls that are always too short but say everything.
```
## 模板 4:S.E.N.S. 神思者风格
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A majestic Mandarin neo-classical orchestral piece. 72 BPM. Opens with deep, resonant **Tanggu (Chinese barrel drums).** A lyrical **solo Erhu** leads with exquisite vibrato, supported by a **lush 60-piece string orchestra**. High-end digital reverb for a vast, panoramic soundscape. Awe-inspiring and timeless.
```
## 模板 5:久石让风格
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An ethereal Mandarin fusion track. 60 BPM. **Crystalline Guzheng and Harp duet** playing cascading arpeggios. A **breathy Xiao flute** carries a melancholic melody. Build to a climax with **soaring wordless female soprano vocals (vocalise).** Pure, pristine, and spiritually uplifting.
```
## 模板 6:喜多郎风格
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A mystical ethnic-ambient track. 80 BPM. Features a **haunting Duduk or Suona** (played softly). Intricate **hand drum percussion (Tablas/Udu). Vintage synthesizer pads** create a shimmering desert horizon effect. Mysterious, artistic, and visually evocative.
```
## 模板 7:坂本龙一极简风格
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A minimalist Mandarin avant-garde piece. 55 BPM. **Single upright piano** recorded with high room resonance, paired with **sparse Pipa plucking.** No percussion. Long silences between phrases. **Ambient water droplets** mixed low. Introspective and deeply calm.
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## 模板 8:谭盾风格
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A dramatic Mandarin martial arts orchestral track. 100 BPM. **Staccato violins** playing rapid motifs. Sharp **bamboo flute (Dizi)** trills. Powerful **Taiko drum accents**. A **low-pitched solo cello** provides a dark, tense foundation. Intense, cinematic, and sharp.
```
## 模板 9:宗次郎风格
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A tender, melodic Mandarin folk piece. 68 BPM. **Sweet Ocarina or Xun** melody. Accompanied by **warm acoustic guitar** and a light **string quartet.** Subtle sound of **gentle rain and distant oars** in the background. Nostalgic, peaceful, and heartwarming.
```
## 模板 10:史诗电影配乐风格
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An epic Mandarin fantasy orchestral anthem. 95 BPM. **Heavy cinematic percussion** meets **powerful male choir (Oohs and Aahs)**. A **soaring Suona** plays a triumphant theme. Layered **brass and Taiko drums** create a massive "wall of sound." Heroic and breathtaking.
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## 模板 11:姬神风格
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A rhythmic Mandarin New Age track. 110 BPM. **Plucked strings (Guqin/Sanxian)** layered over a **modern electronic beat. Nature field recordings** (birds, rustling leaves) integrated into the percussion. Bright, rhythmic, and full of life.
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## 模板 12:梅林茂风格
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A melancholic Mandarin tango-influenced ballad. 60 BPM (3/4 time). **Solemn solo violin** and **melancholic accordion.** Sparse **Guzheng glissandos** provide an oriental texture. Lush, dark string pads. Sophisticated, cinematic, and heartbroken.
```
## 模板 13:唐代宫廷复原乐
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A vibrant Mandarin traditional court ensemble. 88 BPM. Features **Pipa, Sheng, and multiple flutes** playing in harmony. **Bright bronze bells and chime percussion**. A festive yet elegant atmosphere. Rich, ornate, and culturally grand.
```