Create a bright, premium lifestyle product video featuring colorful OLLY gummy vitamins. Start with a close-up of the gummy bottle on a clean, aesthetically pleasing surface. Slowly reveal the colorful gummies, highlighting their texture, shape, and vibrant appearance. Show a hand picking up a gummy and bringing it toward the camera, followed by a natural wellness moment. Use soft daylight, warm tones, smooth camera movements, shallow depth of field, realistic product details, subtle reflections, and a clean commercial aesthetic. End with the OLLY bottle clearly visible in a polished hero shot. High-end beauty advertisement, cinematic lighting, realistic textures, smooth transitions, 4K quality.
Produto
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Create a 15-second vertical 9:16 cinematic commercial for a fictional AI app called “MA”, an app that creates a quiet mental pause in busy daily life. Style: premium Japanese live-action film commercial, emotionally grounded, realistic Tokyo at night, rain-soaked streets, deep
Format: 9:16 vertical | Style: Photorealistic premium skincare commercial SHOT 1 — Product Introduction | 0–3s The La Roche-Posay Effaclar Purifying Foaming Gel stands upright on a glossy white acrylic platform in a pristine luxury studio. Soft blue gradient light glows behind the tube. Slow cinematic push-in with subtle reflections. Product must remain exactly identical to the reference image: same tube shape, blue color, logo, typography, cap, proportions and packaging text. No redesign. SHOT 2 — Pick Up Product | 3–5s Close-up of a feminine hand reaching into frame and gently picking up the Effaclar cleanser. The camera follows the movement smoothly. Keep the background minimal, white and softly illuminated with blue accents. Packaging remains sharp, readable and unchanged. SHOT 3 — Dispensing Cleanser | 5–8s Macro close-up of the hand squeezing a small amount of cleanser onto the fingertips. Show the realistic gel texture and subtle glossy highlights. Clean studio lighting, shallow depth of field and slow controlled movement. SHOT 4 — Half-Face Application | 8–11s Cut to the woman applying the cleanser to her face. Only half of her face is visible. Use a tight side-angle crop showing one cheek, part of the jawline and lips. The other half of her face remains completely outside the frame. She gently massages the cleanser in circular motions as soft white foam develops. Never show her full face or a frontal portrait. SHOT 5 — Rinse & Fresh Skin | 11–14s Extreme close-up from the side as she rinses the cleanser away with clean water. Only half of her face remains visible. Water droplets move naturally across the cheek, catching soft studio light. Transition through a subtle water splash/ripple. SHOT 6 — Final Hero Product | 14–18s Return to the Effaclar tube standing perfectly centered on the glossy white platform. A soft blue light sweeps across the background. Subtle water reflections surround the base. Camera slowly pushes in and ends on the product front, with the packaging fully visible and legible. Overall aesthetic: luxury French pharmacy skincare campaign, clinical-clean studio, white and soft blue palette, realistic skin texture, elegant feminine hands, cinematic macro photography, soft shadows, controlled highlights, shallow depth of field, smooth camera movement, photorealistic 4K. Negative prompt: full-face reveal, frontal face, recognizable identity, altered packaging, changed logo, incorrect text, warped tube, distorted hands, extra fingers, duplicate product, excessive foam, unrealistic skin, CGI look, cartoon style, cluttered background, watermark.
Create a product video ad from @image1,@image2, script "A high-end cinematic fashion ad video, vertical 9:16, ultra-realistic, premium lighting, smooth transitions, strong rhythm. Use the exact female model shown in the reference as the model and the exact outfit shown in the reference as the outfit, worn consistently in all shots with full design, color, material, and structure preserved. Maintain consistent identity. Industrial city aesthetic, cool tones shifting to warm sunset. No text, no watermark. 0–2s (Hook + Detail) Indoor minimalist space. The exact female model shown in the reference walks away from camera, soft natural light. Cut to close-up of outfit fabric, folds, and structure, realistic texture. 2–4s (Lifestyle) Wide shot in industrial corridor, full outfit visible. Side tracking shot along concrete wall, emphasizing silhouette and structure lines. 4–6s (Detail + Portrait) Macro of fabric movement (layered/flowing). Cut to mid shot portrait, calm confident expression, slight hair movement. 6–8s (Detail + Lifestyle) Extreme close-up of stitching, seams, material transitions. Top-down wide shot walking through dark industrial tunnel, strong contrast. 8–10s (Detail + Lifestyle) Tracking shot of garment motion while walking. Transition to warm sunlight street crossing, enhancing texture and color. 10–12s (Detail + Portrait) Close-up of lower body or hem movement. Cut to face close-up, clear skin detail, steady gaze. 12–15s (Final) Epic wide sunset shot on a bridge. The exact female model shown in the reference faces skyline, then looks toward camera. Warm light, slow-motion ending. Style: cinematic fashion ad, high-contrast lighting, realistic motion, sharp details, premium commercial quality, no distortion."
Base Settings: Based on the visual language and audio information of this storyboard, generate a professional commercial for soda filled with Japanese high school sports movie aesthetics and narrative. Generate sound effects only, no background music. Visual Style: Modern Japanese youth cinema aesthetic, simulating the transparent layering of 120 medium format film or the clean texture of a digital cinema camera with Black Pro-Mist filters. The image is clean and delicate with minimal grain. Lighting: High-key backlight and soft diffuse ambient light, with characters wrapped in a slight glow. Highlights allowed to bloom/halate in sun white, pale cherry pink, or soft gold; shadows remain clean and transparent with a slight cyan-blue tint, no crushed blacks. Palette: Low contrast, low saturation, Japanese healing tones. Overall colors are soft, bright, airy; skin tones natural and clean. Cinematography: Real live-action film style, shallow depth of field, natural focus transitions, slight handheld breathing, smooth motion. Character movements are natural and restrained, conveying emotion through eyes, breath, running, and pauses. The visuals should look like a Japanese hot-blooded youth movie, not anime, illustration, MV, or idol photography. Character Settings: Character A: Black short-haired male student, calm, steady gaze. Character B: Slightly wavy dark brown short-haired male student, direct, expressive. Character C: Ear-length black short-haired female student, basketball club point guard, the protagonist. Content: Scene 01 | 0.0-1.5s | Signal Location: School hallway. Start: Extreme close-up of Character C's face. She has just run, sweat beads on forehead, short hair stuck to the cheek, breathing slightly fast. She looks up sharply off-camera. Background is a blurred Japanese high school hallway. End: Pull back to chest shot. Character C holds a basketball in one hand and a blue-purple RAIKU POP bottle in the other. She turns and runs down the hallway wearing a white uniform shirt, dark pleated skirt, and black training vest. The bottle is covered in condensation. Scene 02 | 1.5-3.0s | Chase Location: Long hallway. Character C runs through, basketball at side, soda in other hand. Side low-angle tracking shot. Character A appears at the corner, catches a rolling ball, and both move towards stairs. Scene 03 | 3.0-4.5s | Stairwell Junction Location: Cement stairs. Character B runs down from above. Character C appears from below, tosses the RAIKU POP to Character A. Character A catches it while running. Scene 04 | 4.5-6.0s | Connecting Bridge. Three students enter from different directions. Long lens compresses distance. Basketball flies towards lens for a circular wipe transition. Scene 05 | 6.0-7.5s | Rooftop Steal. Character B pushes metal door open, catches ball in strong backlight. Character C steals the ball and turns to exit. Scene 06 | 7.5-9.0s | Entering Court. Character C enters dim equipment passage, A and B follow. Character A places RAIKU POP on an old wooden bench. Close-up on the product, condensation sliding, blue bubbles rising. Scene 07 | 9.0-12.0s | The Final Shot. Japanese high school gym. Character C breaks through defense in dark navy/blue-purple jersey. High-speed floor tracking shot. She jumps for a three-pointer. Low-angle shot of jump, ball leaves fingertips. Match cut to Character A unscrewing the cap, then to the ball passing through the net. Scene 08 | 12.0-15.0s | After School Boiling Point. The three sit on a bench in jerseys, each drinking RAIKU POP. PET bottles clink. Tired but satisfied mood. End: Fade to dark navy brand background with logo 'RAIKU POP' and slogan 'After school, the boiling point has just begun.'
WOMAN = a 26-year-old British woman, natural relatable UGC style, warm fair skin that reddens easily in the sun, light freckles across nose and cheeks, shoulder-length wavy light-brown hair loose, soft brows, blue-grey eyes, everyday face with minimal makeup, wearing a strappy pastel summer top with sunglasses pushed up on her head. Authentic girl-next-door energy. Appearance only. CITY = a sunny city street on a blazing hot summer afternoon, bright pavements, shopfronts, street trees, heat haze shimmering, an intensely bright sun high in a clear blue sky, harsh direct sunlight, strong warm highlights and glare. Environment only. DELURE = a sleek modern sunscreen bottle, clean minimal pastel-and-white packaging, the brand name "DELURE" printed clearly and legibly across the front in a modern sans-serif font, premium skincare look. Product only. SCENE: a warm, authentic UGC-style sunscreen advert. A young British woman walks through a sunny city on a blazing hot day; the harsh sun is reddening her cheeks. She stops, takes a DELURE sunscreen bottle from her bag, and applies the cream to her cheeks; the redness fades and her skin calms back to normal, healthy and happy. She smiles, relieved. The advert ends on a clean product shot of the DELURE bottle. TECHNICAL: 16:9 (or 9:16 vertical if preferred for UGC), bright natural handheld UGC-style camera, warm sunny summer color grade, crisp and clean, realistic self-filmed advert feel, shallow depth of field on the product shots, photorealistic. CUTS: CUT 1 (0-3s): Zoom straight into the blazing bright sun high in the clear blue sky, intense glare and lens flare, heat haze. Then tilt down to the woman walking along the sunny city street, squinting slightly against the heat, fanning herself. CUT 2 (3-6s): Camera zooms in on her FACE — warm and sunlit, her cheeks visibly flushed and reddened from the harsh sun, a slightly uncomfortable expression. Close on the reddened cheeks. CUT 3 (6-9s): She stops, reaches into her bag, and pulls out the DELURE sunscreen bottle. She squeezes a little cream onto her fingertips and gently applies it to her reddened cheeks, smoothing it in. CUT 4 (9-12s): Close-up on her CHEEKS — the redness visibly fading and calming, her skin returning to its normal healthy warm-fair tone, soothed and even. She relaxes, the discomfort gone, and smiles softly with relief. CUT 5 (12-15s): Camera shifts to a clean hero product shot of the DELURE sunscreen bottle held up in the sunlight (or resting on a bright surface), the brand name "DELURE" sharp and clearly legible, sunlight catching the packaging. A polished final beat. RULES: References are appearance only, do not recreate. Keep the woman's face and identity consistent across every cut. The brand name "DELURE" must be spelled correctly
A clean, bright, modern kitchen commercial for “Leisure Hydration” lemonade electrolyte drink. Soft natural daylight, white marble countertop, fresh lemons and mint leaves scattered around. Start with a close-up of a tall yellow-and-white aluminum can covered in condensation droplets. The can has playful cartoon lemon character with headphones and a yellow umbrella, text “lemonade”, “leisure HYDRATION”, “5g SUGAR”, “NON CARBONATED”, “electrolyte refresher”, “+ VITAMINS, MAGNESIUM, ADAPTOGENS”. Elegant white text overlay “Hydrate Smarter.” appears. A woman’s hand reaches in and picks up the can. Cut to a beautiful East Asian woman with long straight black hair, wearing a white tank top. She brings the can to her lips, closes her eyes, and takes a refreshing sip. She then lowers the can, opens her eyes, and gives a bright, genuine smile while looking at the camera. She continues smiling and speaking naturally while holding the can near her face. Quick cut to a dynamic product shot of the same can surrounded by flying lemon slices, mint leaves, and dramatic water splashes against a bright white background with soft sunlight rays. She then holds the can forward toward the camera with a big cheerful smile, presenting the product. Soft, fresh, lifestyle commercial style, high-end beverage ad, vibrant yellow and white color palette, clean and refreshing mood. Voiceover (friendly female voice): “I’ve been loving this Leisure Hydration lemonade. It’s packed with electrolytes, only 5 grams of sugar, non-carbonated, and includes vitamins, magnesium, and adaptogens. It’s my go-
Create a 15-second premium Japanese technology commercial announcing the arrival of Seedance 2.5 on Tasky. IMPORTANT: GENERATE ABSOLUTELY NO TEXT OR TYPOGRAPHY ANYWHERE IN THE VIDEO. All titles, captions, product names, brand names, and Japanese copy will be added later during
Live-action running-shoe commercial. 20 seconds. No cuts are used. The background is one flat electric blue from beginning to end. No gradient, no texture, no floor, no shadows. The shoes fall continuously from the top of the frame towards the bottom. Dozens of running shoes are in frame at any one moment. They are all the same single model and differ only in colour: a light, thin running shoe with a thick white foam midsole under a brightly coloured knit mesh upper, with one small silver tab at the heel. That tab is the same silver on every colourway, and there is no gold or black metal anywhere on the shoe. The colours run through orange, lime, coral, dark grey, white and pale blue. Every shoe falls from top to bottom. They all fall the same way; what differs is that each tumbles on its own axis, so in any one frame some show their outsoles, some their sides, and some are seen from above. Any shoe that comes close to camera enters from the top of the frame and leaves through the bottom; none of them appears or disappears in the middle of the frame. The near ones are large and sharp; the far ones read only as small blurred patches of colour. Focus holds on one plane and everything in front of and behind it falls softly away. The camera holds its position, breathing very slightly. What carries the frame is the shoes. Partway through, a torn paper edge sweeps across the frame and opens the layer beneath it. Along every tear the white core of the paper is left ragged and fibrous, and a soft shadow falls onto the layer below. Wherever she appears, the camera is in front of her. It never follows her back or the back of her head; her face is turned towards camera. The photograph under the paper is black and white: high-key, with the sky blown out to white, and coarse darkroom-print grain. Even inside that black and white, the shoes keep their colour. One woman appears and she is the same person throughout: a Korean woman in her early twenties, with clearly defined features, long eyes and a narrow jawline. Her hair is deep auburn, falling in heavy waves to her waist, with a few fine braids running sideways from the crown. She ties it back in a single tail to run. She wears three things: a pale blue halter crop top underneath, a dark grey sheer cropped bolero over it with long sleeves and thumbholes that cover the backs of her hands, and dark grey joggers gathered at the ankle with a pale blue drawstring at the waist. She stays in all three while she runs; they never turn into a running vest or short athletic shorts. On her feet is the white-foam-midsole running shoe described above. (0:00–0:03) The film opens on the side of a coral running shoe filling the upper left of the frame, close enough that individual strands of the knit upper, the grain along the midsole and the stitching all read. It tumbles on its axis towards the lower right until the inside of the shoe comes into view. Behind it, dozens more come down at varying sizes. (0:03–0:05) A lime pair catches on the top edge of the frame with only the toes pushing in, close enough that the individual strands of knit mesh and the texture of the midsole are visible. The rest of the frame is blue, with only a few small shoes coming down far away in it. (0:05–0:07.5) LAND LIGHT fades up at the centre of the frame in white serif capitals with very wide letter spacing, fixed in place. Printed on paper, its strokes show horizontal printing lines inside them. One falling shoe drops in front of the letters and another behind them. From the lower right corner a torn paper edge rises at an angle and peels the blue layer away. (0:07.5–0:13) Where the edge has peeled back, a bright black-and-white photograph fills in. The camera sits low on the polyurethane track directly in front of her, facing her head-on and retreating as she runs towards it. The white foam midsole reaches forward, compresses as it meets the ground and springs back. The shoes alone hold their coral; everything else is black and white. The camera rises from her feet to her face and frames her from the front, chest up and large. Her eyes fixed straight ahead, her face wet with sweat and her dark auburn hair swinging all read clearly. The stands and the sky behind her fall softly out of focus, and the sky is blown out to white. (0:13–0:16) The torn edge rises from the bottom of the frame and the blue layer comes back. A coral pair falls through dead centre with one shoe crossing over the other, the camera further back now so the whole shoe reads. A single highlight travels across the small silver tab at the heel. (0:16–0:17.5) A single sheet of electric blue paper, come down from the top, covers the frame. Its lower edge is torn, with the white core of the paper showing. (0:17.5–0:20) A bright off-white paper field. At the centre, two lines of thin capitals: LAND LIGHT, RUN LONG. No other lettering and no symbol. A torn edge crosses the lower part of the frame at a very shallow angle. The final frame settles on exactly this. This has to read as a real commercial film. The print grain applies to the black-and-white layer only; the blue layers are sharp. Lettering appears in exactly two places: LAND LIGHT at 0:05–0:07.5 and the two lines on the final frame. No brand name and no logo symbol appear anywhere.
15 seconds | 16:9 horizontal | 24fps. A 21-year-old Japanese actress sprints along a bright seaside breakwater, grabs a bottle of ice-cold water out of a cooler, drinks it down under
30s | 16:9 | Realistic UGC cleanser recommendation | strict one-take | natural smartphone footage Use the same young woman from the reference image throughout the entire video. She has a short black bob haircut, light natural makeup, real skin texture, a slim body, and natural proportions. Keep her face, hairstyle, outfit, and body proportions fully consistent in every second of the video. She must wear the same blue short-sleeve collared pajama top and matching blue pajama shorts from the reference image. The product is one facial cleanser. The key product behavior is: when mixed with water in her hands, it should create rich, fine, realistic white foam. The foam must be formed naturally through rubbing with wet hands, then applied onto the face. It must not appear as a visual effect or pop into existence. Scene A cozy, ordinary apartment with natural daylight. The video starts in the living room. Background includes a beige sofa, coffee table, floor lamp, green plants, and a few real everyday items. The girl sits cross-legged on a rug. In front of her is a plain kraft shipping box, and beside it is a small household pair of scissors. The bathroom is connected nearby and can be naturally walked into. Spatial continuity must feel real and uninterrupted. Camera style This must be one continuous take from start to finish. No cuts, no transitions, no hidden edits, no jump frames, no teleportation. It should feel like a friend is filming her on a phone. Use a natural smartphone wide-angle lens, with slight handheld shake, realistic autofocus and exposure changes. Do not make it feel like a polished commercial. No cinematic camera moves, no subtitles, no over-retouching, no plastic skin. The overall vibe: she just received a cleanser her friend recommended and casually filmed a real unboxing + first try. Sequence 0–3s | Opening Camera starts in the living room. She sits on the rug with the package in front of her, looks at camera, smiles naturally and says: “Okay, this finally came.” Then she looks down at the package. 3–8s | Unboxing She picks up the scissors, holds the box steady with one hand, and cuts through the top tape naturally while saying: “My friend has been telling me to try this cleanser.” She puts the scissors back down and opens the box with both hands. 8–12s | Product out She takes the cleanser out, looks at it briefly, then lifts it naturally toward the camera. No cutaway product close-up, only a slight camera lean-in. She says: “She literally swears by it.” Then smiles and says: “Let’s try it.” She prepares to stand up with the cleanser. 12–17s | Walk to bathroom She stands up naturally while holding the cleanser. The camera backs up and follows her continuously as she walks from the living room into the bathroom. She says while walking: “I haven’t even washed my face yet, so perfect timing.” 17–20s | Wet face At the sink, she places the cleanser beside the sink, turns on the tap, gathers water in her hands, and wets her face. Water must physically touch the skin. Natural droplets appear on hands and face. 20–23s | Foam up She picks up the cleanser, squeezes a small amount into her wet palm, puts the cleanser back down, adds a little water, and rubs both hands together. The foam must build gradually from a small amount into rich, fine white foam. 23–26s | Wash face She applies the foam to her face and massages her cheeks, nose, forehead, and chin naturally. Foam follows her hand movement realistically. Do not cover her eyes. Do not make the foam excessive or like shaving cream. She reacts with mild pleasant surprise and says: “Oh... this feels really nice.” 26–28s | Rinse off She leans toward the sink, uses clean water to rinse off the foam. The foam gradually disappears with water. Her face is revealed clean and naturally wet, with a few droplets still visible. 28–30s | Final reaction She lifts her head, gently touches her cheek, turns to the camera, smiles with a pleasantly surprised expression and says: “Okay... I get the hype.” Then she picks up the cleanser and shows it naturally, saying: “She was right.” End naturally. Critical continuity rules The whole action must happen in one real continuous shot: sitting in living room → pick up scissors → cut tape → put scissors down → open box → take out cleanser → show cleanser → stand up → walk to bathroom → place cleanser down → turn on water → wet face → squeeze cleanser into palm → add water → rub hands → foam forms → apply foam to face → massage → rinse off → touch face → pick up cleanser → share reaction. Must avoid No second cleanser. No product teleportation. No hairstyle change. No outfit change. No face change. No hand/finger deformities. No environment changes. No sudden dry/wet face continuity errors. No foam appearing from nowhere. No hidden cuts. Key story: friend strongly recommends it → package just arrived → she opens it immediately → walks straight to the bathroom → tries it right away → real foaming wash → genuinely likes how her skin feels. Natural, casual, relaxed, everyday American UGC tone.
The Busy Beaver’s desk now has its flower point: 64 SWITCHES 1 FLOWER VASE WORK PLAY LIFE The flowers bring color into the computation without interrupting the Beaver’s work.
Generate Video: Create a 10-second high-end luxury perfume commercial for the original fictional luxury brand "MAISON LUMÉA" and the product "Obsidian Elixir." The overall production must present a top-tier international perfume film quality, as if co-created by a master director, luxury creative director, top director of photography, Paris haute couture art team, jewelry-grade product photography team, and a cinematic post-production house. The visuals must look like a flagship brand commercial made with a multi-million budget: extremely high-end, mysterious, sensual, expensive, and restrained, with an aura of "night, golden liquid, velvet, firelight, and rare fragrance." Do not include any real brand logos, do not imitate existing perfume brands, avoid cheap e-commerce imagery, do not look like a livestream product display, and avoid messy subtitles. Aspect ratio 16:9, duration 10 seconds, cinematic realistic style, ultra-high-end commercial photography. Main color palette: deep black, obsidian, dark gold, amber gold, faint burgundy, and ivory white highlights. The overall scene is dark with extremely precise lighting, using a small amount of highlights to sculpt the perfume bottle. Texture references: top perfume ads, jewelry ads, red carpet haute couture films, museum-grade still-life photography: large areas of black negative space, understated luxury, velvet-like shadows, golden liquid appearing like fire sealed in obsidian. The overall vibe must not be noisy, flashy, neon-cyber, excessively purple-blue, or plastic-like. Product Setting: A bottle of original high-end perfume "MAISON LUMÉA Obsidian Elixir." The bottle is heavy obsidian-textured glass, nearly black but with translucent smoky gray refraction at the edges. The bottle silhouette is simple and sculptural, like an architectural work of art. Inside the bottle is deep amber-gold perfume liquid, showing rich layers of honey, aged cognac, and molten gold under light. The cap is dark gold metal, restrained in design with fine brushed texture, and a small black crystal embedded at the top. The front of the bottle can feature minimalist branding "MAISON LUMÉA" and the product name "Obsidian Elixir" in a small font; the text must be exquisite, centered, and understated, like real high-end silk-screen printing, no garbled code, not too large, not like a sticker. Scene Setting: The perfume bottle is placed on a display stand at the junction of black velvet and obsidian mirror-finished stone. The background is an extremely dark Parisian night interior, like a private salon, a candlelit room in an ancient palace, or a haute couture fragrance lab. In the distance are blurred candlelight, dark gold frames, black curtains, light smoke, and faint petal silhouettes, but the background must be blurred to not distract from the product. Extremely fine golden fragrance particles float in the air, visualizing the scent in a very restrained, realistic, and elegant way. No clear faces of people; a fleeting blur of black silk or a haute couture skirt can pass by for atmosphere, but the product is always the absolute protagonist. Shot Design: 0-2s: Start from total black. A very narrow, warm golden light beam slowly enters from the top left, first illuminating a soft fold on the black velvet surface. Macro close-up, very shallow depth of field, showing velvet fuzz and tiny fragrance particles. Then, a sharp highlight traces the edge of the obsidian glass at the base of the bottle. The audience cannot yet see the full bottle, only feeling an expensive, mysterious, and highly ceremonial opening. 2-4s: The camera slowly moves up and pushes in slightly, revealing the obsidian glass bottle. The edges show smoky translucent refraction, while the center is almost opaque black. The amber-gold liquid inside looks like a low-temperature burning golden flame as light passes through. The bottle surface has clean mirror reflections, with distant candlelight forming tiny, soft, expensive light points in the glass. Movement must be stable, slow, like a robotic arm, no shaking. 4-6s: Cut to an extreme close-up of the perfume liquid. The golden liquid inside flows slightly, like a mix of honey, amber, and molten gold, thick but elegant. Light creates complex refractions with small golden ripples at the edges. Faint wisps of smoke rise from near the bottle neck, with abstract silhouettes of black rose petals, vanilla pods, and amber resin visible within the smoke, but these shouldn't look like props—only olfactory imagery. This section needs to be extremely sensory; the audience should almost "smell" the fragrance. 6-8s: Pull back to a full product hero shot. The bottle stands at a 3/4 angle on the obsidian platform. The dark gold metal cap is precisely lit by a narrow beam, and the golden liquid inside glows deeply. Black velvet drapes naturally behind the bottle, with distant candlelight blurred into tiny golden bokeh. A few black rose petals fall slowly—very few, with elegant trajectories, not like a wedding petal shower. The camera slowly orbits 15 degrees from a low angle, creating a sculptural product introduction. 8-10s: Final freeze-frame resolution. The bottle is centered-right, with high-end black negative space on the left. The brand name "MAISON LUMÉA" is clear but understated, with the product name "Obsidian Elixir" presented in a small size. In the last second, a warm golden highlight slides from the cap to the bottle, passing through the golden liquid for a brief, restrained, expensive gilded shimmer. Fragrance particles float slowly around the bottle, ending on a static, expensive, collectible moment. Photography Requirements: Cinematic commercial photography language, ARRI Alexa 35 or equivalent texture, combining 85mm and 100mm macro lenses, shallow depth of field, realistic lens breathing, precise light control, black flag shading, narrow golden key light, soft candlelight reflections, velvet shadows. Sharpness focused on bottle edges, metal cap, liquid refraction, branding, and obsidian glass texture. Background must be softly blurred. Lighting Requirements: Low-key lighting, shaping the bottle with minimal light in a black space. Key light is a warm golden narrow beam, fill light is very weak, rim light slightly cool white to make obsidian edges three-dimensional. Candlelight is for background atmosphere only. Highlights must be delicate, smooth, and expensive, not overexposed or flickering cheaply, no rainbow artifacts. Shadows are rich but preserve the bottle's silhouette. Material Requirements: Obsidian glass must be heavy, realistic, semi-transparent with refractions and mirror reflections; metal cap must be dark gold brushed texture, not bright yellow plastic; perfume liquid must look like high-concentration amber gold with depth and fluidity; velvet must be soft with dark layers; stone platform must be black mirror with restrained reflections. All materials must look like real high-end photography, not 3D asset libraries or cheap rendering. Dynamic Requirements: Movements are extremely slow, steady, and restrained. Allowed dynamics: slow light sweeps, slight camera push and orbit, slight liquid flow, slow rising smoke, a few slow-falling petals, light floating particles. No fast cuts, no excessive bottle spinning, no liquid splashing, no exaggerated explosions, no magic effects, no floating products, no camera shake. Post-production Texture: Cinematic color grading, high-contrast dark tones, clean blacks, rich gold but not oversaturated, skin elements almost non-existent. Like a haute couture perfume ad. Add very slight film grain, soft highlight bloom, realistic lens vignetting, but not dirty or overly blurry. The final result must be suitable as a visual for a luxury perfume launch with artistic sophistication. Sound Imagination (Visual Reference): Deep strings, faint glass resonance, soft breathing, crackling fire, a final light metallic note. Although generating video, the visual rhythm should feel supported by high-end scoring: 0-4s mysterious buildup, 4-6s sensory burst, 6-8s product reveal, 8-10s brand lockup. Negative Requirements: No real brand logos (Chanel, Dior, Guerlain, Tom Ford, YSL, etc.); no garbled text, spelling errors, long subtitles, promotional slogans, prices, buy buttons, e-commerce backgrounds, livestream lighting, cheap glass, plastic caps, overly bright gold, messy desks, ordinary bathrooms or mall counters; no distracting figures, hand deformities, bottle warping, liquid clipping, thick smoke, too many petals, low resolution, overexposure, jitter, or AI distortion. The overall feel must be obsidian-mysterious, gilded-luxurious, haute-couture-restrained, with million-dollar-budget production value. 16:9, 10s
Hero Product Reveal, Turn one product photo into a cinematic 3-shot reveal video
Create a cinematic luxury diamond advertisement with a dark premium aesthetic. A black jewelry box slowly opens to reveal a flawless diamond. The camera pushes in for an extreme close-up as a gloved hand lifts the diamond. As it rises, electric-blue energy and realistic lightning begin forming around it. The diamond floats in the air while powerful lightning strikes in the background, with glowing particles, volumetric lighting, realistic reflections and physically accurate diamond refraction. Smooth cinematic camera movement, dramatic lighting, photorealistic CGI, premium commercial quality, realistic physics, highly detailed, consistent diamond throughout the entire shot.
Generate a 30-second, real-time, uncut adventure action film shot in one continuous take. The main subject is reference character @1, wearing reference costume @2, navigating four trap zones in an ancient underground temple to retrieve a modern bottled perfume. [Global Settings] @1 provides character reference: facial features, long curly brown hair, red lipstick, and accessories. @2 provides costume reference: white lace bodysuit, high collar, white belt with bow, translucent cape, and white high heels. Environment is a mossy, crumbling ancient ruin. Lighting uses orange torchlight and cold skylight beams. Visual style is cinematic adventure film texture with shallow depth of field and natural motion blur. Camera language is a 30-second Steadicam long take, moving from 3/4 rear follow to low-angle profile and finally to front mid-close up. [Timeline Breakdown] 0-5s: Darts trap. She steps on a loose plate, dodges darts by rolling. Her white gloves get dusty. 5-12s: Underground waterway stepping stones. She jumps across six sinking stones. The cape hem gets wet. 12-18s: Pendulum blade corridor. She times her sprint past swinging stone blades, leaning back to narrowly avoid the last one. 18-24s: Collapsing bridge sprint. The stone bridge falls behind her as she sprints and leaps to the other side. 24-30s: Perfume altar. She reaches the altar where a modern glass perfume bottle sits illuminated by a beam of light. Torchlight reflects off the glass. No studio lighting.
A luxurious swimming pool made entirely of translucent ruby-red strawberry jello on a seamless white-to-pale-pink gradient background. A giant realistic strawberry sculpted from the same glossy jello rises from the center of the pool and slowly bounces upward, then drops back onto the surface, creating beautiful concentric jello waves and soft splashes. Tiny translucent jello droplets stretch through the air and catch the studio light. The camera starts with a macro close-up of the glossy jello texture, smoothly pulls back as the strawberry rises, then gently pushes in as it lands. Realistic gelatin deformation, wobbling, stretching, soft bouncing, liquid-like surface ripples, convincing translucency and subsurface scattering. Premium art-directed food photography, minimalist studio composition, mesmerizing ASMR aesthetic, cinematic smooth motion, single continuous shot, exactly 10 seconds, no text, no logos.
Luxury perfume bottle on a clean glossy black surface, warm amber lighting, subtle golden smoke, elegant dark background, soft reflections, premium fragrance advertisement, cinematic close-up, slow camera push-in, photorealistic, 4K. Scene 2 — 3–6s Prompt: A beautiful confident woman wearing an elegant burnt-orange satin dress, long dark hair, standing in a luxurious dark interior with soft vertical golden lights behind her. Calm confident expression, subtle smoke, cinematic medium shot, slow camera movement, photorealistic, 4K. Scene 3 — 6–9s Prompt: Close-up of the same woman gently spraying the perfume on her neck. Fine fragrance mist visible in the warm light, elegant expression, soft golden lighting, natural hair movement, shallow depth of field, cinematic beauty commercial, photorealistic, 4K. Scene 4 — 9–12s Prompt: The same woman confidently walking toward the camera through a modern luxury interior. Same burnt-orange satin dress and long dark hair, warm golden lights, clean reflective floor, subtle atmospheric smoke, smooth tracking camera, elegant feminine presence, photorealistic, 4K. Scene 5 — 12–15s Prompt: The same luxury perfume bottle centered on a glossy black surface, subtle amber crystals around it, soft golden smoke in the background, dramatic but clean spotlight, elegant dark background, premium fragrance advertisement, slow camera push-in, photorealistic, 4K. Character & Product Consistency Same woman throughout all scenes, identical face, hairstyle, skin tone and outfit. Same perfume bottle design in every shot. Clean luxury aesthetic, consistent warm amber lighting, realistic skin and natural movement. No extra people, no distorted hands, no duplicate objects, no unwanted text or logos.
Create a bright, premium lifestyle product video featuring colorful OLLY gummy vitamins. Start with a close-up of the gummy bottle on a clean, aesthetically pleasing surface. Slowly reveal the colorful gummies, highlighting their texture, shape, and vibrant appearance. Show a hand picking up a gummy and bringing it toward the camera, followed by a natural wellness moment. Use soft daylight, warm tones, smooth camera movements, shallow depth of field, realistic product details, subtle reflections, and a clean commercial aesthetic. End with the OLLY bottle clearly visible in a polished hero shot. High-end beauty advertisement, cinematic lighting, realistic textures, smooth transitions, 4K quality.
Format: 9:16 vertical | Style: Photorealistic premium skincare commercial SHOT 1 — Product Introduction | 0–3s The La Roche-Posay Effaclar Purifying Foaming Gel stands upright on a glossy white acrylic platform in a pristine luxury studio. Soft blue gradient light glows behind the tube. Slow cinematic push-in with subtle reflections. Product must remain exactly identical to the reference image: same tube shape, blue color, logo, typography, cap, proportions and packaging text. No redesign. SHOT 2 — Pick Up Product | 3–5s Close-up of a feminine hand reaching into frame and gently picking up the Effaclar cleanser. The camera follows the movement smoothly. Keep the background minimal, white and softly illuminated with blue accents. Packaging remains sharp, readable and unchanged. SHOT 3 — Dispensing Cleanser | 5–8s Macro close-up of the hand squeezing a small amount of cleanser onto the fingertips. Show the realistic gel texture and subtle glossy highlights. Clean studio lighting, shallow depth of field and slow controlled movement. SHOT 4 — Half-Face Application | 8–11s Cut to the woman applying the cleanser to her face. Only half of her face is visible. Use a tight side-angle crop showing one cheek, part of the jawline and lips. The other half of her face remains completely outside the frame. She gently massages the cleanser in circular motions as soft white foam develops. Never show her full face or a frontal portrait. SHOT 5 — Rinse & Fresh Skin | 11–14s Extreme close-up from the side as she rinses the cleanser away with clean water. Only half of her face remains visible. Water droplets move naturally across the cheek, catching soft studio light. Transition through a subtle water splash/ripple. SHOT 6 — Final Hero Product | 14–18s Return to the Effaclar tube standing perfectly centered on the glossy white platform. A soft blue light sweeps across the background. Subtle water reflections surround the base. Camera slowly pushes in and ends on the product front, with the packaging fully visible and legible. Overall aesthetic: luxury French pharmacy skincare campaign, clinical-clean studio, white and soft blue palette, realistic skin texture, elegant feminine hands, cinematic macro photography, soft shadows, controlled highlights, shallow depth of field, smooth camera movement, photorealistic 4K. Negative prompt: full-face reveal, frontal face, recognizable identity, altered packaging, changed logo, incorrect text, warped tube, distorted hands, extra fingers, duplicate product, excessive foam, unrealistic skin, CGI look, cartoon style, cluttered background, watermark.
Base Settings: Based on the visual language and audio information of this storyboard, generate a professional commercial for soda filled with Japanese high school sports movie aesthetics and narrative. Generate sound effects only, no background music. Visual Style: Modern Japanese youth cinema aesthetic, simulating the transparent layering of 120 medium format film or the clean texture of a digital cinema camera with Black Pro-Mist filters. The image is clean and delicate with minimal grain. Lighting: High-key backlight and soft diffuse ambient light, with characters wrapped in a slight glow. Highlights allowed to bloom/halate in sun white, pale cherry pink, or soft gold; shadows remain clean and transparent with a slight cyan-blue tint, no crushed blacks. Palette: Low contrast, low saturation, Japanese healing tones. Overall colors are soft, bright, airy; skin tones natural and clean. Cinematography: Real live-action film style, shallow depth of field, natural focus transitions, slight handheld breathing, smooth motion. Character movements are natural and restrained, conveying emotion through eyes, breath, running, and pauses. The visuals should look like a Japanese hot-blooded youth movie, not anime, illustration, MV, or idol photography. Character Settings: Character A: Black short-haired male student, calm, steady gaze. Character B: Slightly wavy dark brown short-haired male student, direct, expressive. Character C: Ear-length black short-haired female student, basketball club point guard, the protagonist. Content: Scene 01 | 0.0-1.5s | Signal Location: School hallway. Start: Extreme close-up of Character C's face. She has just run, sweat beads on forehead, short hair stuck to the cheek, breathing slightly fast. She looks up sharply off-camera. Background is a blurred Japanese high school hallway. End: Pull back to chest shot. Character C holds a basketball in one hand and a blue-purple RAIKU POP bottle in the other. She turns and runs down the hallway wearing a white uniform shirt, dark pleated skirt, and black training vest. The bottle is covered in condensation. Scene 02 | 1.5-3.0s | Chase Location: Long hallway. Character C runs through, basketball at side, soda in other hand. Side low-angle tracking shot. Character A appears at the corner, catches a rolling ball, and both move towards stairs. Scene 03 | 3.0-4.5s | Stairwell Junction Location: Cement stairs. Character B runs down from above. Character C appears from below, tosses the RAIKU POP to Character A. Character A catches it while running. Scene 04 | 4.5-6.0s | Connecting Bridge. Three students enter from different directions. Long lens compresses distance. Basketball flies towards lens for a circular wipe transition. Scene 05 | 6.0-7.5s | Rooftop Steal. Character B pushes metal door open, catches ball in strong backlight. Character C steals the ball and turns to exit. Scene 06 | 7.5-9.0s | Entering Court. Character C enters dim equipment passage, A and B follow. Character A places RAIKU POP on an old wooden bench. Close-up on the product, condensation sliding, blue bubbles rising. Scene 07 | 9.0-12.0s | The Final Shot. Japanese high school gym. Character C breaks through defense in dark navy/blue-purple jersey. High-speed floor tracking shot. She jumps for a three-pointer. Low-angle shot of jump, ball leaves fingertips. Match cut to Character A unscrewing the cap, then to the ball passing through the net. Scene 08 | 12.0-15.0s | After School Boiling Point. The three sit on a bench in jerseys, each drinking RAIKU POP. PET bottles clink. Tired but satisfied mood. End: Fade to dark navy brand background with logo 'RAIKU POP' and slogan 'After school, the boiling point has just begun.'
A clean, bright, modern kitchen commercial for “Leisure Hydration” lemonade electrolyte drink. Soft natural daylight, white marble countertop, fresh lemons and mint leaves scattered around. Start with a close-up of a tall yellow-and-white aluminum can covered in condensation droplets. The can has playful cartoon lemon character with headphones and a yellow umbrella, text “lemonade”, “leisure HYDRATION”, “5g SUGAR”, “NON CARBONATED”, “electrolyte refresher”, “+ VITAMINS, MAGNESIUM, ADAPTOGENS”. Elegant white text overlay “Hydrate Smarter.” appears. A woman’s hand reaches in and picks up the can. Cut to a beautiful East Asian woman with long straight black hair, wearing a white tank top. She brings the can to her lips, closes her eyes, and takes a refreshing sip. She then lowers the can, opens her eyes, and gives a bright, genuine smile while looking at the camera. She continues smiling and speaking naturally while holding the can near her face. Quick cut to a dynamic product shot of the same can surrounded by flying lemon slices, mint leaves, and dramatic water splashes against a bright white background with soft sunlight rays. She then holds the can forward toward the camera with a big cheerful smile, presenting the product. Soft, fresh, lifestyle commercial style, high-end beverage ad, vibrant yellow and white color palette, clean and refreshing mood. Voiceover (friendly female voice): “I’ve been loving this Leisure Hydration lemonade. It’s packed with electrolytes, only 5 grams of sugar, non-carbonated, and includes vitamins, magnesium, and adaptogens. It’s my go-
Live-action running-shoe commercial. 20 seconds. No cuts are used. The background is one flat electric blue from beginning to end. No gradient, no texture, no floor, no shadows. The shoes fall continuously from the top of the frame towards the bottom. Dozens of running shoes are in frame at any one moment. They are all the same single model and differ only in colour: a light, thin running shoe with a thick white foam midsole under a brightly coloured knit mesh upper, with one small silver tab at the heel. That tab is the same silver on every colourway, and there is no gold or black metal anywhere on the shoe. The colours run through orange, lime, coral, dark grey, white and pale blue. Every shoe falls from top to bottom. They all fall the same way; what differs is that each tumbles on its own axis, so in any one frame some show their outsoles, some their sides, and some are seen from above. Any shoe that comes close to camera enters from the top of the frame and leaves through the bottom; none of them appears or disappears in the middle of the frame. The near ones are large and sharp; the far ones read only as small blurred patches of colour. Focus holds on one plane and everything in front of and behind it falls softly away. The camera holds its position, breathing very slightly. What carries the frame is the shoes. Partway through, a torn paper edge sweeps across the frame and opens the layer beneath it. Along every tear the white core of the paper is left ragged and fibrous, and a soft shadow falls onto the layer below. Wherever she appears, the camera is in front of her. It never follows her back or the back of her head; her face is turned towards camera. The photograph under the paper is black and white: high-key, with the sky blown out to white, and coarse darkroom-print grain. Even inside that black and white, the shoes keep their colour. One woman appears and she is the same person throughout: a Korean woman in her early twenties, with clearly defined features, long eyes and a narrow jawline. Her hair is deep auburn, falling in heavy waves to her waist, with a few fine braids running sideways from the crown. She ties it back in a single tail to run. She wears three things: a pale blue halter crop top underneath, a dark grey sheer cropped bolero over it with long sleeves and thumbholes that cover the backs of her hands, and dark grey joggers gathered at the ankle with a pale blue drawstring at the waist. She stays in all three while she runs; they never turn into a running vest or short athletic shorts. On her feet is the white-foam-midsole running shoe described above. (0:00–0:03) The film opens on the side of a coral running shoe filling the upper left of the frame, close enough that individual strands of the knit upper, the grain along the midsole and the stitching all read. It tumbles on its axis towards the lower right until the inside of the shoe comes into view. Behind it, dozens more come down at varying sizes. (0:03–0:05) A lime pair catches on the top edge of the frame with only the toes pushing in, close enough that the individual strands of knit mesh and the texture of the midsole are visible. The rest of the frame is blue, with only a few small shoes coming down far away in it. (0:05–0:07.5) LAND LIGHT fades up at the centre of the frame in white serif capitals with very wide letter spacing, fixed in place. Printed on paper, its strokes show horizontal printing lines inside them. One falling shoe drops in front of the letters and another behind them. From the lower right corner a torn paper edge rises at an angle and peels the blue layer away. (0:07.5–0:13) Where the edge has peeled back, a bright black-and-white photograph fills in. The camera sits low on the polyurethane track directly in front of her, facing her head-on and retreating as she runs towards it. The white foam midsole reaches forward, compresses as it meets the ground and springs back. The shoes alone hold their coral; everything else is black and white. The camera rises from her feet to her face and frames her from the front, chest up and large. Her eyes fixed straight ahead, her face wet with sweat and her dark auburn hair swinging all read clearly. The stands and the sky behind her fall softly out of focus, and the sky is blown out to white. (0:13–0:16) The torn edge rises from the bottom of the frame and the blue layer comes back. A coral pair falls through dead centre with one shoe crossing over the other, the camera further back now so the whole shoe reads. A single highlight travels across the small silver tab at the heel. (0:16–0:17.5) A single sheet of electric blue paper, come down from the top, covers the frame. Its lower edge is torn, with the white core of the paper showing. (0:17.5–0:20) A bright off-white paper field. At the centre, two lines of thin capitals: LAND LIGHT, RUN LONG. No other lettering and no symbol. A torn edge crosses the lower part of the frame at a very shallow angle. The final frame settles on exactly this. This has to read as a real commercial film. The print grain applies to the black-and-white layer only; the blue layers are sharp. Lettering appears in exactly two places: LAND LIGHT at 0:05–0:07.5 and the two lines on the final frame. No brand name and no logo symbol appear anywhere.
30s | 16:9 | Realistic UGC cleanser recommendation | strict one-take | natural smartphone footage Use the same young woman from the reference image throughout the entire video. She has a short black bob haircut, light natural makeup, real skin texture, a slim body, and natural proportions. Keep her face, hairstyle, outfit, and body proportions fully consistent in every second of the video. She must wear the same blue short-sleeve collared pajama top and matching blue pajama shorts from the reference image. The product is one facial cleanser. The key product behavior is: when mixed with water in her hands, it should create rich, fine, realistic white foam. The foam must be formed naturally through rubbing with wet hands, then applied onto the face. It must not appear as a visual effect or pop into existence. Scene A cozy, ordinary apartment with natural daylight. The video starts in the living room. Background includes a beige sofa, coffee table, floor lamp, green plants, and a few real everyday items. The girl sits cross-legged on a rug. In front of her is a plain kraft shipping box, and beside it is a small household pair of scissors. The bathroom is connected nearby and can be naturally walked into. Spatial continuity must feel real and uninterrupted. Camera style This must be one continuous take from start to finish. No cuts, no transitions, no hidden edits, no jump frames, no teleportation. It should feel like a friend is filming her on a phone. Use a natural smartphone wide-angle lens, with slight handheld shake, realistic autofocus and exposure changes. Do not make it feel like a polished commercial. No cinematic camera moves, no subtitles, no over-retouching, no plastic skin. The overall vibe: she just received a cleanser her friend recommended and casually filmed a real unboxing + first try. Sequence 0–3s | Opening Camera starts in the living room. She sits on the rug with the package in front of her, looks at camera, smiles naturally and says: “Okay, this finally came.” Then she looks down at the package. 3–8s | Unboxing She picks up the scissors, holds the box steady with one hand, and cuts through the top tape naturally while saying: “My friend has been telling me to try this cleanser.” She puts the scissors back down and opens the box with both hands. 8–12s | Product out She takes the cleanser out, looks at it briefly, then lifts it naturally toward the camera. No cutaway product close-up, only a slight camera lean-in. She says: “She literally swears by it.” Then smiles and says: “Let’s try it.” She prepares to stand up with the cleanser. 12–17s | Walk to bathroom She stands up naturally while holding the cleanser. The camera backs up and follows her continuously as she walks from the living room into the bathroom. She says while walking: “I haven’t even washed my face yet, so perfect timing.” 17–20s | Wet face At the sink, she places the cleanser beside the sink, turns on the tap, gathers water in her hands, and wets her face. Water must physically touch the skin. Natural droplets appear on hands and face. 20–23s | Foam up She picks up the cleanser, squeezes a small amount into her wet palm, puts the cleanser back down, adds a little water, and rubs both hands together. The foam must build gradually from a small amount into rich, fine white foam. 23–26s | Wash face She applies the foam to her face and massages her cheeks, nose, forehead, and chin naturally. Foam follows her hand movement realistically. Do not cover her eyes. Do not make the foam excessive or like shaving cream. She reacts with mild pleasant surprise and says: “Oh... this feels really nice.” 26–28s | Rinse off She leans toward the sink, uses clean water to rinse off the foam. The foam gradually disappears with water. Her face is revealed clean and naturally wet, with a few droplets still visible. 28–30s | Final reaction She lifts her head, gently touches her cheek, turns to the camera, smiles with a pleasantly surprised expression and says: “Okay... I get the hype.” Then she picks up the cleanser and shows it naturally, saying: “She was right.” End naturally. Critical continuity rules The whole action must happen in one real continuous shot: sitting in living room → pick up scissors → cut tape → put scissors down → open box → take out cleanser → show cleanser → stand up → walk to bathroom → place cleanser down → turn on water → wet face → squeeze cleanser into palm → add water → rub hands → foam forms → apply foam to face → massage → rinse off → touch face → pick up cleanser → share reaction. Must avoid No second cleanser. No product teleportation. No hairstyle change. No outfit change. No face change. No hand/finger deformities. No environment changes. No sudden dry/wet face continuity errors. No foam appearing from nowhere. No hidden cuts. Key story: friend strongly recommends it → package just arrived → she opens it immediately → walks straight to the bathroom → tries it right away → real foaming wash → genuinely likes how her skin feels. Natural, casual, relaxed, everyday American UGC tone.
Generate Video: Create a 10-second high-end luxury perfume commercial for the original fictional luxury brand "MAISON LUMÉA" and the product "Obsidian Elixir." The overall production must present a top-tier international perfume film quality, as if co-created by a master director, luxury creative director, top director of photography, Paris haute couture art team, jewelry-grade product photography team, and a cinematic post-production house. The visuals must look like a flagship brand commercial made with a multi-million budget: extremely high-end, mysterious, sensual, expensive, and restrained, with an aura of "night, golden liquid, velvet, firelight, and rare fragrance." Do not include any real brand logos, do not imitate existing perfume brands, avoid cheap e-commerce imagery, do not look like a livestream product display, and avoid messy subtitles. Aspect ratio 16:9, duration 10 seconds, cinematic realistic style, ultra-high-end commercial photography. Main color palette: deep black, obsidian, dark gold, amber gold, faint burgundy, and ivory white highlights. The overall scene is dark with extremely precise lighting, using a small amount of highlights to sculpt the perfume bottle. Texture references: top perfume ads, jewelry ads, red carpet haute couture films, museum-grade still-life photography: large areas of black negative space, understated luxury, velvet-like shadows, golden liquid appearing like fire sealed in obsidian. The overall vibe must not be noisy, flashy, neon-cyber, excessively purple-blue, or plastic-like. Product Setting: A bottle of original high-end perfume "MAISON LUMÉA Obsidian Elixir." The bottle is heavy obsidian-textured glass, nearly black but with translucent smoky gray refraction at the edges. The bottle silhouette is simple and sculptural, like an architectural work of art. Inside the bottle is deep amber-gold perfume liquid, showing rich layers of honey, aged cognac, and molten gold under light. The cap is dark gold metal, restrained in design with fine brushed texture, and a small black crystal embedded at the top. The front of the bottle can feature minimalist branding "MAISON LUMÉA" and the product name "Obsidian Elixir" in a small font; the text must be exquisite, centered, and understated, like real high-end silk-screen printing, no garbled code, not too large, not like a sticker. Scene Setting: The perfume bottle is placed on a display stand at the junction of black velvet and obsidian mirror-finished stone. The background is an extremely dark Parisian night interior, like a private salon, a candlelit room in an ancient palace, or a haute couture fragrance lab. In the distance are blurred candlelight, dark gold frames, black curtains, light smoke, and faint petal silhouettes, but the background must be blurred to not distract from the product. Extremely fine golden fragrance particles float in the air, visualizing the scent in a very restrained, realistic, and elegant way. No clear faces of people; a fleeting blur of black silk or a haute couture skirt can pass by for atmosphere, but the product is always the absolute protagonist. Shot Design: 0-2s: Start from total black. A very narrow, warm golden light beam slowly enters from the top left, first illuminating a soft fold on the black velvet surface. Macro close-up, very shallow depth of field, showing velvet fuzz and tiny fragrance particles. Then, a sharp highlight traces the edge of the obsidian glass at the base of the bottle. The audience cannot yet see the full bottle, only feeling an expensive, mysterious, and highly ceremonial opening. 2-4s: The camera slowly moves up and pushes in slightly, revealing the obsidian glass bottle. The edges show smoky translucent refraction, while the center is almost opaque black. The amber-gold liquid inside looks like a low-temperature burning golden flame as light passes through. The bottle surface has clean mirror reflections, with distant candlelight forming tiny, soft, expensive light points in the glass. Movement must be stable, slow, like a robotic arm, no shaking. 4-6s: Cut to an extreme close-up of the perfume liquid. The golden liquid inside flows slightly, like a mix of honey, amber, and molten gold, thick but elegant. Light creates complex refractions with small golden ripples at the edges. Faint wisps of smoke rise from near the bottle neck, with abstract silhouettes of black rose petals, vanilla pods, and amber resin visible within the smoke, but these shouldn't look like props—only olfactory imagery. This section needs to be extremely sensory; the audience should almost "smell" the fragrance. 6-8s: Pull back to a full product hero shot. The bottle stands at a 3/4 angle on the obsidian platform. The dark gold metal cap is precisely lit by a narrow beam, and the golden liquid inside glows deeply. Black velvet drapes naturally behind the bottle, with distant candlelight blurred into tiny golden bokeh. A few black rose petals fall slowly—very few, with elegant trajectories, not like a wedding petal shower. The camera slowly orbits 15 degrees from a low angle, creating a sculptural product introduction. 8-10s: Final freeze-frame resolution. The bottle is centered-right, with high-end black negative space on the left. The brand name "MAISON LUMÉA" is clear but understated, with the product name "Obsidian Elixir" presented in a small size. In the last second, a warm golden highlight slides from the cap to the bottle, passing through the golden liquid for a brief, restrained, expensive gilded shimmer. Fragrance particles float slowly around the bottle, ending on a static, expensive, collectible moment. Photography Requirements: Cinematic commercial photography language, ARRI Alexa 35 or equivalent texture, combining 85mm and 100mm macro lenses, shallow depth of field, realistic lens breathing, precise light control, black flag shading, narrow golden key light, soft candlelight reflections, velvet shadows. Sharpness focused on bottle edges, metal cap, liquid refraction, branding, and obsidian glass texture. Background must be softly blurred. Lighting Requirements: Low-key lighting, shaping the bottle with minimal light in a black space. Key light is a warm golden narrow beam, fill light is very weak, rim light slightly cool white to make obsidian edges three-dimensional. Candlelight is for background atmosphere only. Highlights must be delicate, smooth, and expensive, not overexposed or flickering cheaply, no rainbow artifacts. Shadows are rich but preserve the bottle's silhouette. Material Requirements: Obsidian glass must be heavy, realistic, semi-transparent with refractions and mirror reflections; metal cap must be dark gold brushed texture, not bright yellow plastic; perfume liquid must look like high-concentration amber gold with depth and fluidity; velvet must be soft with dark layers; stone platform must be black mirror with restrained reflections. All materials must look like real high-end photography, not 3D asset libraries or cheap rendering. Dynamic Requirements: Movements are extremely slow, steady, and restrained. Allowed dynamics: slow light sweeps, slight camera push and orbit, slight liquid flow, slow rising smoke, a few slow-falling petals, light floating particles. No fast cuts, no excessive bottle spinning, no liquid splashing, no exaggerated explosions, no magic effects, no floating products, no camera shake. Post-production Texture: Cinematic color grading, high-contrast dark tones, clean blacks, rich gold but not oversaturated, skin elements almost non-existent. Like a haute couture perfume ad. Add very slight film grain, soft highlight bloom, realistic lens vignetting, but not dirty or overly blurry. The final result must be suitable as a visual for a luxury perfume launch with artistic sophistication. Sound Imagination (Visual Reference): Deep strings, faint glass resonance, soft breathing, crackling fire, a final light metallic note. Although generating video, the visual rhythm should feel supported by high-end scoring: 0-4s mysterious buildup, 4-6s sensory burst, 6-8s product reveal, 8-10s brand lockup. Negative Requirements: No real brand logos (Chanel, Dior, Guerlain, Tom Ford, YSL, etc.); no garbled text, spelling errors, long subtitles, promotional slogans, prices, buy buttons, e-commerce backgrounds, livestream lighting, cheap glass, plastic caps, overly bright gold, messy desks, ordinary bathrooms or mall counters; no distracting figures, hand deformities, bottle warping, liquid clipping, thick smoke, too many petals, low resolution, overexposure, jitter, or AI distortion. The overall feel must be obsidian-mysterious, gilded-luxurious, haute-couture-restrained, with million-dollar-budget production value. 16:9, 10s
Generate a 30-second, real-time, uncut adventure action film shot in one continuous take. The main subject is reference character @1, wearing reference costume @2, navigating four trap zones in an ancient underground temple to retrieve a modern bottled perfume. [Global Settings] @1 provides character reference: facial features, long curly brown hair, red lipstick, and accessories. @2 provides costume reference: white lace bodysuit, high collar, white belt with bow, translucent cape, and white high heels. Environment is a mossy, crumbling ancient ruin. Lighting uses orange torchlight and cold skylight beams. Visual style is cinematic adventure film texture with shallow depth of field and natural motion blur. Camera language is a 30-second Steadicam long take, moving from 3/4 rear follow to low-angle profile and finally to front mid-close up. [Timeline Breakdown] 0-5s: Darts trap. She steps on a loose plate, dodges darts by rolling. Her white gloves get dusty. 5-12s: Underground waterway stepping stones. She jumps across six sinking stones. The cape hem gets wet. 12-18s: Pendulum blade corridor. She times her sprint past swinging stone blades, leaning back to narrowly avoid the last one. 18-24s: Collapsing bridge sprint. The stone bridge falls behind her as she sprints and leaps to the other side. 24-30s: Perfume altar. She reaches the altar where a modern glass perfume bottle sits illuminated by a beam of light. Torchlight reflects off the glass. No studio lighting.
Luxury perfume bottle on a clean glossy black surface, warm amber lighting, subtle golden smoke, elegant dark background, soft reflections, premium fragrance advertisement, cinematic close-up, slow camera push-in, photorealistic, 4K. Scene 2 — 3–6s Prompt: A beautiful confident woman wearing an elegant burnt-orange satin dress, long dark hair, standing in a luxurious dark interior with soft vertical golden lights behind her. Calm confident expression, subtle smoke, cinematic medium shot, slow camera movement, photorealistic, 4K. Scene 3 — 6–9s Prompt: Close-up of the same woman gently spraying the perfume on her neck. Fine fragrance mist visible in the warm light, elegant expression, soft golden lighting, natural hair movement, shallow depth of field, cinematic beauty commercial, photorealistic, 4K. Scene 4 — 9–12s Prompt: The same woman confidently walking toward the camera through a modern luxury interior. Same burnt-orange satin dress and long dark hair, warm golden lights, clean reflective floor, subtle atmospheric smoke, smooth tracking camera, elegant feminine presence, photorealistic, 4K. Scene 5 — 12–15s Prompt: The same luxury perfume bottle centered on a glossy black surface, subtle amber crystals around it, soft golden smoke in the background, dramatic but clean spotlight, elegant dark background, premium fragrance advertisement, slow camera push-in, photorealistic, 4K. Character & Product Consistency Same woman throughout all scenes, identical face, hairstyle, skin tone and outfit. Same perfume bottle design in every shot. Clean luxury aesthetic, consistent warm amber lighting, realistic skin and natural movement. No extra people, no distorted hands, no duplicate objects, no unwanted text or logos.
Create a 15-second vertical 9:16 cinematic commercial for a fictional AI app called “MA”, an app that creates a quiet mental pause in busy daily life. Style: premium Japanese live-action film commercial, emotionally grounded, realistic Tokyo at night, rain-soaked streets, deep
Create a product video ad from @image1,@image2, script "A high-end cinematic fashion ad video, vertical 9:16, ultra-realistic, premium lighting, smooth transitions, strong rhythm. Use the exact female model shown in the reference as the model and the exact outfit shown in the reference as the outfit, worn consistently in all shots with full design, color, material, and structure preserved. Maintain consistent identity. Industrial city aesthetic, cool tones shifting to warm sunset. No text, no watermark. 0–2s (Hook + Detail) Indoor minimalist space. The exact female model shown in the reference walks away from camera, soft natural light. Cut to close-up of outfit fabric, folds, and structure, realistic texture. 2–4s (Lifestyle) Wide shot in industrial corridor, full outfit visible. Side tracking shot along concrete wall, emphasizing silhouette and structure lines. 4–6s (Detail + Portrait) Macro of fabric movement (layered/flowing). Cut to mid shot portrait, calm confident expression, slight hair movement. 6–8s (Detail + Lifestyle) Extreme close-up of stitching, seams, material transitions. Top-down wide shot walking through dark industrial tunnel, strong contrast. 8–10s (Detail + Lifestyle) Tracking shot of garment motion while walking. Transition to warm sunlight street crossing, enhancing texture and color. 10–12s (Detail + Portrait) Close-up of lower body or hem movement. Cut to face close-up, clear skin detail, steady gaze. 12–15s (Final) Epic wide sunset shot on a bridge. The exact female model shown in the reference faces skyline, then looks toward camera. Warm light, slow-motion ending. Style: cinematic fashion ad, high-contrast lighting, realistic motion, sharp details, premium commercial quality, no distortion."
WOMAN = a 26-year-old British woman, natural relatable UGC style, warm fair skin that reddens easily in the sun, light freckles across nose and cheeks, shoulder-length wavy light-brown hair loose, soft brows, blue-grey eyes, everyday face with minimal makeup, wearing a strappy pastel summer top with sunglasses pushed up on her head. Authentic girl-next-door energy. Appearance only. CITY = a sunny city street on a blazing hot summer afternoon, bright pavements, shopfronts, street trees, heat haze shimmering, an intensely bright sun high in a clear blue sky, harsh direct sunlight, strong warm highlights and glare. Environment only. DELURE = a sleek modern sunscreen bottle, clean minimal pastel-and-white packaging, the brand name "DELURE" printed clearly and legibly across the front in a modern sans-serif font, premium skincare look. Product only. SCENE: a warm, authentic UGC-style sunscreen advert. A young British woman walks through a sunny city on a blazing hot day; the harsh sun is reddening her cheeks. She stops, takes a DELURE sunscreen bottle from her bag, and applies the cream to her cheeks; the redness fades and her skin calms back to normal, healthy and happy. She smiles, relieved. The advert ends on a clean product shot of the DELURE bottle. TECHNICAL: 16:9 (or 9:16 vertical if preferred for UGC), bright natural handheld UGC-style camera, warm sunny summer color grade, crisp and clean, realistic self-filmed advert feel, shallow depth of field on the product shots, photorealistic. CUTS: CUT 1 (0-3s): Zoom straight into the blazing bright sun high in the clear blue sky, intense glare and lens flare, heat haze. Then tilt down to the woman walking along the sunny city street, squinting slightly against the heat, fanning herself. CUT 2 (3-6s): Camera zooms in on her FACE — warm and sunlit, her cheeks visibly flushed and reddened from the harsh sun, a slightly uncomfortable expression. Close on the reddened cheeks. CUT 3 (6-9s): She stops, reaches into her bag, and pulls out the DELURE sunscreen bottle. She squeezes a little cream onto her fingertips and gently applies it to her reddened cheeks, smoothing it in. CUT 4 (9-12s): Close-up on her CHEEKS — the redness visibly fading and calming, her skin returning to its normal healthy warm-fair tone, soothed and even. She relaxes, the discomfort gone, and smiles softly with relief. CUT 5 (12-15s): Camera shifts to a clean hero product shot of the DELURE sunscreen bottle held up in the sunlight (or resting on a bright surface), the brand name "DELURE" sharp and clearly legible, sunlight catching the packaging. A polished final beat. RULES: References are appearance only, do not recreate. Keep the woman's face and identity consistent across every cut. The brand name "DELURE" must be spelled correctly
Create a 15-second premium Japanese technology commercial announcing the arrival of Seedance 2.5 on Tasky. IMPORTANT: GENERATE ABSOLUTELY NO TEXT OR TYPOGRAPHY ANYWHERE IN THE VIDEO. All titles, captions, product names, brand names, and Japanese copy will be added later during
15 seconds | 16:9 horizontal | 24fps. A 21-year-old Japanese actress sprints along a bright seaside breakwater, grabs a bottle of ice-cold water out of a cooler, drinks it down under
The Busy Beaver’s desk now has its flower point: 64 SWITCHES 1 FLOWER VASE WORK PLAY LIFE The flowers bring color into the computation without interrupting the Beaver’s work.
Hero Product Reveal, Turn one product photo into a cinematic 3-shot reveal video
Create a cinematic luxury diamond advertisement with a dark premium aesthetic. A black jewelry box slowly opens to reveal a flawless diamond. The camera pushes in for an extreme close-up as a gloved hand lifts the diamond. As it rises, electric-blue energy and realistic lightning begin forming around it. The diamond floats in the air while powerful lightning strikes in the background, with glowing particles, volumetric lighting, realistic reflections and physically accurate diamond refraction. Smooth cinematic camera movement, dramatic lighting, photorealistic CGI, premium commercial quality, realistic physics, highly detailed, consistent diamond throughout the entire shot.
A luxurious swimming pool made entirely of translucent ruby-red strawberry jello on a seamless white-to-pale-pink gradient background. A giant realistic strawberry sculpted from the same glossy jello rises from the center of the pool and slowly bounces upward, then drops back onto the surface, creating beautiful concentric jello waves and soft splashes. Tiny translucent jello droplets stretch through the air and catch the studio light. The camera starts with a macro close-up of the glossy jello texture, smoothly pulls back as the strawberry rises, then gently pushes in as it lands. Realistic gelatin deformation, wobbling, stretching, soft bouncing, liquid-like surface ripples, convincing translucency and subsurface scattering. Premium art-directed food photography, minimalist studio composition, mesmerizing ASMR aesthetic, cinematic smooth motion, single continuous shot, exactly 10 seconds, no text, no logos.
Create a bright, premium lifestyle product video featuring colorful OLLY gummy vitamins. Start with a close-up of the gummy bottle on a clean, aesthetically pleasing surface. Slowly reveal the colorful gummies, highlighting their texture, shape, and vibrant appearance. Show a hand picking up a gummy and bringing it toward the camera, followed by a natural wellness moment. Use soft daylight, warm tones, smooth camera movements, shallow depth of field, realistic product details, subtle reflections, and a clean commercial aesthetic. End with the OLLY bottle clearly visible in a polished hero shot. High-end beauty advertisement, cinematic lighting, realistic textures, smooth transitions, 4K quality.
Create a product video ad from @image1,@image2, script "A high-end cinematic fashion ad video, vertical 9:16, ultra-realistic, premium lighting, smooth transitions, strong rhythm. Use the exact female model shown in the reference as the model and the exact outfit shown in the reference as the outfit, worn consistently in all shots with full design, color, material, and structure preserved. Maintain consistent identity. Industrial city aesthetic, cool tones shifting to warm sunset. No text, no watermark. 0–2s (Hook + Detail) Indoor minimalist space. The exact female model shown in the reference walks away from camera, soft natural light. Cut to close-up of outfit fabric, folds, and structure, realistic texture. 2–4s (Lifestyle) Wide shot in industrial corridor, full outfit visible. Side tracking shot along concrete wall, emphasizing silhouette and structure lines. 4–6s (Detail + Portrait) Macro of fabric movement (layered/flowing). Cut to mid shot portrait, calm confident expression, slight hair movement. 6–8s (Detail + Lifestyle) Extreme close-up of stitching, seams, material transitions. Top-down wide shot walking through dark industrial tunnel, strong contrast. 8–10s (Detail + Lifestyle) Tracking shot of garment motion while walking. Transition to warm sunlight street crossing, enhancing texture and color. 10–12s (Detail + Portrait) Close-up of lower body or hem movement. Cut to face close-up, clear skin detail, steady gaze. 12–15s (Final) Epic wide sunset shot on a bridge. The exact female model shown in the reference faces skyline, then looks toward camera. Warm light, slow-motion ending. Style: cinematic fashion ad, high-contrast lighting, realistic motion, sharp details, premium commercial quality, no distortion."
A clean, bright, modern kitchen commercial for “Leisure Hydration” lemonade electrolyte drink. Soft natural daylight, white marble countertop, fresh lemons and mint leaves scattered around. Start with a close-up of a tall yellow-and-white aluminum can covered in condensation droplets. The can has playful cartoon lemon character with headphones and a yellow umbrella, text “lemonade”, “leisure HYDRATION”, “5g SUGAR”, “NON CARBONATED”, “electrolyte refresher”, “+ VITAMINS, MAGNESIUM, ADAPTOGENS”. Elegant white text overlay “Hydrate Smarter.” appears. A woman’s hand reaches in and picks up the can. Cut to a beautiful East Asian woman with long straight black hair, wearing a white tank top. She brings the can to her lips, closes her eyes, and takes a refreshing sip. She then lowers the can, opens her eyes, and gives a bright, genuine smile while looking at the camera. She continues smiling and speaking naturally while holding the can near her face. Quick cut to a dynamic product shot of the same can surrounded by flying lemon slices, mint leaves, and dramatic water splashes against a bright white background with soft sunlight rays. She then holds the can forward toward the camera with a big cheerful smile, presenting the product. Soft, fresh, lifestyle commercial style, high-end beverage ad, vibrant yellow and white color palette, clean and refreshing mood. Voiceover (friendly female voice): “I’ve been loving this Leisure Hydration lemonade. It’s packed with electrolytes, only 5 grams of sugar, non-carbonated, and includes vitamins, magnesium, and adaptogens. It’s my go-
15 seconds | 16:9 horizontal | 24fps. A 21-year-old Japanese actress sprints along a bright seaside breakwater, grabs a bottle of ice-cold water out of a cooler, drinks it down under
Generate Video: Create a 10-second high-end luxury perfume commercial for the original fictional luxury brand "MAISON LUMÉA" and the product "Obsidian Elixir." The overall production must present a top-tier international perfume film quality, as if co-created by a master director, luxury creative director, top director of photography, Paris haute couture art team, jewelry-grade product photography team, and a cinematic post-production house. The visuals must look like a flagship brand commercial made with a multi-million budget: extremely high-end, mysterious, sensual, expensive, and restrained, with an aura of "night, golden liquid, velvet, firelight, and rare fragrance." Do not include any real brand logos, do not imitate existing perfume brands, avoid cheap e-commerce imagery, do not look like a livestream product display, and avoid messy subtitles. Aspect ratio 16:9, duration 10 seconds, cinematic realistic style, ultra-high-end commercial photography. Main color palette: deep black, obsidian, dark gold, amber gold, faint burgundy, and ivory white highlights. The overall scene is dark with extremely precise lighting, using a small amount of highlights to sculpt the perfume bottle. Texture references: top perfume ads, jewelry ads, red carpet haute couture films, museum-grade still-life photography: large areas of black negative space, understated luxury, velvet-like shadows, golden liquid appearing like fire sealed in obsidian. The overall vibe must not be noisy, flashy, neon-cyber, excessively purple-blue, or plastic-like. Product Setting: A bottle of original high-end perfume "MAISON LUMÉA Obsidian Elixir." The bottle is heavy obsidian-textured glass, nearly black but with translucent smoky gray refraction at the edges. The bottle silhouette is simple and sculptural, like an architectural work of art. Inside the bottle is deep amber-gold perfume liquid, showing rich layers of honey, aged cognac, and molten gold under light. The cap is dark gold metal, restrained in design with fine brushed texture, and a small black crystal embedded at the top. The front of the bottle can feature minimalist branding "MAISON LUMÉA" and the product name "Obsidian Elixir" in a small font; the text must be exquisite, centered, and understated, like real high-end silk-screen printing, no garbled code, not too large, not like a sticker. Scene Setting: The perfume bottle is placed on a display stand at the junction of black velvet and obsidian mirror-finished stone. The background is an extremely dark Parisian night interior, like a private salon, a candlelit room in an ancient palace, or a haute couture fragrance lab. In the distance are blurred candlelight, dark gold frames, black curtains, light smoke, and faint petal silhouettes, but the background must be blurred to not distract from the product. Extremely fine golden fragrance particles float in the air, visualizing the scent in a very restrained, realistic, and elegant way. No clear faces of people; a fleeting blur of black silk or a haute couture skirt can pass by for atmosphere, but the product is always the absolute protagonist. Shot Design: 0-2s: Start from total black. A very narrow, warm golden light beam slowly enters from the top left, first illuminating a soft fold on the black velvet surface. Macro close-up, very shallow depth of field, showing velvet fuzz and tiny fragrance particles. Then, a sharp highlight traces the edge of the obsidian glass at the base of the bottle. The audience cannot yet see the full bottle, only feeling an expensive, mysterious, and highly ceremonial opening. 2-4s: The camera slowly moves up and pushes in slightly, revealing the obsidian glass bottle. The edges show smoky translucent refraction, while the center is almost opaque black. The amber-gold liquid inside looks like a low-temperature burning golden flame as light passes through. The bottle surface has clean mirror reflections, with distant candlelight forming tiny, soft, expensive light points in the glass. Movement must be stable, slow, like a robotic arm, no shaking. 4-6s: Cut to an extreme close-up of the perfume liquid. The golden liquid inside flows slightly, like a mix of honey, amber, and molten gold, thick but elegant. Light creates complex refractions with small golden ripples at the edges. Faint wisps of smoke rise from near the bottle neck, with abstract silhouettes of black rose petals, vanilla pods, and amber resin visible within the smoke, but these shouldn't look like props—only olfactory imagery. This section needs to be extremely sensory; the audience should almost "smell" the fragrance. 6-8s: Pull back to a full product hero shot. The bottle stands at a 3/4 angle on the obsidian platform. The dark gold metal cap is precisely lit by a narrow beam, and the golden liquid inside glows deeply. Black velvet drapes naturally behind the bottle, with distant candlelight blurred into tiny golden bokeh. A few black rose petals fall slowly—very few, with elegant trajectories, not like a wedding petal shower. The camera slowly orbits 15 degrees from a low angle, creating a sculptural product introduction. 8-10s: Final freeze-frame resolution. The bottle is centered-right, with high-end black negative space on the left. The brand name "MAISON LUMÉA" is clear but understated, with the product name "Obsidian Elixir" presented in a small size. In the last second, a warm golden highlight slides from the cap to the bottle, passing through the golden liquid for a brief, restrained, expensive gilded shimmer. Fragrance particles float slowly around the bottle, ending on a static, expensive, collectible moment. Photography Requirements: Cinematic commercial photography language, ARRI Alexa 35 or equivalent texture, combining 85mm and 100mm macro lenses, shallow depth of field, realistic lens breathing, precise light control, black flag shading, narrow golden key light, soft candlelight reflections, velvet shadows. Sharpness focused on bottle edges, metal cap, liquid refraction, branding, and obsidian glass texture. Background must be softly blurred. Lighting Requirements: Low-key lighting, shaping the bottle with minimal light in a black space. Key light is a warm golden narrow beam, fill light is very weak, rim light slightly cool white to make obsidian edges three-dimensional. Candlelight is for background atmosphere only. Highlights must be delicate, smooth, and expensive, not overexposed or flickering cheaply, no rainbow artifacts. Shadows are rich but preserve the bottle's silhouette. Material Requirements: Obsidian glass must be heavy, realistic, semi-transparent with refractions and mirror reflections; metal cap must be dark gold brushed texture, not bright yellow plastic; perfume liquid must look like high-concentration amber gold with depth and fluidity; velvet must be soft with dark layers; stone platform must be black mirror with restrained reflections. All materials must look like real high-end photography, not 3D asset libraries or cheap rendering. Dynamic Requirements: Movements are extremely slow, steady, and restrained. Allowed dynamics: slow light sweeps, slight camera push and orbit, slight liquid flow, slow rising smoke, a few slow-falling petals, light floating particles. No fast cuts, no excessive bottle spinning, no liquid splashing, no exaggerated explosions, no magic effects, no floating products, no camera shake. Post-production Texture: Cinematic color grading, high-contrast dark tones, clean blacks, rich gold but not oversaturated, skin elements almost non-existent. Like a haute couture perfume ad. Add very slight film grain, soft highlight bloom, realistic lens vignetting, but not dirty or overly blurry. The final result must be suitable as a visual for a luxury perfume launch with artistic sophistication. Sound Imagination (Visual Reference): Deep strings, faint glass resonance, soft breathing, crackling fire, a final light metallic note. Although generating video, the visual rhythm should feel supported by high-end scoring: 0-4s mysterious buildup, 4-6s sensory burst, 6-8s product reveal, 8-10s brand lockup. Negative Requirements: No real brand logos (Chanel, Dior, Guerlain, Tom Ford, YSL, etc.); no garbled text, spelling errors, long subtitles, promotional slogans, prices, buy buttons, e-commerce backgrounds, livestream lighting, cheap glass, plastic caps, overly bright gold, messy desks, ordinary bathrooms or mall counters; no distracting figures, hand deformities, bottle warping, liquid clipping, thick smoke, too many petals, low resolution, overexposure, jitter, or AI distortion. The overall feel must be obsidian-mysterious, gilded-luxurious, haute-couture-restrained, with million-dollar-budget production value. 16:9, 10s
A luxurious swimming pool made entirely of translucent ruby-red strawberry jello on a seamless white-to-pale-pink gradient background. A giant realistic strawberry sculpted from the same glossy jello rises from the center of the pool and slowly bounces upward, then drops back onto the surface, creating beautiful concentric jello waves and soft splashes. Tiny translucent jello droplets stretch through the air and catch the studio light. The camera starts with a macro close-up of the glossy jello texture, smoothly pulls back as the strawberry rises, then gently pushes in as it lands. Realistic gelatin deformation, wobbling, stretching, soft bouncing, liquid-like surface ripples, convincing translucency and subsurface scattering. Premium art-directed food photography, minimalist studio composition, mesmerizing ASMR aesthetic, cinematic smooth motion, single continuous shot, exactly 10 seconds, no text, no logos.
Create a 15-second vertical 9:16 cinematic commercial for a fictional AI app called “MA”, an app that creates a quiet mental pause in busy daily life. Style: premium Japanese live-action film commercial, emotionally grounded, realistic Tokyo at night, rain-soaked streets, deep
Base Settings: Based on the visual language and audio information of this storyboard, generate a professional commercial for soda filled with Japanese high school sports movie aesthetics and narrative. Generate sound effects only, no background music. Visual Style: Modern Japanese youth cinema aesthetic, simulating the transparent layering of 120 medium format film or the clean texture of a digital cinema camera with Black Pro-Mist filters. The image is clean and delicate with minimal grain. Lighting: High-key backlight and soft diffuse ambient light, with characters wrapped in a slight glow. Highlights allowed to bloom/halate in sun white, pale cherry pink, or soft gold; shadows remain clean and transparent with a slight cyan-blue tint, no crushed blacks. Palette: Low contrast, low saturation, Japanese healing tones. Overall colors are soft, bright, airy; skin tones natural and clean. Cinematography: Real live-action film style, shallow depth of field, natural focus transitions, slight handheld breathing, smooth motion. Character movements are natural and restrained, conveying emotion through eyes, breath, running, and pauses. The visuals should look like a Japanese hot-blooded youth movie, not anime, illustration, MV, or idol photography. Character Settings: Character A: Black short-haired male student, calm, steady gaze. Character B: Slightly wavy dark brown short-haired male student, direct, expressive. Character C: Ear-length black short-haired female student, basketball club point guard, the protagonist. Content: Scene 01 | 0.0-1.5s | Signal Location: School hallway. Start: Extreme close-up of Character C's face. She has just run, sweat beads on forehead, short hair stuck to the cheek, breathing slightly fast. She looks up sharply off-camera. Background is a blurred Japanese high school hallway. End: Pull back to chest shot. Character C holds a basketball in one hand and a blue-purple RAIKU POP bottle in the other. She turns and runs down the hallway wearing a white uniform shirt, dark pleated skirt, and black training vest. The bottle is covered in condensation. Scene 02 | 1.5-3.0s | Chase Location: Long hallway. Character C runs through, basketball at side, soda in other hand. Side low-angle tracking shot. Character A appears at the corner, catches a rolling ball, and both move towards stairs. Scene 03 | 3.0-4.5s | Stairwell Junction Location: Cement stairs. Character B runs down from above. Character C appears from below, tosses the RAIKU POP to Character A. Character A catches it while running. Scene 04 | 4.5-6.0s | Connecting Bridge. Three students enter from different directions. Long lens compresses distance. Basketball flies towards lens for a circular wipe transition. Scene 05 | 6.0-7.5s | Rooftop Steal. Character B pushes metal door open, catches ball in strong backlight. Character C steals the ball and turns to exit. Scene 06 | 7.5-9.0s | Entering Court. Character C enters dim equipment passage, A and B follow. Character A places RAIKU POP on an old wooden bench. Close-up on the product, condensation sliding, blue bubbles rising. Scene 07 | 9.0-12.0s | The Final Shot. Japanese high school gym. Character C breaks through defense in dark navy/blue-purple jersey. High-speed floor tracking shot. She jumps for a three-pointer. Low-angle shot of jump, ball leaves fingertips. Match cut to Character A unscrewing the cap, then to the ball passing through the net. Scene 08 | 12.0-15.0s | After School Boiling Point. The three sit on a bench in jerseys, each drinking RAIKU POP. PET bottles clink. Tired but satisfied mood. End: Fade to dark navy brand background with logo 'RAIKU POP' and slogan 'After school, the boiling point has just begun.'
Create a 15-second premium Japanese technology commercial announcing the arrival of Seedance 2.5 on Tasky. IMPORTANT: GENERATE ABSOLUTELY NO TEXT OR TYPOGRAPHY ANYWHERE IN THE VIDEO. All titles, captions, product names, brand names, and Japanese copy will be added later during
30s | 16:9 | Realistic UGC cleanser recommendation | strict one-take | natural smartphone footage Use the same young woman from the reference image throughout the entire video. She has a short black bob haircut, light natural makeup, real skin texture, a slim body, and natural proportions. Keep her face, hairstyle, outfit, and body proportions fully consistent in every second of the video. She must wear the same blue short-sleeve collared pajama top and matching blue pajama shorts from the reference image. The product is one facial cleanser. The key product behavior is: when mixed with water in her hands, it should create rich, fine, realistic white foam. The foam must be formed naturally through rubbing with wet hands, then applied onto the face. It must not appear as a visual effect or pop into existence. Scene A cozy, ordinary apartment with natural daylight. The video starts in the living room. Background includes a beige sofa, coffee table, floor lamp, green plants, and a few real everyday items. The girl sits cross-legged on a rug. In front of her is a plain kraft shipping box, and beside it is a small household pair of scissors. The bathroom is connected nearby and can be naturally walked into. Spatial continuity must feel real and uninterrupted. Camera style This must be one continuous take from start to finish. No cuts, no transitions, no hidden edits, no jump frames, no teleportation. It should feel like a friend is filming her on a phone. Use a natural smartphone wide-angle lens, with slight handheld shake, realistic autofocus and exposure changes. Do not make it feel like a polished commercial. No cinematic camera moves, no subtitles, no over-retouching, no plastic skin. The overall vibe: she just received a cleanser her friend recommended and casually filmed a real unboxing + first try. Sequence 0–3s | Opening Camera starts in the living room. She sits on the rug with the package in front of her, looks at camera, smiles naturally and says: “Okay, this finally came.” Then she looks down at the package. 3–8s | Unboxing She picks up the scissors, holds the box steady with one hand, and cuts through the top tape naturally while saying: “My friend has been telling me to try this cleanser.” She puts the scissors back down and opens the box with both hands. 8–12s | Product out She takes the cleanser out, looks at it briefly, then lifts it naturally toward the camera. No cutaway product close-up, only a slight camera lean-in. She says: “She literally swears by it.” Then smiles and says: “Let’s try it.” She prepares to stand up with the cleanser. 12–17s | Walk to bathroom She stands up naturally while holding the cleanser. The camera backs up and follows her continuously as she walks from the living room into the bathroom. She says while walking: “I haven’t even washed my face yet, so perfect timing.” 17–20s | Wet face At the sink, she places the cleanser beside the sink, turns on the tap, gathers water in her hands, and wets her face. Water must physically touch the skin. Natural droplets appear on hands and face. 20–23s | Foam up She picks up the cleanser, squeezes a small amount into her wet palm, puts the cleanser back down, adds a little water, and rubs both hands together. The foam must build gradually from a small amount into rich, fine white foam. 23–26s | Wash face She applies the foam to her face and massages her cheeks, nose, forehead, and chin naturally. Foam follows her hand movement realistically. Do not cover her eyes. Do not make the foam excessive or like shaving cream. She reacts with mild pleasant surprise and says: “Oh... this feels really nice.” 26–28s | Rinse off She leans toward the sink, uses clean water to rinse off the foam. The foam gradually disappears with water. Her face is revealed clean and naturally wet, with a few droplets still visible. 28–30s | Final reaction She lifts her head, gently touches her cheek, turns to the camera, smiles with a pleasantly surprised expression and says: “Okay... I get the hype.” Then she picks up the cleanser and shows it naturally, saying: “She was right.” End naturally. Critical continuity rules The whole action must happen in one real continuous shot: sitting in living room → pick up scissors → cut tape → put scissors down → open box → take out cleanser → show cleanser → stand up → walk to bathroom → place cleanser down → turn on water → wet face → squeeze cleanser into palm → add water → rub hands → foam forms → apply foam to face → massage → rinse off → touch face → pick up cleanser → share reaction. Must avoid No second cleanser. No product teleportation. No hairstyle change. No outfit change. No face change. No hand/finger deformities. No environment changes. No sudden dry/wet face continuity errors. No foam appearing from nowhere. No hidden cuts. Key story: friend strongly recommends it → package just arrived → she opens it immediately → walks straight to the bathroom → tries it right away → real foaming wash → genuinely likes how her skin feels. Natural, casual, relaxed, everyday American UGC tone.
Hero Product Reveal, Turn one product photo into a cinematic 3-shot reveal video
Generate a 30-second, real-time, uncut adventure action film shot in one continuous take. The main subject is reference character @1, wearing reference costume @2, navigating four trap zones in an ancient underground temple to retrieve a modern bottled perfume. [Global Settings] @1 provides character reference: facial features, long curly brown hair, red lipstick, and accessories. @2 provides costume reference: white lace bodysuit, high collar, white belt with bow, translucent cape, and white high heels. Environment is a mossy, crumbling ancient ruin. Lighting uses orange torchlight and cold skylight beams. Visual style is cinematic adventure film texture with shallow depth of field and natural motion blur. Camera language is a 30-second Steadicam long take, moving from 3/4 rear follow to low-angle profile and finally to front mid-close up. [Timeline Breakdown] 0-5s: Darts trap. She steps on a loose plate, dodges darts by rolling. Her white gloves get dusty. 5-12s: Underground waterway stepping stones. She jumps across six sinking stones. The cape hem gets wet. 12-18s: Pendulum blade corridor. She times her sprint past swinging stone blades, leaning back to narrowly avoid the last one. 18-24s: Collapsing bridge sprint. The stone bridge falls behind her as she sprints and leaps to the other side. 24-30s: Perfume altar. She reaches the altar where a modern glass perfume bottle sits illuminated by a beam of light. Torchlight reflects off the glass. No studio lighting.
Format: 9:16 vertical | Style: Photorealistic premium skincare commercial SHOT 1 — Product Introduction | 0–3s The La Roche-Posay Effaclar Purifying Foaming Gel stands upright on a glossy white acrylic platform in a pristine luxury studio. Soft blue gradient light glows behind the tube. Slow cinematic push-in with subtle reflections. Product must remain exactly identical to the reference image: same tube shape, blue color, logo, typography, cap, proportions and packaging text. No redesign. SHOT 2 — Pick Up Product | 3–5s Close-up of a feminine hand reaching into frame and gently picking up the Effaclar cleanser. The camera follows the movement smoothly. Keep the background minimal, white and softly illuminated with blue accents. Packaging remains sharp, readable and unchanged. SHOT 3 — Dispensing Cleanser | 5–8s Macro close-up of the hand squeezing a small amount of cleanser onto the fingertips. Show the realistic gel texture and subtle glossy highlights. Clean studio lighting, shallow depth of field and slow controlled movement. SHOT 4 — Half-Face Application | 8–11s Cut to the woman applying the cleanser to her face. Only half of her face is visible. Use a tight side-angle crop showing one cheek, part of the jawline and lips. The other half of her face remains completely outside the frame. She gently massages the cleanser in circular motions as soft white foam develops. Never show her full face or a frontal portrait. SHOT 5 — Rinse & Fresh Skin | 11–14s Extreme close-up from the side as she rinses the cleanser away with clean water. Only half of her face remains visible. Water droplets move naturally across the cheek, catching soft studio light. Transition through a subtle water splash/ripple. SHOT 6 — Final Hero Product | 14–18s Return to the Effaclar tube standing perfectly centered on the glossy white platform. A soft blue light sweeps across the background. Subtle water reflections surround the base. Camera slowly pushes in and ends on the product front, with the packaging fully visible and legible. Overall aesthetic: luxury French pharmacy skincare campaign, clinical-clean studio, white and soft blue palette, realistic skin texture, elegant feminine hands, cinematic macro photography, soft shadows, controlled highlights, shallow depth of field, smooth camera movement, photorealistic 4K. Negative prompt: full-face reveal, frontal face, recognizable identity, altered packaging, changed logo, incorrect text, warped tube, distorted hands, extra fingers, duplicate product, excessive foam, unrealistic skin, CGI look, cartoon style, cluttered background, watermark.
WOMAN = a 26-year-old British woman, natural relatable UGC style, warm fair skin that reddens easily in the sun, light freckles across nose and cheeks, shoulder-length wavy light-brown hair loose, soft brows, blue-grey eyes, everyday face with minimal makeup, wearing a strappy pastel summer top with sunglasses pushed up on her head. Authentic girl-next-door energy. Appearance only. CITY = a sunny city street on a blazing hot summer afternoon, bright pavements, shopfronts, street trees, heat haze shimmering, an intensely bright sun high in a clear blue sky, harsh direct sunlight, strong warm highlights and glare. Environment only. DELURE = a sleek modern sunscreen bottle, clean minimal pastel-and-white packaging, the brand name "DELURE" printed clearly and legibly across the front in a modern sans-serif font, premium skincare look. Product only. SCENE: a warm, authentic UGC-style sunscreen advert. A young British woman walks through a sunny city on a blazing hot day; the harsh sun is reddening her cheeks. She stops, takes a DELURE sunscreen bottle from her bag, and applies the cream to her cheeks; the redness fades and her skin calms back to normal, healthy and happy. She smiles, relieved. The advert ends on a clean product shot of the DELURE bottle. TECHNICAL: 16:9 (or 9:16 vertical if preferred for UGC), bright natural handheld UGC-style camera, warm sunny summer color grade, crisp and clean, realistic self-filmed advert feel, shallow depth of field on the product shots, photorealistic. CUTS: CUT 1 (0-3s): Zoom straight into the blazing bright sun high in the clear blue sky, intense glare and lens flare, heat haze. Then tilt down to the woman walking along the sunny city street, squinting slightly against the heat, fanning herself. CUT 2 (3-6s): Camera zooms in on her FACE — warm and sunlit, her cheeks visibly flushed and reddened from the harsh sun, a slightly uncomfortable expression. Close on the reddened cheeks. CUT 3 (6-9s): She stops, reaches into her bag, and pulls out the DELURE sunscreen bottle. She squeezes a little cream onto her fingertips and gently applies it to her reddened cheeks, smoothing it in. CUT 4 (9-12s): Close-up on her CHEEKS — the redness visibly fading and calming, her skin returning to its normal healthy warm-fair tone, soothed and even. She relaxes, the discomfort gone, and smiles softly with relief. CUT 5 (12-15s): Camera shifts to a clean hero product shot of the DELURE sunscreen bottle held up in the sunlight (or resting on a bright surface), the brand name "DELURE" sharp and clearly legible, sunlight catching the packaging. A polished final beat. RULES: References are appearance only, do not recreate. Keep the woman's face and identity consistent across every cut. The brand name "DELURE" must be spelled correctly
Live-action running-shoe commercial. 20 seconds. No cuts are used. The background is one flat electric blue from beginning to end. No gradient, no texture, no floor, no shadows. The shoes fall continuously from the top of the frame towards the bottom. Dozens of running shoes are in frame at any one moment. They are all the same single model and differ only in colour: a light, thin running shoe with a thick white foam midsole under a brightly coloured knit mesh upper, with one small silver tab at the heel. That tab is the same silver on every colourway, and there is no gold or black metal anywhere on the shoe. The colours run through orange, lime, coral, dark grey, white and pale blue. Every shoe falls from top to bottom. They all fall the same way; what differs is that each tumbles on its own axis, so in any one frame some show their outsoles, some their sides, and some are seen from above. Any shoe that comes close to camera enters from the top of the frame and leaves through the bottom; none of them appears or disappears in the middle of the frame. The near ones are large and sharp; the far ones read only as small blurred patches of colour. Focus holds on one plane and everything in front of and behind it falls softly away. The camera holds its position, breathing very slightly. What carries the frame is the shoes. Partway through, a torn paper edge sweeps across the frame and opens the layer beneath it. Along every tear the white core of the paper is left ragged and fibrous, and a soft shadow falls onto the layer below. Wherever she appears, the camera is in front of her. It never follows her back or the back of her head; her face is turned towards camera. The photograph under the paper is black and white: high-key, with the sky blown out to white, and coarse darkroom-print grain. Even inside that black and white, the shoes keep their colour. One woman appears and she is the same person throughout: a Korean woman in her early twenties, with clearly defined features, long eyes and a narrow jawline. Her hair is deep auburn, falling in heavy waves to her waist, with a few fine braids running sideways from the crown. She ties it back in a single tail to run. She wears three things: a pale blue halter crop top underneath, a dark grey sheer cropped bolero over it with long sleeves and thumbholes that cover the backs of her hands, and dark grey joggers gathered at the ankle with a pale blue drawstring at the waist. She stays in all three while she runs; they never turn into a running vest or short athletic shorts. On her feet is the white-foam-midsole running shoe described above. (0:00–0:03) The film opens on the side of a coral running shoe filling the upper left of the frame, close enough that individual strands of the knit upper, the grain along the midsole and the stitching all read. It tumbles on its axis towards the lower right until the inside of the shoe comes into view. Behind it, dozens more come down at varying sizes. (0:03–0:05) A lime pair catches on the top edge of the frame with only the toes pushing in, close enough that the individual strands of knit mesh and the texture of the midsole are visible. The rest of the frame is blue, with only a few small shoes coming down far away in it. (0:05–0:07.5) LAND LIGHT fades up at the centre of the frame in white serif capitals with very wide letter spacing, fixed in place. Printed on paper, its strokes show horizontal printing lines inside them. One falling shoe drops in front of the letters and another behind them. From the lower right corner a torn paper edge rises at an angle and peels the blue layer away. (0:07.5–0:13) Where the edge has peeled back, a bright black-and-white photograph fills in. The camera sits low on the polyurethane track directly in front of her, facing her head-on and retreating as she runs towards it. The white foam midsole reaches forward, compresses as it meets the ground and springs back. The shoes alone hold their coral; everything else is black and white. The camera rises from her feet to her face and frames her from the front, chest up and large. Her eyes fixed straight ahead, her face wet with sweat and her dark auburn hair swinging all read clearly. The stands and the sky behind her fall softly out of focus, and the sky is blown out to white. (0:13–0:16) The torn edge rises from the bottom of the frame and the blue layer comes back. A coral pair falls through dead centre with one shoe crossing over the other, the camera further back now so the whole shoe reads. A single highlight travels across the small silver tab at the heel. (0:16–0:17.5) A single sheet of electric blue paper, come down from the top, covers the frame. Its lower edge is torn, with the white core of the paper showing. (0:17.5–0:20) A bright off-white paper field. At the centre, two lines of thin capitals: LAND LIGHT, RUN LONG. No other lettering and no symbol. A torn edge crosses the lower part of the frame at a very shallow angle. The final frame settles on exactly this. This has to read as a real commercial film. The print grain applies to the black-and-white layer only; the blue layers are sharp. Lettering appears in exactly two places: LAND LIGHT at 0:05–0:07.5 and the two lines on the final frame. No brand name and no logo symbol appear anywhere.
The Busy Beaver’s desk now has its flower point: 64 SWITCHES 1 FLOWER VASE WORK PLAY LIFE The flowers bring color into the computation without interrupting the Beaver’s work.
Create a cinematic luxury diamond advertisement with a dark premium aesthetic. A black jewelry box slowly opens to reveal a flawless diamond. The camera pushes in for an extreme close-up as a gloved hand lifts the diamond. As it rises, electric-blue energy and realistic lightning begin forming around it. The diamond floats in the air while powerful lightning strikes in the background, with glowing particles, volumetric lighting, realistic reflections and physically accurate diamond refraction. Smooth cinematic camera movement, dramatic lighting, photorealistic CGI, premium commercial quality, realistic physics, highly detailed, consistent diamond throughout the entire shot.
Luxury perfume bottle on a clean glossy black surface, warm amber lighting, subtle golden smoke, elegant dark background, soft reflections, premium fragrance advertisement, cinematic close-up, slow camera push-in, photorealistic, 4K. Scene 2 — 3–6s Prompt: A beautiful confident woman wearing an elegant burnt-orange satin dress, long dark hair, standing in a luxurious dark interior with soft vertical golden lights behind her. Calm confident expression, subtle smoke, cinematic medium shot, slow camera movement, photorealistic, 4K. Scene 3 — 6–9s Prompt: Close-up of the same woman gently spraying the perfume on her neck. Fine fragrance mist visible in the warm light, elegant expression, soft golden lighting, natural hair movement, shallow depth of field, cinematic beauty commercial, photorealistic, 4K. Scene 4 — 9–12s Prompt: The same woman confidently walking toward the camera through a modern luxury interior. Same burnt-orange satin dress and long dark hair, warm golden lights, clean reflective floor, subtle atmospheric smoke, smooth tracking camera, elegant feminine presence, photorealistic, 4K. Scene 5 — 12–15s Prompt: The same luxury perfume bottle centered on a glossy black surface, subtle amber crystals around it, soft golden smoke in the background, dramatic but clean spotlight, elegant dark background, premium fragrance advertisement, slow camera push-in, photorealistic, 4K. Character & Product Consistency Same woman throughout all scenes, identical face, hairstyle, skin tone and outfit. Same perfume bottle design in every shot. Clean luxury aesthetic, consistent warm amber lighting, realistic skin and natural movement. No extra people, no distorted hands, no duplicate objects, no unwanted text or logos.