圖表

Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged. ------ Theme: Water Cycle Educational Poster

Goal: Create a realistic screenshot of a medieval MMORPG inventory and storage interface, specifically featuring a chest (Baúl) and character equipment panel. Canvas: Landscape orientation, high resolution, mimicking a game client window. Layout: Split composition. The left third shows the 3D game world with a cobblestone street, a wooden cart, an NPC, and a player character standing next to a large open treasure chest. The right two-thirds are occupied by two vertical UI panels overlaying the scene. Sections: 1. Left Panel (Storage): Header reads "BAÚL" in gold serif font on a dark metal background. Contains a grid of empty dark slots. Top row has three items: a sword (+15), a purple robe (+15), and black boots (+15). Bottom section displays "ORO EN EL BAÚL" with value 0, and buttons labeled "Cantidad", "GUARDAR", and "SACAR". 2. Right Panel (Inventory): Header reads "INVENTARIO". Top section is an equipment paper-doll layout with slots labeled "CUELLO", "ARMADURA", "ESCUDO" containing a helmet, breastplate, and shield icons. Below is a mixed grid of inventory items including potions, keys, axes, and armor pieces. Bottom section displays total "ORO" as 34.181.599. Visual style: Dark fantasy aesthetic. UI frames have ornate gold filigree corners and riveted metal textures. Fonts are classic serif (Times New Roman style) in white and gold. Lighting is ambient daylight. Text content: Preserve Spanish labels exactly as seen: "BAÚL", "INVENTARIO", "ORO EN EL BAÚL", "GUARDAR", "SACAR", "CANTIDAD", "CUELLO", "ARMADURA", "ESCUDO", "ORO".

Use the selected landmark as the only source of architectural reference. Create a realistic, printable papercraft cube model of Eiffel Tower, Paris, France, preserving its recognizable identity and unique architectural features: original silhouette, proportions, rooflines, towers, arches, windows, columns, decorative patterns, materials, and signature colors. Transform the landmark into a handmade paper craft 3D model using a low-poly geometric cube style, similar to a professional DIY papercraft kit. Show the complete unfolded cut-out template pieces laid flat on a clean white background, with clearly separated sections for the main structure, towers, roof, entrance, architectural extensions, decorative elements, and supporting base. The template must include: Main structure: A cube-shaped central building featuring the landmark’s authentic façade, recognizable architectural details, original colors, and realistic printed stone, brick, or surface textures. Roof and upper sections: Separate foldable pieces that accurately reproduce the landmark’s distinctive roof shape, domes, spires, ridges, or other defining features. Towers and extensions: Individual papercraft components for recognizable towers, minarets, bell towers, columns, arches, or side structures, depending on the landmark. Windows and entrances: Precisely positioned printed details that preserve the landmark’s original architectural identity. Decorative elements: Small foldable pieces for signature ornaments, railings, clock faces, carvings, or other historically recognizable features. Supporting base: A printable base with subtle ground textures and a small engraved-style label displaying the landmark’s name, city, and country. Printable template design: Every component must be unfolded and arranged flat, with visible solid cutting lines, dashed folding lines, numbered assembly sections, and properly sized glue tabs. All pieces should be logically connected or clearly separated, with realistic dimensions and enough white space to distinguish each component. The template must look like a genuine, usable papercraft kit rather than an assembled model photographed from above. Texture and realism: Print the landmark’s authentic architectural textures and colors directly onto the paper surfaces. Use realistic stonework, weathered brick, aged plaster, ceramic tiles, wood, or other materials appropriate to the actual building. Maintain the landmark’s recognizable proportions and historical character while adapting its structure into clean geometric paper components. Presentation: High-quality product photography, perfectly flat overhead view, pure white background, crisp paper edges, subtle natural shadows, fine printed textures, precise geometric folds, professional printable craft-sheet layout, and exceptional detail. Architectural accuracy is essential. Do not invent architectural features, alter the landmark’s silhouette, change its defining colors, or r

Goal: Create a sophisticated, high-density chronological atlas infographic visualizing the history of Artificial Intelligence from 1943 to 2025. Canvas: Vertical layout with a clean, academic aesthetic. Background is off-white/light gray. Primary colors are muted earth tones (terracotta, beige, dark brown) and black text. Layout: The design is divided into three main sections: a header, a central radial visualization, and a footer with statistical breakdowns. Header Section: - Top Left: Large Chinese title "人工智能发展史" (History of AI), subtitle "信息可视化" (Information Visualization). English subtext: "A HISTORY OF ARTIFICIAL INTELLIGENCE — INFORMATION VISUALIZATION". - Top Right: A boxed section titled "从逻辑模型到生成与推理" (From Logic Generation & Reasoning) with the date range "1943—2025" in large serif font. - Legend: Small dots indicating categories like Theory, Model, Application, Infrastructure. Central Radial Visualization (The Core): - Structure: A complex concentric circular chart (radial timeline). - Center: Text "1943—2025" and "55 SELECTED MILESTONES". - Rings: Multiple concentric rings representing decades (1940s to 2020s moving outward/inward depending on specific layer logic, but generally chronological flow). - Segments: The circle is divided into 6 colored arcs corresponding to historical phases. Labels for these phases appear on the left side as a vertical list: 1. 理论奠基 (Foundations) 1943-1956 2. 符号探索 (Symbolic Exploration) 1957-1973 3. 知识与学习 (Knowledge & Learning) 1974-1999 4. 数据与深度学习 (Data & Deep Learning) 2000-2011 5. 深度学习突破 (Deep Learning Breakthrough) 2012-2019 6. 生成与推理 (Generation & Reasoning) 2020-2025 - Data Points: Numerous small labels radiating outwards or placed along the rings, citing specific milestones. Examples visible include: "McCulloch-Pitts", "Turing Machine", "Perceptron", "ELIZA", "Expert Systems", "Backpropagation", "AlexNet", "AlphaGo", "Transformer", "GPT-3", "ChatGPT", "Sora". Footer Section: - Bottom Left: Bar chart titled "01 / 选录节点的年代分布" (Selected Milestones by Decade). Shows counts per decade (e.g., 8 in 1950s, 13 in 2010s). - Bottom Right: Bubble/Donut chart titled "02 / 节点主题构成" (Milestones by Editorial Category). Four circles sized by count: Theory (9), Model (29), Application (14), Infrastructure (3). Visual Style: Swiss International Design style. High contrast typography. Use thin lines for connectors. Clean sans-serif fonts for data, serif for titles. Professional, editorial look.

Goal: Create an educational infographic explaining Point Nemo, the most remote place on Earth located in the ocean. Canvas: Vertical portrait layout with a deep navy blue background and a subtle starry night sky texture at the top. The style is clean, modern, and informative, using gold and white text for high contrast. Layout: 1. **Header:** Large serif title "THE MOST REMOTE PLACE ON EARTH IS IN THE OCEAN" (with "IN THE OCEAN" highlighted in light blue). Below it, a small introductory paragraph defining Point Nemo as the location farthest from land, mentioning the distance of 2,688 km (1,671 miles). 2. **Central Map:** A stylized world map centered on the South Pacific Ocean. Continents are rendered in muted earth tones (greens, browns) against dark blue oceans. Labels include NORTH AMERICA, SOUTH AMERICA, EUROPE, ASIA, AFRICA, AUSTRALIA, and ANTARCTICA. 3. **Data Visualization:** A bright yellow dot marks "POINT NEMO" in the ocean south of Easter Island. Three dashed yellow arrows radiate from this point to the nearest landmasses, labeled with distances: "2,688 km (1,671 miles)" to Antarctica, "2,754 km (1,711 miles)" to South America, and "2,966 km (1,843 miles)" to Australia. 4. **Info Box (Left):** A rectangular box with a compass icon containing the coordinates "48°52.6'S 123°23.6'W" and the nickname "oceanic pole of inaccessibility." 5. **Bottom Section:** A section titled "WHY IS IT INTERESTING?" with three columns featuring icons and text: - Icon: Satellite dish. Text: "It's the farthest point from any land, making it the most isolated place on the planet." - Icon: Space station/satellite. Text: "Spacecraft and the International Space Station use it as the safest place to reenter or drop objects." - Icon: Ship. Text: "It's so remote that the closest humans are usually astronauts — not sailors." 6. **Footer:** A concluding statement next to a globe icon: "Point Nemo shows us that even in our well-explored planet, there are places more remote than anywhere on land." Visual Style: Professional infographic design. Use clear sans-serif fonts for body text and serif fonts for headings. Ensure the map projection clearly highlights the isolation of the central point.

A realistic thermal imaging photograph of a person standing in an indoor environment, captured with a FLIR camera. The subject is wearing a long-sleeved shirt and pants, rendered in the classic rainbow color palette where hot areas (face, hands, feet) appear white/yellow/red and cooler areas (clothing, background) appear blue/purple. In the top left corner, there is digital overlay text reading '2026-10-10 14:23:51' and 'CAM 01 THERMAL'. In the top right corner, the white 'FLIR' logo is visible. On the far right edge, a vertical temperature scale bar ranges from 20.0°C at the bottom to 40.0°C at the top. The background shows a dimly lit room with a plant on the left and a door frame on the right.

Create a high-density, professional infographic titled "A History of Artificial Intelligence — Information Visualization" (人工智能发展史). The design should be a chronological radial atlas covering the years 1943–2025. Layout and Structure: - Top Header: Large title text in Chinese and English. Subtitle: "From Logic to Generation & Reasoning 1943—2025". - Left Sidebar: A vertical list of six editorial phases (01 Foundations, 02 Symbolic Exploration, 03 Knowledge & Learning, 04 Data & Deep Learning, 05 Deep Learning Breakthroughs, 06 Generation & Reasoning), each with a small circular icon and year range. - Central Visual: A complex concentric ring chart (radial timeline) representing decades from the 1940s to the 2020s. - Radial Labels: Numerous AI milestones arranged along the rings, connected by lines to their specific years. Examples include: McCulloch-Pitts Neuron, Turing Test, Perceptron, Expert Systems, Backpropagation, AlexNet, GANs, Transformers, AlphaGo, BERT, GPT series, Stable Diffusion, ChatGPT, Sora, and Llama. - Color Coding: Use a palette of muted earth tones (terracotta, beige, dark brown, grey) to differentiate between categories like Theory, Models, Applications, and Infrastructure. - Bottom Section: Two data visualization panels. Left panel shows a bar chart of milestone distribution by decade. Right panel uses nested circles to show the composition of nodes by category (Theory, Model, Application, Infrastructure). Style: Minimalist, academic, clean typography, high information density but legible. White background.

Create a vertical infographic poster titled Sunflower that explores the mathematical beauty of nature. The design should be minimalist, scientific, and elegant, featuring a warm beige background with black text and yellow accents. Layout Structure: 1. Top Left: Large title "向日葵 Sunflower" followed by subtitle "The Mathematics of Nature" and a short introductory paragraph about Fibonacci sequences and golden ratios. 2. Center: A large, realistic illustration of a sunflower head overlaid with a white logarithmic spiral line and a square grid to demonstrate geometric proportions. 3. Right Column (Top): - Section "Golden Ratio": Show the formula φ = (1+√5)/2 ≈ 1.618033... alongside a diagram of the Golden Rectangle divided into squares labeled 21, 34, 13, 5. - Section "Fibonacci Sequence": List numbers 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55... with explanatory text. - Section "Double Spiral Arrangement": A circular close-up of seeds showing blue and orange spiral lines labeled "34" and "55". 4. Middle Left: Section "Logarithmic Spiral" with the formula r = ae^(bθ) and a simple line drawing of a spiral. 5. Bottom Row (Left to Right): - Section "Mathematics in Growth": A timeline of 5 small sunflowers growing from bud to full bloom, illustrating seed count increase. - Section "Optimal Packing": A cluster of brown spheres demonstrating hexagonal close packing next to a geometric circle diagram. - Section "Phyllotaxis and Divergence Angle": A green stem diagram showing leaves arranged at a 137.5° angle. - Section "Petal Geometry": Line drawings of petals showing symmetry and length/width ratio L/W ≈ φ. - Section "The Beauty of Mathematics": A final wireframe sketch of a sunflower face. 6. Footer: Logo "DeepBlue" in bottom left corner. Visual Style: Clean typography, precise vector-style diagrams mixed with realistic botanical illustrations, educational tone.

[Ancient] Women's undergarments × Layering steps × Structural unfolding × Materials and cuts × Costume restoration × Vertical 9:16

A masterpiece. Top quality. High-quality dungeon blueprints. Format: Arrange the title, dungeon floor plan, and summary in that order from top to bottom. Text must be written in Japanese. Prioritize readability and avoid making the font size too small. Character Name: "Name". Character: Depict the character’s appearance based on the reference image. Change the character’s attire to something befitting a Dungeon Master, while matching the atmosphere of the reference image. Ensure the depiction is anatomically accurate. Dungeon Name: Choose a dungeon name that the character would likely give it, in keeping with the atmosphere of the reference image. Title: “Character Name’s Dungeon Name.” Background: The background should match the atmosphere of the reference image. Dungeon Floor Plan: Determine the dungeon’s structure based on the reference image and the character’s atmosphere and characteristics. If there are two or more floors, draw a floor plan for each level, and be sure to include means of moving between levels, such as stairs or teleportation devices. Scatter sticker-style mini-illustrations around the floor plan, depicting the dungeon’s highlights and the types of adventurers who might come to explore it. Summary: Describe examples of monsters that appear, the dungeon’s difficulty level, and the treasure. For monster examples, include mini-illustrations along with their names and brief characteristics. Create original monsters whenever possible. Describe the most valuable treasure. Ensure the treasure is something the character would find valuable.

Create a premium, photorealistic 4K technology infographic showcasing the iPhone 18 Pro as the hero product. Design a sleek, high-end editorial infographic with a minimalist Apple-inspired aesthetic, dark graphite/black background, subtle metallic gradients, soft studio reflections, and precise technical callouts. Place a large iPhone 18 Pro vertically in the center, shown at a slight three-quarter angle with the front display and titanium-style frame clearly visible. Add a second smaller rear-angle view beside it to showcase the camera system. Around the phone, create clean infographic callouts connected with thin elegant lines and small technical markers. Highlight key features such as: • Pro-grade camera system • Advanced main camera sensor • Ultra-wide camera • Telephoto zoom • Next-generation A-series Pro chip • ProMotion high-refresh-rate display • Titanium-style premium frame • USB-C connectivity • Advanced computational photography • All-day battery performance • AI-powered photography and on-device intelligence Use clear, modern typography, strong visual hierarchy, restrained text, and realistic technical diagrams. Include subtle exploded-view details of the camera module and internal components without making the design look cluttered. Add a refined title at the top: “iPHONE 18 PRO” Subtitle: “THE NEXT GENERATION OF PRO” At the bottom, include a compact specification strip with categories such as: DISPLAY • CHIP • CAMERA • BATTERY • CONNECTIVITY Visual style: luxury technology advertising, premium product launch presentation, futuristic but believable, extremely clean composition, realistic materials, sharp details, controlled reflections, cinematic studio lighting, sophisticated black and silver palette, professional product photography, magazine-quality graphic design. Aspect ratio: 4:5 vertical Ultra-sharp, high-resolution, photorealistic, no unnecessary decorative elements, no messy geometry, no distorted phone geometry, no messy typography.

A vertical, highly detailed manga-style infographic page with a parchment-like background. The layout is divided into three main sections: a top illustration area, a middle diagrammatic breakdown, and a bottom text-heavy conclusion. Top Section: - A large, ethereal illustration of a woman with long white hair and fox ears (a kitsune) standing on a mountain peak at sunset. She wears flowing white robes. - Below her, an elderly man with long black hair tied back, wearing dark blue traditional Chinese robes, sits cross-legged holding a calligraphy brush, looking up thoughtfully. - To his right, a younger man in grey robes kneels, sketching the kitsune onto paper. - Surrounding this scene are blocks of Japanese text explaining the concept of 'Prompt' (プロンプト). - On the left side, there are four small square character portraits labeled with descriptions like 'Beautiful Woman', 'Dancer', etc., showing variations of female characters. - Large vertical Japanese text on the right reads 'Introduction to Prompts'. Middle Section: - A horizontal flow diagram titled 'Verbalizing features to compose a picture'. - It shows a sequence of six small square images connected by plus signs (+), leading to an equals sign (=) and a final result image. - The sequence includes: 1. Long silver hair, 2. Blue eyes, 3. White clothes, 4. Mountain sunset, 5. Looking back pose, 6. Soft backlighting. - The final result is the complete image of the kitsune from the top section. Bottom Section: - A large, bold Japanese headline in red and black ink style: "Listing hundreds of words loses one stroke" (百語を並べて一画を失う). - Surrounding the headline are torn pieces of paper with handwritten notes listing negative effects of over-prompting, such as '8K resolution', 'ultra-high quality', 'complex composition', 'unnatural lighting', 'film-like lighting', 'large scale', 'highest quality'. - At the very bottom, a concluding sentence in a box states that words are tools, but too many obscure the essence of the single stroke.

Create a reference sheet for this room. Include a bird's-eye view diagram and views from all directions in the document. Assign numbers to each viewpoint. Landscape 16:9 aspect ratio.

Generate a map of a fictional country. Based on the national settings below, generate a map that fits the setting and enclose it in a border. Do not include any explanatory text; list only place names. With regard to place names, describe only those that are below; do not describe the names of places not mentioned in the text. Depict the terrain in a way that makes it easily recognizable. Map colors should be chosen to match the terrain, and areas should not be distinguished by color. [Country Name]:[Summary and geographical description of the country]

[Source Object] → Cross-domain Engineering Design Reconstruction → [Target Object] —————————— Image 1: Lotus Flower → Cross-domain Engineering Design Reconstruction → High Heels Image 2: Cell Wall → Cross-domain Engineering Design Reconstruction → Transport Hub Image 3: Conch Shell → Cross-domain Engineering Design Reconstruction → Earphones Image 4: Bacteriophage → Cross-domain Engineering Design Reconstruction → Vehicle

Goal: Create a Japanese educational infographic slide explaining OpenClaw architecture. Canvas: Vertical 4:5 slide with a clean blue-and-white corporate tech style. Layout: Top headline area, central flow diagram, three capability cards, and a bottom summary section. Text content: Preserve key Japanese labels such as 「ゲートウェイ」 and 「交通整理役」 where they appear in the design. Constraints: Use exactly the visible section count, keep icons simple, avoid extra text, no watermark.

A 3:4 vertical mechanical keyboard encyclopedia information poster, blending Bauhaus functionalism, industrial design archives, and modern digital lab visuals. The top displays a compact mechanical keyboard in a diagonal composition, alongside exploded views of keycaps, switches, plate, PCB, and stabilizers, with studio hard-soft lighting creating clear micro-shadows; the title "Mechanical Keyboard" is arranged along the left grid, with the English subtitle "Mechanical Keyboard", accompanied by circular category tags "Input Device / Mechanical Switch", structural explosion diagrams, and keyboard size scales. The middle section uses restrained accent colors of red, yellow, and blue with modular geometric cards, fully presenting nine types of information: common layouts (60%, 65%, 75%, 80%, 96%, 100%); tactile curves for linear, tactile, and clicky switches; pre-travel and total travel; actuation force; common keycap materials and profiles; connection methods (wired, 2.4GHz, Bluetooth); differences between hot-swap and soldered PCBs; internal structures like plates, sandwich, and gasket mounts; latency, polling rate, N-key rollover, and usage scenarios. Each module retains only one main graphic to avoid visual clutter. Uses a 12-column grid, 48pt margins, 8pt baseline, and uniform 2pt linear icons. Background is near-white light gray, text is dark gray, data uses monospaced fonts. The bottom includes glossary and parameter source bars, stating "differences exist across brands and models", prohibiting fabrication of specific model performance or non-existent technical standards.