在 YouMind AI 提示詞庫裡探索免費的 文字 / 排版 圖片 提示詞，歸類於 主體。每一條都精選自真實的創作流程，可以直接複製、改用與重用。
將上載的照片保持逼真寫實及完整無缺，置於構圖的上半部分。中線以下，自然過渡至一張暖米色的手工紙，邊緣呈現不規則的自然撕裂效果。整個下半部分應大致留白，僅帶淡淡的纖維質感。 讓原照片中一個可辨識的元素延伸跨越撕裂的邊緣，並無縫轉化為立體紙藝浮雕，展現精緻的分層細節與細小的突出紙邊。加入 2–3 個微型人物與該元素自然互動，營造出精心雕琢的微縮模型場景之感。 在下方紙張的留白處，以纖秀的手寫書法寫上一首簡短雅致的兩行中文詩句。緊接其下，加上小巧低調的英文翻譯，採用柔和灰色的手寫字體。兩段文字均需間距優美、清晰易讀，並和諧地融入整體構圖之中。 風格與氛圍：超現實照片轉紙張拼貼、精緻紙藝結構、手工質感、細膩的立體景深、微縮模型藝術、柔和自然日光、淡雅陰影、微距級細節、低調優雅，以及寧靜、沉思而富詩意的意境。 構圖：垂直 3:4 比例。上半部分保留原照片，在中線附近營造分明而自然的撕紙過渡效果，並於下半部分預留充裕的留白空間。整體需維持高雅的編輯美學，材質逼真，令攝影與紙雕之間呈現無縫的視覺連貫性。
直式海報設計，中央是一個背光的人物剪影，正步向一片明亮朦朧的白色虛空。人物身穿長外套，似在邁步前行，身影被身後強光映照得略為模糊。畫面中央橫向疊加大號粗體橙色中文字「早安諸位」，部分遮擋了人物的軀幹。頂部以小號黑色字體寫上「MORNING NOTE • 2026-10-24 • TO EVERYONE」。底部則有一組深棕橙色、置中的小字區塊，載有元數據：「主題 | 早安諸位」、「日期 | 2026-10-24」、「時刻 | 07:10 AM」、「對象 | 晨間問候者，背身離場」及「備註 | 在近乎空無的白裡，向更亮處邁一步，替今天先說一句早安。」整體風格極簡、空靈且屬高調影像，並帶有顆粒質感。
製作一張高級、超寫實的 3D 字體海報，呈現確切的文字「[YOUR TEXT]」，所有字母均以粗厚蓬鬆的羊毛線精心塑造而成。 主體字體 將字母塑造成粗獷、大膽且緊密排列的形狀，以柔軟的米白色棉纖維製成。每個字母都應呈現濃密、豐盈且具觸感的視覺效果，並帶有細緻的獨立纖維絲、逼真的材質變化，以及自然細微的不規則紋理。將字體置於一塊鮮紅色的針織長方形布塊上，布塊需具備清晰可見的針腳、毛絨邊緣、凸起的紗線圖案及真實的編織質感。 確保文字拼寫與提供內容完全一致，每個字母均清晰可辨、結構正確且完整可讀。字體必須作為畫面中最主要的視覺元素。 背景與燈光 採用純黑背景，並在中央構圖四周預留充裕的留白空間。運用戲劇性的攝影棚燈光，突顯乳白羊毛線、鮮紅針織布塊與深邃黑色背景之間的強烈對比。營造逼真的接觸陰影、細膩的環境光遮蔽（ambient occlusion）、立體高光及令人信服的景深效果。 編輯細節 在右上角加入小巧、極簡風格的白色等寬字體，如精緻的編輯設計註解般整齊排列。左下角則放置一個細小可愛的插畫吉祥物，並配以簡短低調的描述文字。這兩項元素均需保持次要地位、精確對齊，且在視覺上不喧賓奪主。 材質寫實度 以極致的觸感精準度渲染每種材質，包括獨立的羊毛纖維、柔軟絨毛、緊密的環狀針腳、細微的紡織瑕疵，以及逼真的光影互動。最終效果應猶如一件在專業微距攝影棚內拍攝、精心手工製作的紡織藝術品。 構圖與輸出 垂直 4:5 比例。居中構圖、平衡的視覺層次、充裕的留白空間、主體字體清晰銳利、高對比度、精緻的編輯級藝術指導、高級實驗性平面設計、照片級寫實 3D 渲染，以及極致細膩的材質表現。 最終要求：優先確保拼寫準確、即時可讀、逼真的針織結構及強烈的視覺對比。避免出現多餘文字、變形字母、雜亂畫面、過度裝飾元素，或任何會搶去主體文字焦點的內容。
創作一幅垂直雙聯畫風格的作品，畫面分為上下兩個截然不同的部分。上半部分是一張照片級真實的高解像度相片，展示座頭鯨的尾鰭從深藍色的海洋中垂直躍出水面。尾鰭底部周圍的海水泛起白色泡沫與飛濺的水花，質感分明。背景是柔和對焦的藍色山脈，襯托着明亮的天空與散落的雲朵。下半部分則是極簡風格的插畫，以淡藍灰色的紙質紋理作為背景。畫面呈現同一鯨魚尾鰭形狀的黑色墨水風格化繪圖，但完全採用點描或點刻技法（由數以千計的細小圓點組成）繪製。請在下半部分加入特定的韓文排版：左上角以小字標示「No. 027」，接着是大標題「먼바다로 가는 꼬리」，以及較小的副標題「먼 곳을 향한 꼬리」。在畫面最底部的正中央，以襯線字體標示學名「Megaptera novaeangliae · 해양 포유류」。
一幅卡通風格的插圖，畫中一名長粉紅色頭髮、戴黑框眼鏡的年輕女子正舉起一罐 Steel Reserve 啤酒開懷大笑。她身穿藍色牛仔外套，內搭一件印有圖案設計的黑色 T 恤。背景是一間凌亂的睡房，牆上貼滿海報，其中一張寫着「BLINK-182」，另一張則寫着「I WANT TO BELIEVE」。地上散落着衣物，一隻貓正在床上熟睡，床頭櫃上還放着幾罐 Steel Reserve 啤酒。櫃上的一個杯子印着「BAD DECISIONS GOOD COMPANY」。她頭頂上方有一行粗體大字寫道：「THIS MOTHERFUCKER BLOCKED!!!」
目標：製作一張垂直構圖的「早安深圳」每日城市海報資訊圖表，將真實照片與編輯風格排版相結合。 畫布：直式海報，全出血照片背景搭配文字疊層，右側設深色邊欄。 版面配置：左上方為大標題；右上方為詩意短文；左下方為引言卡及天氣列；右邊緣為垂直黑色邊欄，內含日期及行程清單。 主體細節：右半部為現代玻璃鋼結構的地鐵站內部（扶手電梯、懸掛式指示牌寫有「Shenzhen」、「Line 1」），向左延伸至灣區對岸明亮的深圳天際線破曉景色，太陽低垂於水面之上。數名通勤者沿設有玻璃圍欄的高架行人天橋行走；前景中一名男子戴着眼鏡和耳機、背着背包，正看着手機。天花結構垂下綠植。 視覺風格：電影感晨光，青綠色與青檸色調，乾淨的中英混排無襯線字體，明亮天空與深色邊欄形成強烈對比。 文字內容：中文標籤須完全按所示保留——青檸色大標題「早安深圳」，配以英文 "GOOD MORNING SHENZHEN" 及副標題 "CONNECTED AT DAWN"；右上方區塊「在这座 / 永远在线的城市 / 每一个清晨 / 都有新的连接」，配以英文 "A BRIGHTER SHENZHEN / A MORE CONNECTED TOMORROW"；左下方卡片 "TODAY QUOTE 今日金句"，內文「新的一天，不必等风，先把自己接通。」；天氣列「天气 WEATHER 晴间多云 24–30°C 南风 3级」及「日出 06:20 城市信号 明亮」；右側邊欄日期 "10 / 23 FRI 2025 OCT 23 FRI"，其後為五個項目符號站點：「南头古城 NANTOU ANCIENT TOWN 08:00 历史与新生在此相遇」「福田 FUTIAN 09:30 城市心跳高效运转」「深圳湾 SHENZHEN BAY 12:00 海风照见更大的未来」「华侨城 OCT 15:30 艺术让城市更温柔」「海上世界 SEA WORLD 19:00 灯光与海不止于此」；邊欄頁腳 "PEOPLE TECHNOLOGY CITY BAY TOGETHER SHENZHEN"。 限制條件：所有列出文字（包括中文字符）必須逐字保留，邊欄站點數量必須準確為五個，不得加入水印。
垂直分割畫面構圖。上半部分是一張寫實照片，拍攝一對年輕情侶坐在旋轉木馬上，沐浴在四周燈泡散發的溫暖金光之中。一名留着深色捲髮、身穿深藍色襯衫的男子，抬頭望向一位長棕色波浪捲髮、穿着紅白條紋毛衣的女子；兩人雙手握着黃銅扶手桿，含情脈脈地相視而笑。下半部分將同一場景轉化為象牙色紙張背景上的高對比黑白刮畫插圖。此部分的圖像以負片風格繪製，運用大膽的墨塊與白色刮線勾勒出人物的面容和衣飾。插圖四周點綴着手寫風格的文字元素：左上角為「CAROUSEL DAYS」及「laugh. spin. remember.」，右上角為座標「lat. 35.7° N / long. 139.7° E」，左下角則為「CAROUSEL DIARY.」與「a little world that moves in circles.」。
以參考圖片為基礎，創作出高質素的編輯攝影與平面設計構圖。畫面主角是一位時尚年輕女子，擺出充滿動感又俏皮的姿勢，手持巨型道具——例如在湛藍天空與遠山背景前舉起鮮紅色氣球，或在質感豐富的綠色城市牆壁前拿着特大橙色擴音器。上半部分呈現原始的照片寫實場景，下半部分則展示極具創意的實驗性藝術指導版本。在下半部分的畫面上疊加七種清晰可辨的視覺紋理樣本：直紋玻璃、黑白雕版、美式點刻、復古半色調、像素馬賽克、透明疊層及雙色網印。加入細緻的白色標註線、小型數字標籤及長方形樣本框，以說明每種效果。請保留主體的姿勢、服裝、光線及構圖。運用鮮明色彩、電影級自然光、細膩紋理、當代日本編輯美學，以及精緻的藝術學院風格設計排版。超寫實攝影結合實驗性混合媒體圖像，細節銳利、構圖平衡、高解像度，垂直 4:5 比例。
Create a high-resolution, vertical 2:3 editorial art poster using the uploaded reference photo. TOP HALF: Use the original photograph full bleed, preserving the subject's identity, appearance, natural lighting, and photographic quality. Crop carefully if needed. No borders or margins. BOTTOM HALF: On textured ivory paper, create a monochrome scratchboard illustration of only the main subject and essential accessories. Place a large, rough-edged black ink block in the center. The figure must be larger than the block, with roughly two-thirds inside it and the lower third breaking out onto the ivory paper. Add loose horizontal ink strokes beneath the feet for grounding. Inside the black block, use fine white and light-grey etched linework. Outside it, continue the same figure in expressive black pen strokes on ivory. Ensure a seamless transition between both tonal styles. Avoid excessive hatching and unnecessary background details. COLORS: The bottom half must use only black, white, and ivory, with subtle paper grain. TYPOGRAPHY: Use rough, upright handwritten lettering. - Top left: a 2 to 4 word title across two lines, followed by three short lowercase verbs separated by periods. - Top right: latitude and longitude on two lines only. - Bottom left: the location or theme followed by “DIARY.”, with a short descriptive sentence beneath. - Keep all typography black on ivory, natural and imperfect, never cursive. FINAL COMPOSITION: Exactly one standalone poster with two equal horizontal halves and one perfectly straight dividing line. Preserve the original subject's identity and proportions. Maintain generous negative space and a restrained, collectible editorial aesthetic, combining documentary photography with expressive hand-printed illustration. Print quality, 2:3 vertical aspect ratio.
請以上傳的參考照片作為精確的身份依據，創作一張超寫實、電影感十足的全身街頭人像。 1. 面部與人物身份：完整保留參考照片中真人的五官特徵、膚色及髮型。 2. 微縮效果：在背景生成一個巨大版本的主角，正溫柔地環抱着站在前景、正常體型的自己（即自我擁抱）。 3. 服裝：兩個版本的角色均身穿紅色飛行員外套配黑色羅紋袖口，內搭純黑色 T 恤、黑色工裝短褲，以及帶有藍色點綴的白色運動鞋。 4. 背景與塗鴉：場景設定在一面斑駁的灰色混凝土牆前，牆上佈滿鮮豔的藍色油漆飛濺與滴落痕跡。左側需加入大型 Facebook「f」標誌。 5. 社交媒體元素：在壁畫上散落各種 Facebook 反應圖示，包括藍色的讚好按鈕、紅色的愛心按鈕、大笑表情符號，以及顯示愛心圖案與數字「1」的通知氣泡。 6. 文字設計：牆身右側加入粗體的塗鴉風格文字，以藍白相間的筆觸寫上「LOVE YOURSELF FIRST」，並在右上角配以一個手繪小皇冠。
STARBUCKS — “BREW BIG.” 4:5 vertical premium poster, 8K, exaggerated bold typography × high-impact commercial art direction × photorealistic product advertising 🧠 CORE IDEA: “BREW BIG.” 🎬 LAYOUT: BACKGROUND BLOCK: Solid, vivid Starbucks green background with oversized graphic shapes and strong contrast. GIANT TYPOGRAPHY: “BREW” Extremely bold, oversized, tightly cropped typography dominating almost the entire composition. Letters extend beyond the canvas edges, with the Starbucks cup overlapping the text. 👤 SUBJECT: A hand holding an iced Starbucks drink directly toward the camera, extreme forced perspective, cup dramatically enlarged in the foreground, realistic condensation, crisp ice, natural lighting. ☕ PRODUCT + VISUAL TWIST: The Starbucks cup becomes the centerpiece of the typography. The oversized word “BREW” appears to wrap behind the cup, creating striking depth through scale, layering, and composition. Keep the cup, logo, and beverage completely photorealistic. ✨ GRAPHIC ELEMENTS: * Oversized green and white shapes * Sharp contrasting shadows * Minimal starburst accents * Small directional arrows * Bold editorial layering ✍️ TEXT SYSTEM: Top pill: “STARBUCKS COFFEE” Main headline: “BREW BIG.” Supporting text: “YOUR DAILY DOSE OF EXTRAORDINARY.” BOTTOM FEATURE STRIP: * Freshly Brewed * Rich Flavour * Iced or Hot * Made for Your Moment ANTI-SLOP DIRECTION: Typography is the main design feature, not a small decorative element. Extreme scale, aggressive cropping, strong visual hierarchy, deliberate overlap, premium print-ad finish. No floating coffee beans, no miniature landscapes, no random surreal objects, no excessive particles, no cluttered layouts, no generic gradients. The final poster should feel like a bold global advertising campaign with unmistakable graphic impact.
目標：設計一款直式「早安」每日海報，風格溫暖簡約。 畫布：直向版面（4:5 比例），採用濃郁的焦橙色背景，並加入微妙的放射狀漸變，由中心向外逐漸變亮，模擬日出時的光暈效果。 版面編排： - 左上角：一個細小的膠囊形外框，內含文字「CLAUDE」，下方緊接多行堆疊排列的細小無襯線字體文字「DAILY GOOD MORNING SERIES」。 - 右上角：日期資料垂直排列：「2024」、「10」、「22」、「TUE」，以及一個帶圓圈的小字「No. 22」。 中上方：標題「Good Morning」採用大型優雅的襯線字體（米白色）。 - 中間：標題下方置中排列兩行中文：「清晨的意義，不在更早出發」及「而在讓遲到的理解，終於見光」。其下另有一行較細的文字：「願你先安靜片刻，再與今天相認」。 - 下半部分：以巨大的圖形呈現數字「99」，完全由同心平行線條構成。在兩個「9」字的圓環內，繪有風格化的山脈與發光的太陽。 - 底部頁腳：以橫線分隔的細小寬距文字，分別為「CLAUDE」、「A BRIGHTER YOU EVERY DAY」及「EST. 2024」。 視覺風格：復古現代字體設計、俐落的向量風格線條畫、溫暖的單色調配色，並以米白色作點綴。
Hand-drawn classroom anchor chart on cream lined notebook paper, kawaii illustration style, clean handwritten markers, playful doodles. Vertical 4:5. Cream notebook paper with blue ruled lines and a faint pink margin. Title at top in bold coral marker: "Maker Bench Notes". Subtitle paragraph in fine black pen: "A one-page cheat sheet for lighting a product still." Green marker subtitle: "Core Moves". Bullet list in black fine pen on the left half: "Name the subject + surface first."; "Pick one key light direction and stick to it."; "Add a soft bounce fill, not a second hard light."; "Keep reflections honest — metal, glass, matte each behave differently."; "Crop tight enough that props support the hero, not compete."; "Write a short negative list for logos and text drift.". Right side: three small coral cloud bubbles, each containing a simple bolt-and-washer doodle, no text inside bubbles. Lower center: a cute matte charcoal raccoon sitting side-view with big eyes, tiny nose, soft cream cheek highlight, thick teal outline, no text on the raccoon. Lower-left corner: a surreal hand-drawn doodle eye with concentric iris rings, a tiny star pupil, three lashes, subtle drip, purple stroke with teal accent. Handwritten marker variation, slight ink bleed, visible paper texture, flat overhead classroom light. No photorealistic fur, no 3D gradients, no logos, no watermark, no UI chrome.
Transform the reference photograph into a sophisticated minimalist editorial art poster while preserving the original café interior, wooden tables, chairs, plants, lighting, and composition. Create a refined architectural illustration with translucent geometric overlays, soft pastel gradients, warm cream and beige tones, muted sage green, pale blue, and golden yellow. Use delicate grid lines, subtle paper texture, elegant negative space, and soft sunlight for an artistic, contemporary design-magazine aesthetic. Arrange the result as a vertical split composition, with the realistic photograph on top and an abstract artistic reinterpretation below. Add subtle typography reading “A QUIETER DAY” and “SAME PLACE, BRIGHTER THOUGHTS.” Premium graphic design, minimalist Swiss editorial layout, soft atmospheric glow, balanced composition, high detail, 4K quality, portrait 4:5 aspect ratio.
Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged. ------ Theme: Water Cycle Educational Poster
Goal: Create a comprehensive, high-density vertical travel landing page (LP) for Kiyomizu-dera in Kyoto. Canvas: Vertical aspect ratio (approx. 4:5), featuring a vibrant mix of anime illustration and realistic photography with a clean white background accented by orange and purple brushstrokes. Layout: 1. Header: Top navigation bar with logo 'あぽろ塾 APOLLO JUKU' on the left, menu items (Search, Model Course, Spot, Gourmet, Access) in center, and an orange CTA button '今すぐ旅に出る' on right. 2. Hero Section: Large title '清水寺 Kiyomizu-dera' in bold black serif font. Subtitle '京都・東山の絶景と歴史をめぐる'. A central anime character (orange hair, cat ears, streetwear jacket with 'KYOTO' text) pointing right, accompanied by a tuxedo cat. Background shows a panoramic view of Kyoto with autumn foliage and pagodas. Floating handwritten text: '見たことのない京都に、きっと出会える。' and 'ここにしかない景色がある。'. Location info block: '京都・東山', '早朝散策がおすすめ', '春は桜、秋は紅葉が人気'. World Heritage badge and coordinates '34.9945, 135.7843'. 3. Highlights Section ('見どころ'): Horizontal scrollable cards showing photos of '清水の舞台', '音羽の滝', '三年坂・二年坂', '京都の街並みを一望', '世界遺産'. Each card has a photo, title, and short description. 4. App & Features Section: Left side features a smartphone mockup displaying a map app interface with pins for Kiyomizu-dera, Otowa Waterfall, etc. Center column lists 'アプリの主な機能' (App Main Features) with icons: Spot Search, Model Course, Favorites, Offline Map. Right side is 'モデルコース' (Model Course) with numbered steps 01-04 showing route thumbnails. 5. Seasonal Recommendations ('おすすめの季節'): Four distinct seasonal blocks (Spring, Summer, Autumn, Winter) with corresponding landscape photos and brief text descriptions. 6. Access Section ('アクセス'): Bottom right area listing transport options (Train, Bus, Car) with specific station names and walking times. Includes a small silhouette of a pagoda and 'Kyoto' script. Visual style: Modern Japanese web design aesthetic. High contrast between the colorful anime mascot and the serene real-world photography. Use of orange (#FF5722 approx) and purple accents. Clean sans-serif typography for body text, elegant serif for headings. Text content: Preserve all Japanese text exactly as shown in the image, including section headers like '見どころ', 'モデルコース', 'アクセス', and the specific location names.
Create one vertical 3:4 diptych for each uploaded photo, divided into equal top and bottom halves with a seamless join. No divider, frame, or collage. Swiss editorial design, experimental photography, and vintage print aesthetics. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original identity, pose, scene, composition, perspective, lighting, and colors. Allow only subtle color grading and background extension. No text. BOTTOM HALF — SEVEN EXPERIMENTAL TEXTURE ZONES Repeat the entire original photo. Overlay seven asymmetrical rectangular zones of different sizes directly onto the image pixels, crossing non-critical details. Maintain visual continuity inside and outside every zone. Never crop, zoom, shift, duplicate, or redraw the image. Keep all important focal features visible. SEVEN NUMBERED TECHNIQUES 01. Reeded Glass: Vertical optical refraction. 02. Black-and-White Engraving: Fine etched lines and crosshatching. 03. American Stipple: Black-and-white microdot texture. 04. Vintage Halftone: CMYK printing dots. 05. Pixel Mosaic: Square pixel blocks. 06. Transparent Overlay: 2–4 translucent overlapping layers. 07. Duotone Screen Print: Two-color screen-printing effect. DESIGN DETAILS Add hairline borders, tiny corner squares, and fine leader lines to identify each rectangular zone. Label every technique with its corresponding number and English name. Keep all areas outside the seven zones photographic and realistic. STRICT REQUIREMENTS No logos, watermarks, extra images, or unnecessary decorative elements. Preserve the original photograph's integrity and maintain a clean, sophisticated editorial layout. OUTPUT: One high-definition 3:4 vertical poster with equal top and bottom halves.
將上載的照片保持逼真寫實及完整無缺，置於構圖的上半部分。中線以下，自然過渡至一張暖米色的手工紙，邊緣呈現不規則的自然撕裂效果。整個下半部分應大致留白，僅帶淡淡的纖維質感。 讓原照片中一個可辨識的元素延伸跨越撕裂的邊緣，並無縫轉化為立體紙藝浮雕，展現精緻的分層細節與細小的突出紙邊。加入 2–3 個微型人物與該元素自然互動，營造出精心雕琢的微縮模型場景之感。 在下方紙張的留白處，以纖秀的手寫書法寫上一首簡短雅致的兩行中文詩句。緊接其下，加上小巧低調的英文翻譯，採用柔和灰色的手寫字體。兩段文字均需間距優美、清晰易讀，並和諧地融入整體構圖之中。 風格與氛圍：超現實照片轉紙張拼貼、精緻紙藝結構、手工質感、細膩的立體景深、微縮模型藝術、柔和自然日光、淡雅陰影、微距級細節、低調優雅，以及寧靜、沉思而富詩意的意境。 構圖：垂直 3:4 比例。上半部分保留原照片，在中線附近營造分明而自然的撕紙過渡效果，並於下半部分預留充裕的留白空間。整體需維持高雅的編輯美學，材質逼真，令攝影與紙雕之間呈現無縫的視覺連貫性。
製作一張高級、超寫實的 3D 字體海報，呈現確切的文字「[YOUR TEXT]」，所有字母均以粗厚蓬鬆的羊毛線精心塑造而成。 主體字體 將字母塑造成粗獷、大膽且緊密排列的形狀，以柔軟的米白色棉纖維製成。每個字母都應呈現濃密、豐盈且具觸感的視覺效果，並帶有細緻的獨立纖維絲、逼真的材質變化，以及自然細微的不規則紋理。將字體置於一塊鮮紅色的針織長方形布塊上，布塊需具備清晰可見的針腳、毛絨邊緣、凸起的紗線圖案及真實的編織質感。 確保文字拼寫與提供內容完全一致，每個字母均清晰可辨、結構正確且完整可讀。字體必須作為畫面中最主要的視覺元素。 背景與燈光 採用純黑背景，並在中央構圖四周預留充裕的留白空間。運用戲劇性的攝影棚燈光，突顯乳白羊毛線、鮮紅針織布塊與深邃黑色背景之間的強烈對比。營造逼真的接觸陰影、細膩的環境光遮蔽（ambient occlusion）、立體高光及令人信服的景深效果。 編輯細節 在右上角加入小巧、極簡風格的白色等寬字體，如精緻的編輯設計註解般整齊排列。左下角則放置一個細小可愛的插畫吉祥物，並配以簡短低調的描述文字。這兩項元素均需保持次要地位、精確對齊，且在視覺上不喧賓奪主。 材質寫實度 以極致的觸感精準度渲染每種材質，包括獨立的羊毛纖維、柔軟絨毛、緊密的環狀針腳、細微的紡織瑕疵，以及逼真的光影互動。最終效果應猶如一件在專業微距攝影棚內拍攝、精心手工製作的紡織藝術品。 構圖與輸出 垂直 4:5 比例。居中構圖、平衡的視覺層次、充裕的留白空間、主體字體清晰銳利、高對比度、精緻的編輯級藝術指導、高級實驗性平面設計、照片級寫實 3D 渲染，以及極致細膩的材質表現。 最終要求：優先確保拼寫準確、即時可讀、逼真的針織結構及強烈的視覺對比。避免出現多餘文字、變形字母、雜亂畫面、過度裝飾元素，或任何會搶去主體文字焦點的內容。
一幅卡通風格的插圖，畫中一名長粉紅色頭髮、戴黑框眼鏡的年輕女子正舉起一罐 Steel Reserve 啤酒開懷大笑。她身穿藍色牛仔外套，內搭一件印有圖案設計的黑色 T 恤。背景是一間凌亂的睡房，牆上貼滿海報，其中一張寫着「BLINK-182」，另一張則寫着「I WANT TO BELIEVE」。地上散落着衣物，一隻貓正在床上熟睡，床頭櫃上還放着幾罐 Steel Reserve 啤酒。櫃上的一個杯子印着「BAD DECISIONS GOOD COMPANY」。她頭頂上方有一行粗體大字寫道：「THIS MOTHERFUCKER BLOCKED!!!」
垂直分割畫面構圖。上半部分是一張寫實照片，拍攝一對年輕情侶坐在旋轉木馬上，沐浴在四周燈泡散發的溫暖金光之中。一名留着深色捲髮、身穿深藍色襯衫的男子，抬頭望向一位長棕色波浪捲髮、穿着紅白條紋毛衣的女子；兩人雙手握着黃銅扶手桿，含情脈脈地相視而笑。下半部分將同一場景轉化為象牙色紙張背景上的高對比黑白刮畫插圖。此部分的圖像以負片風格繪製，運用大膽的墨塊與白色刮線勾勒出人物的面容和衣飾。插圖四周點綴着手寫風格的文字元素：左上角為「CAROUSEL DAYS」及「laugh. spin. remember.」，右上角為座標「lat. 35.7° N / long. 139.7° E」，左下角則為「CAROUSEL DIARY.」與「a little world that moves in circles.」。
Create a high-resolution, vertical 2:3 editorial art poster using the uploaded reference photo. TOP HALF: Use the original photograph full bleed, preserving the subject's identity, appearance, natural lighting, and photographic quality. Crop carefully if needed. No borders or margins. BOTTOM HALF: On textured ivory paper, create a monochrome scratchboard illustration of only the main subject and essential accessories. Place a large, rough-edged black ink block in the center. The figure must be larger than the block, with roughly two-thirds inside it and the lower third breaking out onto the ivory paper. Add loose horizontal ink strokes beneath the feet for grounding. Inside the black block, use fine white and light-grey etched linework. Outside it, continue the same figure in expressive black pen strokes on ivory. Ensure a seamless transition between both tonal styles. Avoid excessive hatching and unnecessary background details. COLORS: The bottom half must use only black, white, and ivory, with subtle paper grain. TYPOGRAPHY: Use rough, upright handwritten lettering. - Top left: a 2 to 4 word title across two lines, followed by three short lowercase verbs separated by periods. - Top right: latitude and longitude on two lines only. - Bottom left: the location or theme followed by “DIARY.”, with a short descriptive sentence beneath. - Keep all typography black on ivory, natural and imperfect, never cursive. FINAL COMPOSITION: Exactly one standalone poster with two equal horizontal halves and one perfectly straight dividing line. Preserve the original subject's identity and proportions. Maintain generous negative space and a restrained, collectible editorial aesthetic, combining documentary photography with expressive hand-printed illustration. Print quality, 2:3 vertical aspect ratio.
STARBUCKS — “BREW BIG.” 4:5 vertical premium poster, 8K, exaggerated bold typography × high-impact commercial art direction × photorealistic product advertising 🧠 CORE IDEA: “BREW BIG.” 🎬 LAYOUT: BACKGROUND BLOCK: Solid, vivid Starbucks green background with oversized graphic shapes and strong contrast. GIANT TYPOGRAPHY: “BREW” Extremely bold, oversized, tightly cropped typography dominating almost the entire composition. Letters extend beyond the canvas edges, with the Starbucks cup overlapping the text. 👤 SUBJECT: A hand holding an iced Starbucks drink directly toward the camera, extreme forced perspective, cup dramatically enlarged in the foreground, realistic condensation, crisp ice, natural lighting. ☕ PRODUCT + VISUAL TWIST: The Starbucks cup becomes the centerpiece of the typography. The oversized word “BREW” appears to wrap behind the cup, creating striking depth through scale, layering, and composition. Keep the cup, logo, and beverage completely photorealistic. ✨ GRAPHIC ELEMENTS: * Oversized green and white shapes * Sharp contrasting shadows * Minimal starburst accents * Small directional arrows * Bold editorial layering ✍️ TEXT SYSTEM: Top pill: “STARBUCKS COFFEE” Main headline: “BREW BIG.” Supporting text: “YOUR DAILY DOSE OF EXTRAORDINARY.” BOTTOM FEATURE STRIP: * Freshly Brewed * Rich Flavour * Iced or Hot * Made for Your Moment ANTI-SLOP DIRECTION: Typography is the main design feature, not a small decorative element. Extreme scale, aggressive cropping, strong visual hierarchy, deliberate overlap, premium print-ad finish. No floating coffee beans, no miniature landscapes, no random surreal objects, no excessive particles, no cluttered layouts, no generic gradients. The final poster should feel like a bold global advertising campaign with unmistakable graphic impact.
Hand-drawn classroom anchor chart on cream lined notebook paper, kawaii illustration style, clean handwritten markers, playful doodles. Vertical 4:5. Cream notebook paper with blue ruled lines and a faint pink margin. Title at top in bold coral marker: "Maker Bench Notes". Subtitle paragraph in fine black pen: "A one-page cheat sheet for lighting a product still." Green marker subtitle: "Core Moves". Bullet list in black fine pen on the left half: "Name the subject + surface first."; "Pick one key light direction and stick to it."; "Add a soft bounce fill, not a second hard light."; "Keep reflections honest — metal, glass, matte each behave differently."; "Crop tight enough that props support the hero, not compete."; "Write a short negative list for logos and text drift.". Right side: three small coral cloud bubbles, each containing a simple bolt-and-washer doodle, no text inside bubbles. Lower center: a cute matte charcoal raccoon sitting side-view with big eyes, tiny nose, soft cream cheek highlight, thick teal outline, no text on the raccoon. Lower-left corner: a surreal hand-drawn doodle eye with concentric iris rings, a tiny star pupil, three lashes, subtle drip, purple stroke with teal accent. Handwritten marker variation, slight ink bleed, visible paper texture, flat overhead classroom light. No photorealistic fur, no 3D gradients, no logos, no watermark, no UI chrome.
Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged. ------ Theme: Water Cycle Educational Poster
Create one vertical 3:4 diptych for each uploaded photo, divided into equal top and bottom halves with a seamless join. No divider, frame, or collage. Swiss editorial design, experimental photography, and vintage print aesthetics. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original identity, pose, scene, composition, perspective, lighting, and colors. Allow only subtle color grading and background extension. No text. BOTTOM HALF — SEVEN EXPERIMENTAL TEXTURE ZONES Repeat the entire original photo. Overlay seven asymmetrical rectangular zones of different sizes directly onto the image pixels, crossing non-critical details. Maintain visual continuity inside and outside every zone. Never crop, zoom, shift, duplicate, or redraw the image. Keep all important focal features visible. SEVEN NUMBERED TECHNIQUES 01. Reeded Glass: Vertical optical refraction. 02. Black-and-White Engraving: Fine etched lines and crosshatching. 03. American Stipple: Black-and-white microdot texture. 04. Vintage Halftone: CMYK printing dots. 05. Pixel Mosaic: Square pixel blocks. 06. Transparent Overlay: 2–4 translucent overlapping layers. 07. Duotone Screen Print: Two-color screen-printing effect. DESIGN DETAILS Add hairline borders, tiny corner squares, and fine leader lines to identify each rectangular zone. Label every technique with its corresponding number and English name. Keep all areas outside the seven zones photographic and realistic. STRICT REQUIREMENTS No logos, watermarks, extra images, or unnecessary decorative elements. Preserve the original photograph's integrity and maintain a clean, sophisticated editorial layout. OUTPUT: One high-definition 3:4 vertical poster with equal top and bottom halves.
直式海報設計，中央是一個背光的人物剪影，正步向一片明亮朦朧的白色虛空。人物身穿長外套，似在邁步前行，身影被身後強光映照得略為模糊。畫面中央橫向疊加大號粗體橙色中文字「早安諸位」，部分遮擋了人物的軀幹。頂部以小號黑色字體寫上「MORNING NOTE • 2026-10-24 • TO EVERYONE」。底部則有一組深棕橙色、置中的小字區塊，載有元數據：「主題 | 早安諸位」、「日期 | 2026-10-24」、「時刻 | 07:10 AM」、「對象 | 晨間問候者，背身離場」及「備註 | 在近乎空無的白裡，向更亮處邁一步，替今天先說一句早安。」整體風格極簡、空靈且屬高調影像，並帶有顆粒質感。
創作一幅垂直雙聯畫風格的作品，畫面分為上下兩個截然不同的部分。上半部分是一張照片級真實的高解像度相片，展示座頭鯨的尾鰭從深藍色的海洋中垂直躍出水面。尾鰭底部周圍的海水泛起白色泡沫與飛濺的水花，質感分明。背景是柔和對焦的藍色山脈，襯托着明亮的天空與散落的雲朵。下半部分則是極簡風格的插畫，以淡藍灰色的紙質紋理作為背景。畫面呈現同一鯨魚尾鰭形狀的黑色墨水風格化繪圖，但完全採用點描或點刻技法（由數以千計的細小圓點組成）繪製。請在下半部分加入特定的韓文排版：左上角以小字標示「No. 027」，接着是大標題「먼바다로 가는 꼬리」，以及較小的副標題「먼 곳을 향한 꼬리」。在畫面最底部的正中央，以襯線字體標示學名「Megaptera novaeangliae · 해양 포유류」。
目標：製作一張垂直構圖的「早安深圳」每日城市海報資訊圖表，將真實照片與編輯風格排版相結合。 畫布：直式海報，全出血照片背景搭配文字疊層，右側設深色邊欄。 版面配置：左上方為大標題；右上方為詩意短文；左下方為引言卡及天氣列；右邊緣為垂直黑色邊欄，內含日期及行程清單。 主體細節：右半部為現代玻璃鋼結構的地鐵站內部（扶手電梯、懸掛式指示牌寫有「Shenzhen」、「Line 1」），向左延伸至灣區對岸明亮的深圳天際線破曉景色，太陽低垂於水面之上。數名通勤者沿設有玻璃圍欄的高架行人天橋行走；前景中一名男子戴着眼鏡和耳機、背着背包，正看着手機。天花結構垂下綠植。 視覺風格：電影感晨光，青綠色與青檸色調，乾淨的中英混排無襯線字體，明亮天空與深色邊欄形成強烈對比。 文字內容：中文標籤須完全按所示保留——青檸色大標題「早安深圳」，配以英文 "GOOD MORNING SHENZHEN" 及副標題 "CONNECTED AT DAWN"；右上方區塊「在这座 / 永远在线的城市 / 每一个清晨 / 都有新的连接」，配以英文 "A BRIGHTER SHENZHEN / A MORE CONNECTED TOMORROW"；左下方卡片 "TODAY QUOTE 今日金句"，內文「新的一天，不必等风，先把自己接通。」；天氣列「天气 WEATHER 晴间多云 24–30°C 南风 3级」及「日出 06:20 城市信号 明亮」；右側邊欄日期 "10 / 23 FRI 2025 OCT 23 FRI"，其後為五個項目符號站點：「南头古城 NANTOU ANCIENT TOWN 08:00 历史与新生在此相遇」「福田 FUTIAN 09:30 城市心跳高效运转」「深圳湾 SHENZHEN BAY 12:00 海风照见更大的未来」「华侨城 OCT 15:30 艺术让城市更温柔」「海上世界 SEA WORLD 19:00 灯光与海不止于此」；邊欄頁腳 "PEOPLE TECHNOLOGY CITY BAY TOGETHER SHENZHEN"。 限制條件：所有列出文字（包括中文字符）必須逐字保留，邊欄站點數量必須準確為五個，不得加入水印。
以參考圖片為基礎，創作出高質素的編輯攝影與平面設計構圖。畫面主角是一位時尚年輕女子，擺出充滿動感又俏皮的姿勢，手持巨型道具——例如在湛藍天空與遠山背景前舉起鮮紅色氣球，或在質感豐富的綠色城市牆壁前拿着特大橙色擴音器。上半部分呈現原始的照片寫實場景，下半部分則展示極具創意的實驗性藝術指導版本。在下半部分的畫面上疊加七種清晰可辨的視覺紋理樣本：直紋玻璃、黑白雕版、美式點刻、復古半色調、像素馬賽克、透明疊層及雙色網印。加入細緻的白色標註線、小型數字標籤及長方形樣本框，以說明每種效果。請保留主體的姿勢、服裝、光線及構圖。運用鮮明色彩、電影級自然光、細膩紋理、當代日本編輯美學，以及精緻的藝術學院風格設計排版。超寫實攝影結合實驗性混合媒體圖像，細節銳利、構圖平衡、高解像度，垂直 4:5 比例。
請以上傳的參考照片作為精確的身份依據，創作一張超寫實、電影感十足的全身街頭人像。 1. 面部與人物身份：完整保留參考照片中真人的五官特徵、膚色及髮型。 2. 微縮效果：在背景生成一個巨大版本的主角，正溫柔地環抱着站在前景、正常體型的自己（即自我擁抱）。 3. 服裝：兩個版本的角色均身穿紅色飛行員外套配黑色羅紋袖口，內搭純黑色 T 恤、黑色工裝短褲，以及帶有藍色點綴的白色運動鞋。 4. 背景與塗鴉：場景設定在一面斑駁的灰色混凝土牆前，牆上佈滿鮮豔的藍色油漆飛濺與滴落痕跡。左側需加入大型 Facebook「f」標誌。 5. 社交媒體元素：在壁畫上散落各種 Facebook 反應圖示，包括藍色的讚好按鈕、紅色的愛心按鈕、大笑表情符號，以及顯示愛心圖案與數字「1」的通知氣泡。 6. 文字設計：牆身右側加入粗體的塗鴉風格文字，以藍白相間的筆觸寫上「LOVE YOURSELF FIRST」，並在右上角配以一個手繪小皇冠。
目標：設計一款直式「早安」每日海報，風格溫暖簡約。 畫布：直向版面（4:5 比例），採用濃郁的焦橙色背景，並加入微妙的放射狀漸變，由中心向外逐漸變亮，模擬日出時的光暈效果。 版面編排： - 左上角：一個細小的膠囊形外框，內含文字「CLAUDE」，下方緊接多行堆疊排列的細小無襯線字體文字「DAILY GOOD MORNING SERIES」。 - 右上角：日期資料垂直排列：「2024」、「10」、「22」、「TUE」，以及一個帶圓圈的小字「No. 22」。 中上方：標題「Good Morning」採用大型優雅的襯線字體（米白色）。 - 中間：標題下方置中排列兩行中文：「清晨的意義，不在更早出發」及「而在讓遲到的理解，終於見光」。其下另有一行較細的文字：「願你先安靜片刻，再與今天相認」。 - 下半部分：以巨大的圖形呈現數字「99」，完全由同心平行線條構成。在兩個「9」字的圓環內，繪有風格化的山脈與發光的太陽。 - 底部頁腳：以橫線分隔的細小寬距文字，分別為「CLAUDE」、「A BRIGHTER YOU EVERY DAY」及「EST. 2024」。 視覺風格：復古現代字體設計、俐落的向量風格線條畫、溫暖的單色調配色，並以米白色作點綴。
Transform the reference photograph into a sophisticated minimalist editorial art poster while preserving the original café interior, wooden tables, chairs, plants, lighting, and composition. Create a refined architectural illustration with translucent geometric overlays, soft pastel gradients, warm cream and beige tones, muted sage green, pale blue, and golden yellow. Use delicate grid lines, subtle paper texture, elegant negative space, and soft sunlight for an artistic, contemporary design-magazine aesthetic. Arrange the result as a vertical split composition, with the realistic photograph on top and an abstract artistic reinterpretation below. Add subtle typography reading “A QUIETER DAY” and “SAME PLACE, BRIGHTER THOUGHTS.” Premium graphic design, minimalist Swiss editorial layout, soft atmospheric glow, balanced composition, high detail, 4K quality, portrait 4:5 aspect ratio.
Goal: Create a comprehensive, high-density vertical travel landing page (LP) for Kiyomizu-dera in Kyoto. Canvas: Vertical aspect ratio (approx. 4:5), featuring a vibrant mix of anime illustration and realistic photography with a clean white background accented by orange and purple brushstrokes. Layout: 1. Header: Top navigation bar with logo 'あぽろ塾 APOLLO JUKU' on the left, menu items (Search, Model Course, Spot, Gourmet, Access) in center, and an orange CTA button '今すぐ旅に出る' on right. 2. Hero Section: Large title '清水寺 Kiyomizu-dera' in bold black serif font. Subtitle '京都・東山の絶景と歴史をめぐる'. A central anime character (orange hair, cat ears, streetwear jacket with 'KYOTO' text) pointing right, accompanied by a tuxedo cat. Background shows a panoramic view of Kyoto with autumn foliage and pagodas. Floating handwritten text: '見たことのない京都に、きっと出会える。' and 'ここにしかない景色がある。'. Location info block: '京都・東山', '早朝散策がおすすめ', '春は桜、秋は紅葉が人気'. World Heritage badge and coordinates '34.9945, 135.7843'. 3. Highlights Section ('見どころ'): Horizontal scrollable cards showing photos of '清水の舞台', '音羽の滝', '三年坂・二年坂', '京都の街並みを一望', '世界遺産'. Each card has a photo, title, and short description. 4. App & Features Section: Left side features a smartphone mockup displaying a map app interface with pins for Kiyomizu-dera, Otowa Waterfall, etc. Center column lists 'アプリの主な機能' (App Main Features) with icons: Spot Search, Model Course, Favorites, Offline Map. Right side is 'モデルコース' (Model Course) with numbered steps 01-04 showing route thumbnails. 5. Seasonal Recommendations ('おすすめの季節'): Four distinct seasonal blocks (Spring, Summer, Autumn, Winter) with corresponding landscape photos and brief text descriptions. 6. Access Section ('アクセス'): Bottom right area listing transport options (Train, Bus, Car) with specific station names and walking times. Includes a small silhouette of a pagoda and 'Kyoto' script. Visual style: Modern Japanese web design aesthetic. High contrast between the colorful anime mascot and the serene real-world photography. Use of orange (#FF5722 approx) and purple accents. Clean sans-serif typography for body text, elegant serif for headings. Text content: Preserve all Japanese text exactly as shown in the image, including section headers like '見どころ', 'モデルコース', 'アクセス', and the specific location names.
將上載的照片保持逼真寫實及完整無缺，置於構圖的上半部分。中線以下，自然過渡至一張暖米色的手工紙，邊緣呈現不規則的自然撕裂效果。整個下半部分應大致留白，僅帶淡淡的纖維質感。 讓原照片中一個可辨識的元素延伸跨越撕裂的邊緣，並無縫轉化為立體紙藝浮雕，展現精緻的分層細節與細小的突出紙邊。加入 2–3 個微型人物與該元素自然互動，營造出精心雕琢的微縮模型場景之感。 在下方紙張的留白處，以纖秀的手寫書法寫上一首簡短雅致的兩行中文詩句。緊接其下，加上小巧低調的英文翻譯，採用柔和灰色的手寫字體。兩段文字均需間距優美、清晰易讀，並和諧地融入整體構圖之中。 風格與氛圍：超現實照片轉紙張拼貼、精緻紙藝結構、手工質感、細膩的立體景深、微縮模型藝術、柔和自然日光、淡雅陰影、微距級細節、低調優雅，以及寧靜、沉思而富詩意的意境。 構圖：垂直 3:4 比例。上半部分保留原照片，在中線附近營造分明而自然的撕紙過渡效果，並於下半部分預留充裕的留白空間。整體需維持高雅的編輯美學，材質逼真，令攝影與紙雕之間呈現無縫的視覺連貫性。
一幅卡通風格的插圖，畫中一名長粉紅色頭髮、戴黑框眼鏡的年輕女子正舉起一罐 Steel Reserve 啤酒開懷大笑。她身穿藍色牛仔外套，內搭一件印有圖案設計的黑色 T 恤。背景是一間凌亂的睡房，牆上貼滿海報，其中一張寫着「BLINK-182」，另一張則寫着「I WANT TO BELIEVE」。地上散落着衣物，一隻貓正在床上熟睡，床頭櫃上還放着幾罐 Steel Reserve 啤酒。櫃上的一個杯子印着「BAD DECISIONS GOOD COMPANY」。她頭頂上方有一行粗體大字寫道：「THIS MOTHERFUCKER BLOCKED!!!」
垂直分割畫面構圖。上半部分是一張寫實照片，拍攝一對年輕情侶坐在旋轉木馬上，沐浴在四周燈泡散發的溫暖金光之中。一名留着深色捲髮、身穿深藍色襯衫的男子，抬頭望向一位長棕色波浪捲髮、穿着紅白條紋毛衣的女子；兩人雙手握着黃銅扶手桿，含情脈脈地相視而笑。下半部分將同一場景轉化為象牙色紙張背景上的高對比黑白刮畫插圖。此部分的圖像以負片風格繪製，運用大膽的墨塊與白色刮線勾勒出人物的面容和衣飾。插圖四周點綴着手寫風格的文字元素：左上角為「CAROUSEL DAYS」及「laugh. spin. remember.」，右上角為座標「lat. 35.7° N / long. 139.7° E」，左下角則為「CAROUSEL DIARY.」與「a little world that moves in circles.」。
請以上傳的參考照片作為精確的身份依據，創作一張超寫實、電影感十足的全身街頭人像。 1. 面部與人物身份：完整保留參考照片中真人的五官特徵、膚色及髮型。 2. 微縮效果：在背景生成一個巨大版本的主角，正溫柔地環抱着站在前景、正常體型的自己（即自我擁抱）。 3. 服裝：兩個版本的角色均身穿紅色飛行員外套配黑色羅紋袖口，內搭純黑色 T 恤、黑色工裝短褲，以及帶有藍色點綴的白色運動鞋。 4. 背景與塗鴉：場景設定在一面斑駁的灰色混凝土牆前，牆上佈滿鮮豔的藍色油漆飛濺與滴落痕跡。左側需加入大型 Facebook「f」標誌。 5. 社交媒體元素：在壁畫上散落各種 Facebook 反應圖示，包括藍色的讚好按鈕、紅色的愛心按鈕、大笑表情符號，以及顯示愛心圖案與數字「1」的通知氣泡。 6. 文字設計：牆身右側加入粗體的塗鴉風格文字，以藍白相間的筆觸寫上「LOVE YOURSELF FIRST」，並在右上角配以一個手繪小皇冠。
Hand-drawn classroom anchor chart on cream lined notebook paper, kawaii illustration style, clean handwritten markers, playful doodles. Vertical 4:5. Cream notebook paper with blue ruled lines and a faint pink margin. Title at top in bold coral marker: "Maker Bench Notes". Subtitle paragraph in fine black pen: "A one-page cheat sheet for lighting a product still." Green marker subtitle: "Core Moves". Bullet list in black fine pen on the left half: "Name the subject + surface first."; "Pick one key light direction and stick to it."; "Add a soft bounce fill, not a second hard light."; "Keep reflections honest — metal, glass, matte each behave differently."; "Crop tight enough that props support the hero, not compete."; "Write a short negative list for logos and text drift.". Right side: three small coral cloud bubbles, each containing a simple bolt-and-washer doodle, no text inside bubbles. Lower center: a cute matte charcoal raccoon sitting side-view with big eyes, tiny nose, soft cream cheek highlight, thick teal outline, no text on the raccoon. Lower-left corner: a surreal hand-drawn doodle eye with concentric iris rings, a tiny star pupil, three lashes, subtle drip, purple stroke with teal accent. Handwritten marker variation, slight ink bleed, visible paper texture, flat overhead classroom light. No photorealistic fur, no 3D gradients, no logos, no watermark, no UI chrome.
Goal: Create a comprehensive, high-density vertical travel landing page (LP) for Kiyomizu-dera in Kyoto. Canvas: Vertical aspect ratio (approx. 4:5), featuring a vibrant mix of anime illustration and realistic photography with a clean white background accented by orange and purple brushstrokes. Layout: 1. Header: Top navigation bar with logo 'あぽろ塾 APOLLO JUKU' on the left, menu items (Search, Model Course, Spot, Gourmet, Access) in center, and an orange CTA button '今すぐ旅に出る' on right. 2. Hero Section: Large title '清水寺 Kiyomizu-dera' in bold black serif font. Subtitle '京都・東山の絶景と歴史をめぐる'. A central anime character (orange hair, cat ears, streetwear jacket with 'KYOTO' text) pointing right, accompanied by a tuxedo cat. Background shows a panoramic view of Kyoto with autumn foliage and pagodas. Floating handwritten text: '見たことのない京都に、きっと出会える。' and 'ここにしかない景色がある。'. Location info block: '京都・東山', '早朝散策がおすすめ', '春は桜、秋は紅葉が人気'. World Heritage badge and coordinates '34.9945, 135.7843'. 3. Highlights Section ('見どころ'): Horizontal scrollable cards showing photos of '清水の舞台', '音羽の滝', '三年坂・二年坂', '京都の街並みを一望', '世界遺産'. Each card has a photo, title, and short description. 4. App & Features Section: Left side features a smartphone mockup displaying a map app interface with pins for Kiyomizu-dera, Otowa Waterfall, etc. Center column lists 'アプリの主な機能' (App Main Features) with icons: Spot Search, Model Course, Favorites, Offline Map. Right side is 'モデルコース' (Model Course) with numbered steps 01-04 showing route thumbnails. 5. Seasonal Recommendations ('おすすめの季節'): Four distinct seasonal blocks (Spring, Summer, Autumn, Winter) with corresponding landscape photos and brief text descriptions. 6. Access Section ('アクセス'): Bottom right area listing transport options (Train, Bus, Car) with specific station names and walking times. Includes a small silhouette of a pagoda and 'Kyoto' script. Visual style: Modern Japanese web design aesthetic. High contrast between the colorful anime mascot and the serene real-world photography. Use of orange (#FF5722 approx) and purple accents. Clean sans-serif typography for body text, elegant serif for headings. Text content: Preserve all Japanese text exactly as shown in the image, including section headers like '見どころ', 'モデルコース', 'アクセス', and the specific location names.
直式海報設計，中央是一個背光的人物剪影，正步向一片明亮朦朧的白色虛空。人物身穿長外套，似在邁步前行，身影被身後強光映照得略為模糊。畫面中央橫向疊加大號粗體橙色中文字「早安諸位」，部分遮擋了人物的軀幹。頂部以小號黑色字體寫上「MORNING NOTE • 2026-10-24 • TO EVERYONE」。底部則有一組深棕橙色、置中的小字區塊，載有元數據：「主題 | 早安諸位」、「日期 | 2026-10-24」、「時刻 | 07:10 AM」、「對象 | 晨間問候者，背身離場」及「備註 | 在近乎空無的白裡，向更亮處邁一步，替今天先說一句早安。」整體風格極簡、空靈且屬高調影像，並帶有顆粒質感。
目標：製作一張垂直構圖的「早安深圳」每日城市海報資訊圖表，將真實照片與編輯風格排版相結合。 畫布：直式海報，全出血照片背景搭配文字疊層，右側設深色邊欄。 版面配置：左上方為大標題；右上方為詩意短文；左下方為引言卡及天氣列；右邊緣為垂直黑色邊欄，內含日期及行程清單。 主體細節：右半部為現代玻璃鋼結構的地鐵站內部（扶手電梯、懸掛式指示牌寫有「Shenzhen」、「Line 1」），向左延伸至灣區對岸明亮的深圳天際線破曉景色，太陽低垂於水面之上。數名通勤者沿設有玻璃圍欄的高架行人天橋行走；前景中一名男子戴着眼鏡和耳機、背着背包，正看着手機。天花結構垂下綠植。 視覺風格：電影感晨光，青綠色與青檸色調，乾淨的中英混排無襯線字體，明亮天空與深色邊欄形成強烈對比。 文字內容：中文標籤須完全按所示保留——青檸色大標題「早安深圳」，配以英文 "GOOD MORNING SHENZHEN" 及副標題 "CONNECTED AT DAWN"；右上方區塊「在这座 / 永远在线的城市 / 每一个清晨 / 都有新的连接」，配以英文 "A BRIGHTER SHENZHEN / A MORE CONNECTED TOMORROW"；左下方卡片 "TODAY QUOTE 今日金句"，內文「新的一天，不必等风，先把自己接通。」；天氣列「天气 WEATHER 晴间多云 24–30°C 南风 3级」及「日出 06:20 城市信号 明亮」；右側邊欄日期 "10 / 23 FRI 2025 OCT 23 FRI"，其後為五個項目符號站點：「南头古城 NANTOU ANCIENT TOWN 08:00 历史与新生在此相遇」「福田 FUTIAN 09:30 城市心跳高效运转」「深圳湾 SHENZHEN BAY 12:00 海风照见更大的未来」「华侨城 OCT 15:30 艺术让城市更温柔」「海上世界 SEA WORLD 19:00 灯光与海不止于此」；邊欄頁腳 "PEOPLE TECHNOLOGY CITY BAY TOGETHER SHENZHEN"。 限制條件：所有列出文字（包括中文字符）必須逐字保留，邊欄站點數量必須準確為五個，不得加入水印。
Create a high-resolution, vertical 2:3 editorial art poster using the uploaded reference photo. TOP HALF: Use the original photograph full bleed, preserving the subject's identity, appearance, natural lighting, and photographic quality. Crop carefully if needed. No borders or margins. BOTTOM HALF: On textured ivory paper, create a monochrome scratchboard illustration of only the main subject and essential accessories. Place a large, rough-edged black ink block in the center. The figure must be larger than the block, with roughly two-thirds inside it and the lower third breaking out onto the ivory paper. Add loose horizontal ink strokes beneath the feet for grounding. Inside the black block, use fine white and light-grey etched linework. Outside it, continue the same figure in expressive black pen strokes on ivory. Ensure a seamless transition between both tonal styles. Avoid excessive hatching and unnecessary background details. COLORS: The bottom half must use only black, white, and ivory, with subtle paper grain. TYPOGRAPHY: Use rough, upright handwritten lettering. - Top left: a 2 to 4 word title across two lines, followed by three short lowercase verbs separated by periods. - Top right: latitude and longitude on two lines only. - Bottom left: the location or theme followed by “DIARY.”, with a short descriptive sentence beneath. - Keep all typography black on ivory, natural and imperfect, never cursive. FINAL COMPOSITION: Exactly one standalone poster with two equal horizontal halves and one perfectly straight dividing line. Preserve the original subject's identity and proportions. Maintain generous negative space and a restrained, collectible editorial aesthetic, combining documentary photography with expressive hand-printed illustration. Print quality, 2:3 vertical aspect ratio.
目標：設計一款直式「早安」每日海報，風格溫暖簡約。 畫布：直向版面（4:5 比例），採用濃郁的焦橙色背景，並加入微妙的放射狀漸變，由中心向外逐漸變亮，模擬日出時的光暈效果。 版面編排： - 左上角：一個細小的膠囊形外框，內含文字「CLAUDE」，下方緊接多行堆疊排列的細小無襯線字體文字「DAILY GOOD MORNING SERIES」。 - 右上角：日期資料垂直排列：「2024」、「10」、「22」、「TUE」，以及一個帶圓圈的小字「No. 22」。 中上方：標題「Good Morning」採用大型優雅的襯線字體（米白色）。 - 中間：標題下方置中排列兩行中文：「清晨的意義，不在更早出發」及「而在讓遲到的理解，終於見光」。其下另有一行較細的文字：「願你先安靜片刻，再與今天相認」。 - 下半部分：以巨大的圖形呈現數字「99」，完全由同心平行線條構成。在兩個「9」字的圓環內，繪有風格化的山脈與發光的太陽。 - 底部頁腳：以橫線分隔的細小寬距文字，分別為「CLAUDE」、「A BRIGHTER YOU EVERY DAY」及「EST. 2024」。 視覺風格：復古現代字體設計、俐落的向量風格線條畫、溫暖的單色調配色，並以米白色作點綴。
Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged. ------ Theme: Water Cycle Educational Poster
製作一張高級、超寫實的 3D 字體海報，呈現確切的文字「[YOUR TEXT]」，所有字母均以粗厚蓬鬆的羊毛線精心塑造而成。 主體字體 將字母塑造成粗獷、大膽且緊密排列的形狀，以柔軟的米白色棉纖維製成。每個字母都應呈現濃密、豐盈且具觸感的視覺效果，並帶有細緻的獨立纖維絲、逼真的材質變化，以及自然細微的不規則紋理。將字體置於一塊鮮紅色的針織長方形布塊上，布塊需具備清晰可見的針腳、毛絨邊緣、凸起的紗線圖案及真實的編織質感。 確保文字拼寫與提供內容完全一致，每個字母均清晰可辨、結構正確且完整可讀。字體必須作為畫面中最主要的視覺元素。 背景與燈光 採用純黑背景，並在中央構圖四周預留充裕的留白空間。運用戲劇性的攝影棚燈光，突顯乳白羊毛線、鮮紅針織布塊與深邃黑色背景之間的強烈對比。營造逼真的接觸陰影、細膩的環境光遮蔽（ambient occlusion）、立體高光及令人信服的景深效果。 編輯細節 在右上角加入小巧、極簡風格的白色等寬字體，如精緻的編輯設計註解般整齊排列。左下角則放置一個細小可愛的插畫吉祥物，並配以簡短低調的描述文字。這兩項元素均需保持次要地位、精確對齊，且在視覺上不喧賓奪主。 材質寫實度 以極致的觸感精準度渲染每種材質，包括獨立的羊毛纖維、柔軟絨毛、緊密的環狀針腳、細微的紡織瑕疵，以及逼真的光影互動。最終效果應猶如一件在專業微距攝影棚內拍攝、精心手工製作的紡織藝術品。 構圖與輸出 垂直 4:5 比例。居中構圖、平衡的視覺層次、充裕的留白空間、主體字體清晰銳利、高對比度、精緻的編輯級藝術指導、高級實驗性平面設計、照片級寫實 3D 渲染，以及極致細膩的材質表現。 最終要求：優先確保拼寫準確、即時可讀、逼真的針織結構及強烈的視覺對比。避免出現多餘文字、變形字母、雜亂畫面、過度裝飾元素，或任何會搶去主體文字焦點的內容。
創作一幅垂直雙聯畫風格的作品，畫面分為上下兩個截然不同的部分。上半部分是一張照片級真實的高解像度相片，展示座頭鯨的尾鰭從深藍色的海洋中垂直躍出水面。尾鰭底部周圍的海水泛起白色泡沫與飛濺的水花，質感分明。背景是柔和對焦的藍色山脈，襯托着明亮的天空與散落的雲朵。下半部分則是極簡風格的插畫，以淡藍灰色的紙質紋理作為背景。畫面呈現同一鯨魚尾鰭形狀的黑色墨水風格化繪圖，但完全採用點描或點刻技法（由數以千計的細小圓點組成）繪製。請在下半部分加入特定的韓文排版：左上角以小字標示「No. 027」，接着是大標題「먼바다로 가는 꼬리」，以及較小的副標題「먼 곳을 향한 꼬리」。在畫面最底部的正中央，以襯線字體標示學名「Megaptera novaeangliae · 해양 포유류」。
以參考圖片為基礎，創作出高質素的編輯攝影與平面設計構圖。畫面主角是一位時尚年輕女子，擺出充滿動感又俏皮的姿勢，手持巨型道具——例如在湛藍天空與遠山背景前舉起鮮紅色氣球，或在質感豐富的綠色城市牆壁前拿着特大橙色擴音器。上半部分呈現原始的照片寫實場景，下半部分則展示極具創意的實驗性藝術指導版本。在下半部分的畫面上疊加七種清晰可辨的視覺紋理樣本：直紋玻璃、黑白雕版、美式點刻、復古半色調、像素馬賽克、透明疊層及雙色網印。加入細緻的白色標註線、小型數字標籤及長方形樣本框，以說明每種效果。請保留主體的姿勢、服裝、光線及構圖。運用鮮明色彩、電影級自然光、細膩紋理、當代日本編輯美學，以及精緻的藝術學院風格設計排版。超寫實攝影結合實驗性混合媒體圖像，細節銳利、構圖平衡、高解像度，垂直 4:5 比例。
STARBUCKS — “BREW BIG.” 4:5 vertical premium poster, 8K, exaggerated bold typography × high-impact commercial art direction × photorealistic product advertising 🧠 CORE IDEA: “BREW BIG.” 🎬 LAYOUT: BACKGROUND BLOCK: Solid, vivid Starbucks green background with oversized graphic shapes and strong contrast. GIANT TYPOGRAPHY: “BREW” Extremely bold, oversized, tightly cropped typography dominating almost the entire composition. Letters extend beyond the canvas edges, with the Starbucks cup overlapping the text. 👤 SUBJECT: A hand holding an iced Starbucks drink directly toward the camera, extreme forced perspective, cup dramatically enlarged in the foreground, realistic condensation, crisp ice, natural lighting. ☕ PRODUCT + VISUAL TWIST: The Starbucks cup becomes the centerpiece of the typography. The oversized word “BREW” appears to wrap behind the cup, creating striking depth through scale, layering, and composition. Keep the cup, logo, and beverage completely photorealistic. ✨ GRAPHIC ELEMENTS: * Oversized green and white shapes * Sharp contrasting shadows * Minimal starburst accents * Small directional arrows * Bold editorial layering ✍️ TEXT SYSTEM: Top pill: “STARBUCKS COFFEE” Main headline: “BREW BIG.” Supporting text: “YOUR DAILY DOSE OF EXTRAORDINARY.” BOTTOM FEATURE STRIP: * Freshly Brewed * Rich Flavour * Iced or Hot * Made for Your Moment ANTI-SLOP DIRECTION: Typography is the main design feature, not a small decorative element. Extreme scale, aggressive cropping, strong visual hierarchy, deliberate overlap, premium print-ad finish. No floating coffee beans, no miniature landscapes, no random surreal objects, no excessive particles, no cluttered layouts, no generic gradients. The final poster should feel like a bold global advertising campaign with unmistakable graphic impact.
Transform the reference photograph into a sophisticated minimalist editorial art poster while preserving the original café interior, wooden tables, chairs, plants, lighting, and composition. Create a refined architectural illustration with translucent geometric overlays, soft pastel gradients, warm cream and beige tones, muted sage green, pale blue, and golden yellow. Use delicate grid lines, subtle paper texture, elegant negative space, and soft sunlight for an artistic, contemporary design-magazine aesthetic. Arrange the result as a vertical split composition, with the realistic photograph on top and an abstract artistic reinterpretation below. Add subtle typography reading “A QUIETER DAY” and “SAME PLACE, BRIGHTER THOUGHTS.” Premium graphic design, minimalist Swiss editorial layout, soft atmospheric glow, balanced composition, high detail, 4K quality, portrait 4:5 aspect ratio.
Create one vertical 3:4 diptych for each uploaded photo, divided into equal top and bottom halves with a seamless join. No divider, frame, or collage. Swiss editorial design, experimental photography, and vintage print aesthetics. TOP HALF — ORIGINAL PHOTOGRAPH Preserve the original identity, pose, scene, composition, perspective, lighting, and colors. Allow only subtle color grading and background extension. No text. BOTTOM HALF — SEVEN EXPERIMENTAL TEXTURE ZONES Repeat the entire original photo. Overlay seven asymmetrical rectangular zones of different sizes directly onto the image pixels, crossing non-critical details. Maintain visual continuity inside and outside every zone. Never crop, zoom, shift, duplicate, or redraw the image. Keep all important focal features visible. SEVEN NUMBERED TECHNIQUES 01. Reeded Glass: Vertical optical refraction. 02. Black-and-White Engraving: Fine etched lines and crosshatching. 03. American Stipple: Black-and-white microdot texture. 04. Vintage Halftone: CMYK printing dots. 05. Pixel Mosaic: Square pixel blocks. 06. Transparent Overlay: 2–4 translucent overlapping layers. 07. Duotone Screen Print: Two-color screen-printing effect. DESIGN DETAILS Add hairline borders, tiny corner squares, and fine leader lines to identify each rectangular zone. Label every technique with its corresponding number and English name. Keep all areas outside the seven zones photographic and realistic. STRICT REQUIREMENTS No logos, watermarks, extra images, or unnecessary decorative elements. Preserve the original photograph's integrity and maintain a clean, sophisticated editorial layout. OUTPUT: One high-definition 3:4 vertical poster with equal top and bottom halves.