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Novel to Storyboard Script

Novel to Storyboard Script

Convert novels into AI video production storyboards

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## 第 1 章 穿到了七十年后 刺耳的刹车声响彻耳边。 巨大的冲击力撞过来,容遇怀里紧紧搂着八岁的儿子纪承安,意识陷入无边黑暗。 剧痛席卷全身,这是死亡的感觉。 她记得很清楚,过马路的时候一辆货车失控冲过来,她第一时间把儿子护在身下。 完了。 才十八岁的她,就要和年仅八岁的儿子一起死在这里。 无尽黑暗笼罩下来,容遇彻底失去知觉。 …… “咳咳……” 喉咙干涩发痒,容遇猛地呛咳几声,睁开沉重的眼皮。 入目不是阴曹地府,而是奢华气派的别墅客厅,水晶吊灯璀璨夺目,地板光可鉴人。 身上的伤口疼痛感全部消失不见。 “我没死?” 容遇撑着沙发坐起身,一脸茫然地低头看向自己双手。 纤细白皙,是她十八岁的手,一点伤痕都没有。 她活下来了?儿子呢! “承安!我的儿子纪承安!” 容遇猛地站起来,四下张望,急得浑身发抖。 客厅里站着一群人。 西装革履的中年男人,打扮精致的贵妇,还有几个高高大大的年轻小伙子,全都愣愣盯着她,眼神像在看疯子。 没有人回应她。 人群最前方,坐着一个头发雪白、满脸皱纹,看上去快要入土的老头。 老头浑浊的双眼死死盯住容遇,浑身剧烈颤抖,苍老的手不断摩挲脖子上一枚老旧银色发卡,嘴唇哆嗦。 “这个发卡…… 这个发卡!是、是阿遇的!” 老头声音嘶哑,眼泪顺着沟壑纵横的脸颊往下淌。 容遇瞳孔骤然收缩。 那枚发卡,是她十八岁生日,自己亲手买的!怎么会在一个行将就木的老头手里? “你是谁?为什么拿着我的发卡?我的儿子纪承安在哪!” 容遇上前一步,厉声追问。 白发老头望着年轻鲜活、和记忆里一模一样的少女面孔,老泪纵横,身体晃了晃,差点从沙发摔下去。 “承安…… 纪承安…… 那是我的名字。” 老头苍老沙哑的声音响起。 容遇如遭雷击,整个人僵在原地。 “你说什么?” “七十年前,马路车祸,你护住我,你是我的母亲,容遇。” 老头喘着粗气,浑浊的眼睛望着她,“那一年,我八岁。” 轰! 脑袋仿佛被重锤狠狠砸中。 容遇呆呆看着眼前垂垂老矣的老头。 她十八岁,她的儿子,已经七十八岁。 她一场车祸,穿越到七十年之后。 当年怀里那个八岁小男孩,如今已经变成快要寿终正寝的老人。 客厅内一片死寂。 旁边几个年轻人满脸匪夷所思。 其中染着张扬银灰发色的少年纪野,抱着胳膊,上下打量容貌娇美、看上去还没成年的容遇,嘴角勾起轻佻的笑。 “爷爷,您老糊涂了?这小姑娘看着比我还小两岁,怎么可能是你妈?该不会哪里找来的骗子吧,想哄骗家产?” 纪野往前踏出两步,目光放肆,直接逼近容遇,嘴角挂着戏谑: “长得倒是挺漂亮,听说你对我有意思?” 话音未落。 白发老头纪承安勃然大怒,挣扎着从沙发起身,扬起干枯手掌,狠狠一巴掌抽在纪野脸上! “孽畜!跪下!!” 清脆响亮的巴掌声响彻豪华客厅。 纪野被扇得脑袋偏向一边,半边脸颊瞬间红肿,整个人懵住。 纪承安气得浑身发抖,指着捂着脸、满脸难以置信的孙儿,一字一顿吼道: “这是你的太奶奶!!纪家列祖列宗在上,还不跪下拜见!!” (本章完,章节末尾钩子:一众晚辈满脸震惊,谁都不肯相信,一个十八岁少女是自家太奶奶) 请按规则生成分镜

《穿到了七十年后》第一章分镜脚本 一、角色与场景资产库 > 以下服装、发型和部分环境细节为分镜制作设定,原文未明确之处可根据后续剧情统一调整。 角色资产 | 代号 | 角色 | 外貌、服装与表演设定 | |---|---|---| | C01 | 容遇 | 18岁少女,身形纤细,面容清秀,黑色长发;穿浅米色上衣、浅蓝色长裤。经历车祸后外貌与衣着保持一致,醒来时身体无明显伤痕。情绪由惊惧、焦急转为震惊。 | | C02 | 童年纪承安 | 8岁男孩,身形瘦小,黑色短发;穿浅蓝色上衣、深色长裤。车祸时被C01护在怀里。 | | C03 | 老年纪承安 | 78岁老人,头发雪白,满脸皱纹,身形消瘦;穿深灰色中式家居外套。脖子上佩戴一枚老旧银色发卡,神态虚弱,情绪激动时手和声音明显颤抖。 | | C04 | 纪野 | 青年男性,身形高挑,银灰色短发;穿黑色休闲外套。神态轻佻,受打后转为震惊。 | | C05 | 纪家中年男性 | 中年男性,身形挺拔,黑色短发,穿深色西装;作为背景人物,反应克制而惊疑。 | | C06 | 纪家贵妇 | 中年女性,妆容精致,盘发,穿暖色系华贵套装;作为背景人物,神态惊讶。 | | C07 | 纪家年轻晚辈群像 | 几名高大年轻男性,穿深浅不一的现代休闲服;人物数量与站位保持稳定,主要以惊疑、震惊的反应衬托剧情。 | 场景与道具资产 | 代号 | 资产 | 视觉设定 | |---|---|---| | S01 | 车祸路口 | 白天的城市斑马线,路面明亮;失控货车从画面远处逼近。危急镜头采用偏冷、略降饱和色调,突出刹车痕迹与冲击感,避免血腥画面。 | | S02 | 意识黑场 | 近乎纯黑的空间,仅保留微弱散光。用于表现意识丧失与时间跳跃,不具象呈现天堂或地府。 | | S03 | 别墅客厅 | 宽敞奢华的现代客厅,水晶吊灯、光洁地板、浅色沙发;暖金色室内光线,空间安静却充满压迫感。群像站在沙发附近,C03坐于人群前方。 | | P01 | 银色发卡 | 小巧老式银色发卡,表面因岁月略有磨损;通过细链佩戴在C03颈间。 | | P02 | 水晶吊灯 | 别墅客厅顶部的璀璨吊灯,用作C01苏醒后的环境识别点。 | --- 二、专业五列表格分镜脚本 台词标注说明:“内心”表示角色心声;“旁白”表示画外叙述;“无”表示该镜头无台词。长台词按情绪和景别拆分,不改变原意。 场次一:车祸 | 编号 | 台词 | 人物动作 | 场景描述 | 运镜与叙事时空标记 | |---|---|---|---|---| | 01 | 无 | C01牵着C02走过斑马线。 | S01:白天路口,车辆与街道构成日常城市环境。 | 全景,轻微跟移;顺叙·车祸当下;自然色调。 | | 02 | 无 | 失控货车逼近斑马线。 | S01:车轮压向路面,刹车声刺耳。 | 低角度特写,快速推近;顺叙·车祸当下;冷色降饱和。 | | 03 | 无 | C01猛地看向货车。 | S01:刺目的日光映在C01脸侧。 | C01面部特写,短促推近;顺叙·车祸当下;冷色降饱和。 | | 04 | 无 | C01紧紧搂住C02。 | S01:货车阴影迅速笼罩母子。 | 中近景,手持轻晃;顺叙·车祸当下;冷色降饱和。 | | 05 | 无 | C01将C02护在身下。 | S01:画面边缘掠过失控货车,避免直接展示撞击伤口。 | 侧面近景,短促晃动;顺叙·车祸当下;高反差。 | | 06 | 内心·C01:好疼…… | C01因剧痛紧闭双眼。 | S01:画面边缘虚化,刺眼光线迅速暗淡。 | 面部特写,缓慢失焦;顺叙·车祸当下;低饱和。 | | 07 | 内心·C01:这是死亡的感觉吗? | C01的手微微收紧。 | S01:她的手仍护着C02,背景模糊。 | 手部特写,缓慢推近;顺叙·车祸当下;暗角渐重。 | | 08 | 内心·C01:完了。 | C01的手逐渐失去力气。 | S01→S02:路面和人影被黑暗吞没。 | 手部特写,渐隐;顺叙·意识丧失;画面由冷色转黑。 | | 09 | 内心·C01:我才十八岁…… | 无。 | S02:黑暗中只剩微弱散光。 | 固定黑场;顺叙·意识丧失;极暗。 | | 10 | 内心·C01:承安才八岁。 | 无。 | S02:散光进一步消失。 | 固定黑场;顺叙·意识丧失;极暗。 | | 11 | 内心·C01:我们都要死在这里吗? | 无。 | S02:完全黑暗,刹车声渐远。 | 固定黑场;顺叙·意识中断;纯黑。 | 场次二:别墅苏醒 | 编号 | 台词 | 人物动作 | 场景描述 | 运镜与叙事时空标记 | |---|---|---|---|---| | 12 | C01:咳咳…… | C01猛地呛咳。 | S02→S03:黑暗中渐渐透出暖金色光线。 | C01面部特写,缓慢对焦;时间跳跃·七十年后;由黑转暖。 | | 13 | 无 | C01睁开眼睛。 | S03:光线柔暖,背景仍处于虚焦状态。 | 眼部特写,轻推;顺叙·七十年后;暖金色调。 | | 14 | 内心·C01:这里不是阴曹地府? | C01望向头顶。 | S03:P02水晶吊灯璀璨,透出奢华气息。 | 主观视角仰拍,缓慢对焦;顺叙·七十年后;暖金色调。 | | 15 | 无 | C01撑着沙发坐起。 | S03:客厅全貌首次展现,光洁地板反射吊灯;C03及C05—C07位于沙发附近。 | 宽幅全景,缓慢拉开;顺叙·七十年后;暖金色调。 | | 16 | 内心·C01:伤口……不疼了? | C01低头查看身体。 | S03:暖光落在C01衣袖上,身体未见明显伤痕。 | C01中近景,轻微推近;顺叙·七十年后;暖色自然光。 | | 17 | C01:我没死? | C01抬起双手。 | S03:浅色沙发前景虚化,室内安静。 | 手部特写,固定;顺叙·七十年后;暖色自然光。 | | 18 | 内心·C01:还是我十八岁的手。 | C01注视自己的手。 | S03:手部白皙完整,没有伤痕。 | C01主观视角,缓慢推近;顺叙·七十年后;暖色自然光。 | | 19 | 内心·C01:承安呢? | C01猛地站起。 | S03:沙发一侧,背景中的纪家人尚未反应。 | 中景,快速上摇跟随;顺叙·七十年后;暖光中加入紧张感。 | | 20 | C01:承安! | C01环顾客厅。 | S03:纪家人分散站在沙发周围,没有童年纪承安的身影。 | C01近景,轻微环移;顺叙·七十年后;暖金色调。 | | 21 | C01:我的儿子纪承安! | C01朝人群喊话。 | S03:C05—C07站在背景,均望向C01。 | C01单人中近景,推近;顺叙·七十年后;暖光、气氛紧绷。 | | 22 | 无 | C05疑惑地看向C01。 | S03:C06和C07虚化在后方,现场无人回应。 | C05近景,固定;顺叙·七十年后;暖光、静默。 | | 23 | 无 | C03死死盯住C01。 | S03:C03坐在人群前方,C01在画外。 | C03面部特写,缓慢推近;顺叙·七十年后;暖光、压抑。 | | 24 | 无 | C03颤抖着摩挲P01。 | S03:旧银色发卡垂在C03胸前,暖光掠过磨损表面。 | 手与P01特写,固定;顺叙·七十年后;暖光、背景虚化。 | | 25 | C03:这个发卡…… | C03望向P01。 | S03:沙发周围安静,人群在背景虚化。 | C03近景,缓推;顺叙·七十年后;暖色低对比。 | | 26 | C03:是、是阿遇的! | C03眼中涌出泪水。 | S03:侧光映出C03脸上的皱纹。 | 面部特写,固定;顺叙·七十年后;暖光、情绪骤起。 | | 27 | 内心·C01:那是我的发卡! | C01盯住P01。 | S03:P01在画面前景,C01的目光成为焦点。 | C01近景,快速推近;顺叙·七十年后;暖色调。 | | 28 | 内心·C01:十八岁生日那天…… | C01的视线停留在P01上。 | S03:发卡细节逐渐虚化,准备进入回忆。 | P01特写,叠化;回忆引入;暖色渐柔。 | | 29 | 内心·C01:是我亲手买的。 | C01拿起P01。 | 回忆场景:背景简化为模糊的暖色生日氛围,只突出发卡,不添加原文未提及的人物。 | P01与手部特写,固定;回忆·十八岁生日;柔暖、轻微泛光。 | | 30 | C01:你是谁? | C01向C03迈出一步。 | S03:沙发与人群仍在原位,气氛僵持。 | C01中近景,轻微跟进;顺叙·七十年后;暖光恢复

《穿到了七十年后》第一章分镜

Description

You are a top-tier film and animation director, senior screenwriter, and AI storyboard expert. Please convert the input novel text into high-precision storyboard scripts ready for AI image/video tools such as Midjourney, Sora, and Doubao Seedance. Strictly follow these execution standards: 1. Reduction and Compression Standards: Retain crucial turning-point action close-ups, expression changes, protagonist monologues, narration, and status descriptions. Significantly reduce repetitive environmental descriptions (establish wide shots only on the first shot per scene, followed by medium/close shots). Pure transition descriptions without dialogue or plot advancement can be omitted. Streamline grand events like "rebirth" using symbolic close-ups (such as clock reversals or light effects) to pass over them briefly. 2. Pre-Asset Library: Before outputting the table, summarize the "Core Character and Scene Asset Cards" for this plot section (including full elements like appearance, clothing colors, hairstyle, build, lighting, atmosphere). Asset codes must be used in the main table; repeating appearance descriptions is strictly prohibited. 3. Five-Column Table Structure: Output a standard five-column table including: 1. Number (shot sequence), 2. Dialogue (character lines or inner narration; lines over 15 characters must be split across shots based on emotion/shot size), 3. Character Action (follow the principle of being subtle, natural, one action per line, no stacking), 4. Scene Description (complete environmental elements including lighting, atmosphere, details), 5. Camera Movement & Narrative Spatiotemporal Markers (camera movement method + precise temporal/spatial attributes and visual filters such as chronological, flashback, flashforward, memory, dream, rebirth, parallel timelines). 4. Three Absolute Iron Rules: Subject Clarity (single-person shots prioritized; multi-person shots must prioritize a single subject and clarify interaction); Independent Actions (one action per line, never stacked); Spatiotemporal Compliance (strictly handle flashbacks, memories, dreams, rebirths, and parallel timelines through the camera/spatiotemporal marker column for visual distinction and clear narrative logic). Please receive the novel text and begin outputting the character/scene asset library and the professional five-column storyboard script.

Editor's Recommendation

Why we love this skill

Precisely compresses novels into professional storyboards for AI image and video production, establishing a unified asset library first and using a five-column table to break down dialogue, actions, scenes, and spacetime.

Best for

Writers, directors, and content creators looking to adapt novel text into professional film or animation storyboards.

How to use this Skill

  1. Provide your input

    Provide a section of novel text containing the storyline you wish to convert into a storyboard.

  2. Run the Skill

    The tool extracts key plot and visual details, compiles character and scene assets, and organizes them into a 5-column storyboard.

  3. Review your result

    Receive a character/scene asset library and a professional storyboard featuring dialogue, action, scene, camera work, and narrative markers.

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Information

Version
v2
Last updated
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What you get
Script

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