Isometric

Using the provided reference image as the botanical source, transform the old close-up garden photo into a polished editorial product-style scene. Preserve the same clematis vine identity, magenta flowers, green leaves, buds, seed heads, and rustic wooden trellis character, but cleanly recompose them into a staged miniature garden arrangement. Goal: Create an elegant studio botanical diorama from the reference photo. Composition: Place the plant upright on a square cream stone planter base filled with soil and small greenery, with the wooden trellis standing behind it. Use an isometric three-quarter view so the base, trellis, flowers, and vines are all clearly visible. Floral structure: Keep exactly 3 large open magenta clematis flowers as the main focal blooms, plus visible unopened buds and seed heads arranged naturally around them. Background: Replace the busy real garden background with a seamless warm off-white studio backdrop. Lighting: Use soft natural editorial lighting with gentle shadows, realistic texture on petals and leaves, and a refined magazine still-life look. Style: Photorealistic, clean, high-end botanical editorial, detailed but uncluttered. Constraints: Do not add text, labels, people, insects, vases, or extra decorative props. Keep the plant recognizable from REFERENCE_0 while making the scene look intentionally staged and professionally photographed.

Please turn each photo I upload into a separate premium design poster, no multi-photo stitching, each photo output individually. The layout uses a 3:4 vertical composition, with the top and bottom regions strictly at a 1:1 height ratio, each occupying 50% of the canvas. The upper part preserves the original photo, keeping the subject's identity, structure, posture, authentic texture, natural lighting, and original color mood, undergoing only subtle premium color grading to match the aesthetic quality of an art magazine and exhibition imagery. To fit the frame, the environmental background can be naturally extended, but the core subject must not be stretched, distorted, or modified. The lower part extracts only the most recognizable **subject, silhouette, structure, posture, and narrative relationship** from the photo; do not copy the photo completely, do not retain all objects, and do not perform line-by-line tracing. Proactively strip away most irrelevant backgrounds and details, keeping only the core information that best represents the original theme, and apply updated artistic discretion. Even if the original composition is poor, the background is chaotic, or the subject is small, it must be re-directed into a successful standalone piece through omission, reorganization, cropping, scale variations, and white space. The aesthetic logic of the lower half is reconstructed as a **Stylized Isometric 3D Architectural Diorama / Orthographic Axonometric 3D Render**. It utilizes an **orthographic camera + three-quarter top-down axonometric perspective**, around a 30°–40° tilt down and a 45° horizontal rotation, viewing the front, side, and top simultaneously to project a model, sandbox, miniature world-like spatial dimension. Do not make it a realistic photographic perspective, nor a flat map or blueprint elevation. Reconstruct the core subject into a **stylized 3D miniature scene**: centering on the subject, retain only a small amount of necessary environmental context such as terrain, roads, bodies of water, platforms, plants, architecture, or objects to form a complete but highly simplified small world. The style is strictly **stylized 3D**, neither low-poly nor realistic CG; emphasizing clean geometry, moderate rounded corners, simplified materials, toy-like proportions, clean blocks, delicate layers, and soft illumination, with fine details possible but never crowded or complex. The composition maintains a **small-scale subject + a vast amount of intentional white space**. The miniature scene does not have to be centered; it can be arranged freely based on the subject's orientation, proportion, and visual center of gravity, allowing for eccentric, edge-aligned, or partially cropped placement. The white space is not an empty background, but an integral part of the layout, co-creating a sense of breathing room, space, and premium order with the subject. Less is more. Extract **2-4 of the most vital, memorable colors** from the photo above to re-blend, moderately brightening, purifying, and removing gray tones to create a crisper, cleaner, and more healing color relationship. The overall palette stays vivid but not piercing, warm but not overly sweet, converting naturally into refreshing palettes like sky blue, lake cyan, foliage green, cream yellow; avoid muddy grays, dark dullness, antiquated tones, neon colors, and cheap plastic looks. Text should feature only minimal editorial intervention with no language restrictions. According to the subject, location, action, mood, or metaphor, freely generate a small amount of headings, short sentences, or annotations to sit quietly in the white space, forming an elegant type-image relationship. The final output presents a high-end visual result driven by a **stylized axonometric 3D miniature scene, clear spatial definition, fine model-like texture, vibrant colors, massive artistic white space, and editorial layout typography**. Avoid direct cloning of the original image, complicated stacking, realistic perspective, poor low-poly, cheap game vibes, plasticky feel, filled frames, and templated effects.

Create a detailed isometric voxel diorama of an ancient stepped temple complex beside a river, rendered like a miniature block-built game scene on a rectangular base. The setting should feel like an ancient Mesopotamian or Mesoamerican river temple city, with warm tan stone, terracotta roofs, carved columns, and symmetrical ceremonial architecture. Canvas: Wide 4:3 composition, orthographic isometric view from above, centered on a floating rectangular terrain slab against a plain warm beige background. Use soft studio lighting, ambient occlusion, gentle shadows, and a polished low-poly voxel aesthetic. Main layout: Place one large central stepped ziggurat temple slightly left of center, with many stacked terraces, vertical column-like details, a flat pale roof, and small golden ornaments along the top. In front of it, add a lower entrance platform with columns and stairs. To the right of the main temple, include one smaller stepped temple shrine; behind it, include one even smaller tower shrine near trees. On the left foreground, create a rectangular ceremonial pool with bright blue water, stone edging, and tiered steps around it. Along the entire front edge, create a broad turquoise river with tiled water texture and a stone promenade with stairs descending to the water. Counted visible elements: exactly 3 stepped temple structures: 1 large central ziggurat, 1 medium front-right ziggurat, and 1 small rear-right shrine tower. Exactly 1 rectangular pool. Exactly 2 small wooden boats on the river, each with a tiny mast or pole. Exactly 5 terracotta-roofed rectangular buildings or market stalls around the plaza: 2 long buildings on the left side, 2 buildings on the right side, and 1 small building in the front-left area. Exactly 4 striped canopy market stalls in the plaza: 1 blue-and-white canopy, 1 teal-and-white canopy, 1 red-and-white canopy, and 1 yellow-and-white canopy. Exactly 5 palm trees distributed around the complex, plus exactly 4 broad leafy green trees. Add scattered tiny voxel people, small benches, planters, reeds, crates, and decorative posts, but keep them secondary. Visual style: Charming voxel art, crisp block geometry, tiny modular bricks, warm earthy palette of sand, clay, ochre, cream stone, muted green vegetation, and bright cyan water. The temple should be majestic but toy-like, with no photorealistic textures, no outlines, and no text. Emphasize the lowkey beautiful peaceful miniature world feeling, with clean composition and high detail.

Create a highly detailed isometric 3D miniature diorama of a cozy American-style kitchen corner, like a handcrafted dollhouse scene rendered in Blender with soft global illumination. The room is an open cube set with two cream wallpapered walls meeting in a corner, a raised square tiled floor base, and warm medium-brown wood trim along the top and chair-rail height. Use a warm beige studio background and orthographic camera at a 3/4 overhead angle. The kitchen style is nostalgic, cute, and slightly toy-like with rounded edges, polished wood, realistic materials, and clean miniature proportions. Include exactly 12 main furniture and fixture elements: 1 cream retro refrigerator on the left with the word NORD, small colorful round magnets and brass handles; 1 mint-green gas stove with black burners and a lidded pot; 1 long wooden lower cabinet run on the right with drawers, paneled cupboard doors, brass knobs, and a sink; 1 double window above the sink with beige tied curtains on a silver rod; 2 wall-mounted wooden box shelves, one above the stove and one to the right of the window, containing books and white jars; 1 square dining table in the center covered with a white-and-green checkered tablecloth; 3 wooden chairs around the table; 1 small framed picture on the left wall; and 1 pair of brass wall lamps with round shades and pastel pink globe accents. Add exactly 10 visible tabletop or counter accessories: 1 tray with bread loaves, 1 wooden cutting board, 1 small green bottle, 1 utensil cup with wooden spoons, 1 soap pump bottle, 1 blue teapot or kettle on the dining table, 1 glass dessert cloche with red-topped sweets, 1 small cup and saucer, 1 tiny plate with food, and 1 small rectangular sponge near the sink. Materials should include glossy cream enamel, mint painted metal, varnished wood grain, semi-transparent glass, soft fabric curtains, ceramic tiles, and brushed metal. Lighting should be warm and soft, with gentle shadows and ambient occlusion, emphasizing the miniature scale and fine details. Color palette: warm medium brown, cream, mint green, beige, pale pink, muted green, brass, and soft gray tile. No people, no watermark, no modern appliances beyond the retro fridge and stove, no clutter outside the cube room.

2x2 grid, 16:9, do this for 4 extreme sports: <isometric_diorama_topology> [ AI_INFER: ROOFING / AWNINGS ] / /| / [ W ] [ O ] [ R ] [ D ] / | <-- Text forms the back wall. / (AI_INFER: Shelves/Props)/ | Materials match [TOPIC]. +-----------------------------+ | | | | | [ AI_INFER: Mini ] | + | [ Character Pose ] | / | | / +-----------------------------+/ [ AI_INFER: Themed Floor Base ] </isometric_diorama_topology> INSTRUCTION: 1. Render as a photorealistic, physical scale model on a desk. 2. The letters of [WORD] must be thick, architectural blocks. 3. Warm, cozy lighting glows from inside the structure.

Provide 5 layout ideas for this living room. Output one image for each with different variations.

Using REFERENCE_0 as the architectural source, transform the engraved scene into a realistic handcrafted 3D miniature diorama / scale model. Keep the same ancient temple, terraced hillside, stone retaining walls, stairways, trees, and tiny human figures, but convert everything from flat illustration into physical model materials with depth, shadows, and tactile detail. Present it from an elevated three-quarter isometric view on a clean light studio background. Add a polished dark wooden display plinth underneath the whole terrain and attach exactly 1 brass nameplate centered on the front edge reading The Temple of Artemis. Make the terrain look like a museum-quality architectural maquette: carved stone blocks, rocky cliff texture, miniature shrubs and cypress trees, weathered ivory temple columns, and subtle natural colors. Preserve the overall layout from the reference while making it feel like a tangible collectible model, not a drawing or painting.

Create high-end design posters from uploaded photos with a 3:4 vertical composition, split 1:1 between top and bottom. The top preserves the original photo with magazine-style grading. The bottom translates the subject's contours into a 3D miniature architectural landscape using an isometric view or cut cube composition. This section uses minimal geometric shapes, flat colors, and fine lines on white textured paper, resembling hand-drawn architectural illustrations. Incorporate a logical scaffolding system that wraps or supports the structure as if it's being constructed or mapped. Use high-end, bright, and healing color palettes derived from the photo but processed to be more vivid and light. The final style is modern, elegant, and artistic, blending isometric landscapes with minimalist poster design.

2x2 grid, 16:9, do this for 4 tourist cities: input = [city + infrastructure system + environment + optional style] run infrastructural_typography_extraction: text_content := parse word_or_place word_identity := infer whether text is a city, brand, concept, landmark, district, event, or fictional place font_personality := infer heavy, elegant, brutalist, futuristic, coastal, industrial, organic, luxury, playful, or monumental letter style infrastructure_dna := infer visual grammar of infrastructure_system network_behavior := infer flow, looping, branching, stacking, crossing, tunneling, ramping, glowing, routing, or circulation logic letter_mapping := map infrastructure onto each glyph’s stems, bowls, counters, diagonals, curves, crossbars, and terminals material_system := infer realistic construction materials light_system := infer city lights, traffic trails, signage glow, window grids, reflections, or ambient illumination environment_logic := infer surrounding urban/landscape context scale_anchors := infer vehicles, people, trees, buildings, waterways, or transit elements camera := infer cinematic aerial, street-level, drone, tilt-shift, or architectural visualization view render: a readable monumental word built from the inferred infrastructure system. constraints: - no fixed city - no fixed road system - no copied composition - no random transport spaghetti - infrastructure must physically construct the typography - word remains readable at thumbnail scale

Create a premium cinematic travel poster featuring an ultra-detailed photorealistic isometric miniature diorama of Santorini, Greece. The canvas is vertical 4:5 with a clean warm off-white studio background and generous empty space at the top for typography. Center the scene as a floating collectible-scale island sculpture with steep dark volcanic cliffs, a circular caldera bay of deep blue water, and a soft natural shadow underneath. Build the miniature with dense whitewashed Cycladic houses stacked along the cliffs, narrow stairways, winding paths, terraces, small courtyards, flowering bougainvillea, beige stone walls, and bright cobalt-blue accents. Include exactly 6 prominent blue-domed churches, exactly 3 traditional windmills, and exactly 8 visible boats: 4 sailboats spread across the bay, 1 small motorboat in open water, and 3 small boats near the harbor. The water should be realistic with subtle ripples, turquoise shallows near the harbor, and darker navy tones in the center. Use warm late-afternoon Mediterranean sunlight, crisp shadows, high depth of detail, realistic miniature scale, and a polished luxury travel-advertisement finish. Typography: at the top, set a large elegant high-contrast serif title reading SANTORINI in dark navy with wide letter spacing; beneath it, smaller spaced uppercase text reading GREECE; below that, a thin gold divider line with a small centered diamond; then a tiny uppercase caption reading AEGEAN ISLAND DIORAMA • 2026. Keep the composition clean, symmetrical, refined, and poster-ready, with no people, no logos, no watermark, and no extra text.

Ultra-detailed photorealistic isometric miniature scale-model diorama of [CITY], presented as a thin flat square tile resting on a pure off-white seamless studio background. The tile is a clean, precisely cut square slab with straight vertical edges revealing a thin band of dark wood/earth material along the sides — like a professionally built architectural model mounted on a display base. The tile is rotated so it reads as a diamond in perspective, viewed from a high isometric angle of roughly 45–50° looking down, with the front corner of the slab pointing toward the lower part of the frame.\n\nThe entire top surface is filled edge to edge with a meticulously accurate miniature recreation of [CITY] in winter: the actual street grid and road layout, real residential blocks with authentic local architecture, historic buildings, recognizable landmarks in their true relative positions and realistic scale, plazas, parks, tree-lined boulevards, rivers or coastline if applicable, bridges, major stadiums or arenas, and surrounding urban details.\n\nCreate a beautiful realistic winter transformation while preserving the city's authentic identity. Cover rooftops, sidewalks, parks, trees, bridges, streets, and architectural surfaces with natural layers of fresh white snow. Show subtle snow accumulation on building ledges, rooftops, parked vehicles, street lamps, trees, railings, and road edges. Keep roads partially cleared and visibly usable, with realistic tire tracks and patches of exposed asphalt. Water should remain naturally visible where applicable, with subtle winter reflections or thin ice only where geographically appropriate.\n\nInclude dense micro-detail: individual parked cars dusted with snow, moving traffic, buses, tiny pedestrians wearing winter clothing, street lamps, awnings, rooftop HVAC units, construction cranes, parking lots with rows of snow-covered cars, boats in water if applicable, realistic snowbanks, footprints, road markings, crosswalks, traffic signals, benches, signs, and tiny urban objects. Every tree is individually modeled with realistic snow-covered branches.\n\nThe city's most recognizable landmarks must remain immediately identifiable and geographically accurate. Do not exaggerate landmark size or alter their architecture. Preserve realistic proportions, street relationships, building density, geography, and urban layout.\n\nRendering style: hyper-realistic tilt-shift miniature photography look — extremely sharp, high resolution, everything in focus across the whole tile, no blur. Bright, soft, even cool winter daylight studio lighting from above with gentle diffuse shadows, no harsh contrast, no dramatic side lighting. Natural winter color palette with clean white snow, subtle blue-grey atmospheric tones, realistic brick, stone, glass, terracotta, dark asphalt, evergreen trees, and naturally colored buildings. Premium architectural model photography.

Using the provided reference image as the layout and poster-style guide, create a new vertical 3:4 high-end travel design poster with the same two equal horizontal sections, but replace the Venetian canal subject with a Gothic twin-spired cathedral in Vienna at blue-hour night. Top section: show a cinematic realistic travel photograph of the landmark front-on at dusk/night, with warm architectural lighting, dark tree silhouettes on both sides, deep blue sky, and a single glowing infinity-shaped light trail wrapping around the two spire tops. Bottom section: transform the same landmark into a clean 3D isometric miniature diorama on a small square base, including exactly 2 tall illuminated spires, exactly 1 central cathedral building, exactly 6 surrounding trees, paved plaza tiles, warm doorway/window lights, and the same glowing infinity light trail around the spires. Keep the minimal cream editorial background and soft shadows like the reference poster. Typography and graphic details: place a left-aligned title block in the lower half with the headline INFINITE FAITH, a thin horizontal divider line beneath it, and the small caption LIGHT CONNECTS\nWHAT TIME CANNOT.. Add a small bottom-left label No. 011\nEvening Series. Add a small compass icon on the right side of the lower half, and place bottom-right coordinates and city text 48.2196° N, 16.3656° E\nVIENNA. Use elegant serif typography, restrained spacing, premium museum-poster aesthetics, realistic-to-miniature transformation, no collage, no extra panels, no watermark.

Create an independent high-end design poster for each photo I upload, outputting each photo separately without collaging. The overall layout uses a 3:4 vertical composition, following a dual-layer logic: the top half is realistic photography, while the bottom half is a geometric reconstruction of the original's core imagery, creating an echo between reality and memory. The top half retains the original photo, maintaining the identity, structure, posture, real texture, natural light, and original color atmosphere of the subject. Apply only a slight professional color grade to give it the feel of an art magazine or exhibition photography. The background can be naturally extended to fit the frame, but without distorting the subject. The bottom half extracts the most recognizable **subject, outline, posture, and narrative relationships**. Identify the core theme, visual metaphor, or aesthetic relationship of the original image, retaining only this most memorable layer for recreation. Do not fully replicate the scene or aim for realistic depiction; do not convert every object into an illustration. Actively remove irrelevant environments and fragmented information, leaving only a core subject and a minimal number of narrative-participating relationships. The style logic uses **geometric composition + intelligent mosaic reorganization**. Compress the subject and space into clear geometric facets, rectangular units, fine-line frames, and layered grids. Reconstruct the image in a modular, architectural, or pixelated way that is carefully designed. This is not random pixelation, but intelligent induction based on the subject's structure: large shapes maintain clear outlines, while small details are translated into orderly color blocks, grid points, slices, stepped edges, and local splicing, giving the image a sense of rational decomposition like a mosaic while remaining recognizable. Axes, alignment lines, bounding boxes, and negative space partitions can be added for a high-end editorial and architectural diagram look. The bottom half uses an **extremely light background and large areas of negative space**. The background color should match the original image's color temperature and emotion, resulting in a near-white shade that is quiet and clean. The blank space itself conveys air, distance, and breathability, making the geometric subject stand out. The composition emphasizes **visual center of gravity, proportional relationships, negative space, modular rhythm, alignment order, and incomplete symmetry**. The subject can be offset, suspended, or placed in a low gravity area. If the most moving part of the original is a relationship—such as the scale between a person and architecture or the juxtaposition of an object and its environment—prioritize this and reinforce it with geometric blocks and mosaic structures rather than filling the frame evenly. The color scheme follows a logic of extracting the overall color temperature and vital colors from the original, translating them into a **warm, bright, and slightly naive artist's palette**. Use warm blocks like cream yellow, apricot, coral pink, and old rose against cool colors like sky blue and mint green for a relaxed contrast. Allow minimal visual anchors like brick red or dark green. Colors don't have to follow reality and can be swapped for rhythm, as long as the harmony is maintained. Color blocks should be flat, clean, and restrained. Text is not preset; freely generate a tiny amount of meaningful text based on the theme, movement, or emotion of the original. Use thin, restrained, and spacious typography that echoes the geometric structure. Keep it small and quiet. The overall temperament should be a mix of **architectural diagrams, art maps, modern collage posters, and high-end editorial design**: quiet, rational, exquisite, and modern, while retaining memory-driven refinement and color warmth. Avoid full scene replication, random pixelation, sticker logic, complex textures, smooth 3D, or cartoon templates.

Goal: Create a clean browser-page screenshot showing a Chinese case-study section that presents a large bilingual infographic poster about an urban systems map. Canvas: Landscape screenshot, about 917×833 px, white webpage background, cropped so the very top shows the tail end of a Chinese paragraph and the bottom cuts off part of the poster. Use crisp UI-like rendering, not a full browser chrome. Webpage layout: At the top-left of the visible section, show a small framed picture emoji/icon followed by the bold Chinese heading “精选案例”, with a thin gray horizontal divider line underneath spanning most of the width. Below it, show a bold subsection title: “案例一：信息图可视化”. Under that title place one large infographic image centered with narrow margins. Main poster: Design an information-dense bilingual atlas poster titled “城市生命系统图谱” with the English subtitle “Urban Metabolism Atlas”. Under the title add the small bilingual tagline “城市是一個有生命的系統 / The City is a Living System”. The poster should look like a professional architectural/urban-planning infographic: off-white background, navy headline text, thin gray panel borders, small bilingual labels, diagrammatic icons, and an isometric cutaway city illustration occupying the central majority. Poster top elements: On the upper left, include a compass rose marked N and a scale bar labeled “Scale” with tick marks 0, 50, 100, 200, 500m. Near the top center, include a boxed “System Legend” with exactly 10 colored line samples labeled: Electricity, Gas, Heating, Communication, Traffic, Logistics, Data Flow, People Flow, Clean Water, Wastewater. On the upper right, include one small inset map card labeled “Location”, showing a simplified city map with green parks, blue waterways, gray streets, and a red boundary. Central city illustration: Show a dense isometric smart city with many high-rise towers, mid-rise blocks, roads with cars and buses, a blue canal or river, bridges, street trees, plazas, underground metro tunnels and utility pipes visible in a cutaway at the bottom. Include small details such as a drone, airplane, rooftop solar panels, transit stations, pedestrians, and service vehicles. Use thin colored network lines running through the city to imply water, energy, data, logistics, and transit flows. Add exactly 5 visible circular numbered callout markers in the central scene: 6 on a building, 3 near a road/transport corridor, 8 near the right street edge, 9 in a green plaza, and 10 near an underground tunnel/canal edge. Side information cards: Place exactly 6 visible rounded rectangular system cards around the city, each with a colored numbered badge, bilingual title, small bullet labels, and mini diagrams. Left column has 3 cards: 1 “能源系统 / Energy Grid” with solar panels, battery storage, EV charging, and a car; 2 “城市水循环 / Water Cycle” with water plant, rainwater collection, sewage treatment, reclaimed water, and groundwater diagrams; 3 “交通网络 / Transportation” with a subway train, bus, roads, bicycle icon, and route lines. Right column has 3 cards: 6 “建筑内部系统 / Building Systems” with a cutaway building showing floors, HVAC, fire safety, BMS control, and pipes; 7 “公共服务 / Public Services” with hospital, school, fire station, police station, and community service icons; 8 “食物与物流 / Food & Logistics” with warehouse, cold chain, last-mile delivery, truck, boxes, and robot delivery. Keep the lower portions of the left and right columns slightly cropped by the screenshot edge, matching a captured page view. Visual style: Highly detailed semi-realistic isometric illustration mixed with technical infographic design, muted grays and whites with navy typography, accent colors yellow, cyan, red, purple, orange, and green. Text should be mostly legible at headline level but many small labels can be tiny. Maintain the feeling of an authentic Chinese web article showcasing an example image. Constraints: Do not add browser address bars, watermarks, floating toolbars, or extra social-media UI. Preserve the Chinese headings on the webpage and the bilingual poster title hierarchy. The image should look like a screenshot of a generated infographic embedded in a documentation page.

Ultra-detailed photorealistic isometric miniature diorama of the world from ANIME, presented as a premium collectible-scale landscape sculpture floating above a clean warm off-white studio background with a subtle natural shadow underneath. (For best accuracy, upload a clear reference image of the official map/world layout.) WORLD SHAPE & GEOGRAPHY If ANIME features a fictional world, continent, island or region, recreate its canonical map silhouette exactly. The entire landmass should appear physically carved from the earth and lifted upward as one continuous miniature terrain slab, with naturally broken rock sides, exposed soil layers, cliffs and geological textures. If ANIME takes place in a real or semi-real location, use the most important canonical city, region or country as the physical base shape, maintaining its recognizable geographic outline. The outer boundary must feel like an actual piece of land cut directly from the map — never like a flat printed map or floating board. CANONICAL WORLD RECONSTRUCTION Rebuild the world of ANIME across the entire miniature surface with maximum lore accuracy. Every major region, settlement, city, landmark, mountain, river, forest, road, battlefield, castle, shrine, futuristic structure or other recognizable location should appear in its correct relative position. Preserve the distinctive visual language of the anime: - canonical architecture - recognizable environments - authentic terrain - faction territories - signature landmarks - characteristic colors - world-specific technology or fantasy elements - environmental atmosphere Avoid generic Western architecture or realistic substitutions. The result must immediately feel like ANIME transformed into a physical miniature world. Add tiny but readable location markers for important places, designed like elegant museum-style cartographic labels rather than large text. MICRO-SCALE STORY DETAILS Fill the landscape with carefully placed miniature storytelling elements: tiny characters wearing recognizable show-accurate outfits, world-specific creatures, vehicles, ships, trains, flags, faction symbols, market areas, farms, bridges, pathways, trees, vegetation and other details that make the world feel alive. Characters should remain small environmental elements rather than dominating the composition. Include subtle activity throughout the terrain so the diorama feels like a living snapshot of the anime universe. MATERIAL & PHOTOGRAPHY Hyper-realistic premium miniature photography combined with high-end cinematic environment design. Extremely crisp micro-details, realistic rock formations, miniature vegetation, tiny architectural textures, believable scale relationships and physically accurate materials. Everything should remain sharply focused with no artificial background blur. Use soft warm studio illumination from above with gentle contact shadows and subtle ambient occlusion

Goal: Create an ultra-detailed photorealistic isometric miniature scale-model diorama poster of the world from Attack on Titan, presented like a collectible museum map on a clean off-white studio background. Canvas: Vertical 4:5 poster composition. The upper third is typography, the lower two-thirds is a floating square-cut terrain diorama with rugged rocky sides and a soft realistic shadow beneath. Top typography: Centered at the top, use tall condensed bold distressed sans-serif lettering. Small spaced text above reads "THE WORLD OF". Main title reads "ATTACK ON TITAN" in very large dark charcoal letters. Small spaced text below reads "WIT STUDIO • 2013". Diorama layout: Show the walled civilization as a high-angle isometric model with three enormous concentric circular stone walls and fortified gates. The center contains a dense circular royal city with radial streets and a white central monument. Surrounding rings contain miniature villages, farms, roads, rivers, forests, watchtowers, and tiny human figures. Beyond the walls at the back are snow-capped mountains, wilderness, scattered ruins, and open terrain. The outer edge of the model is a thick cliff-like cutaway rock base with grass on top. Labeled signs: Include exactly 14 small dark rectangular map-label plaques with white uppercase text, placed around the diorama: 1) "BEYOND THE WALLS" near the mountains, 2) "ZIGANSHINA DISTRICT" on the upper-left wall area, 3) "KROLVA DISTRICT" on the upper-right wall area, 4) "SHIGANSHINA DISTRICT" on the far right, 5) "LAKE NALLE" by a blue lake on the left, 6) "YARCKEL DISTRICT" on the left outer area, 7) "CHLORBA DISTRICT" on the lower-left area, 8) "HUMANITY'S STRONGEST" beside a small military crest on the lower-left, 9) "TROST DISTRICT" on the right outer area, 10) "TRAINING GROUNDS" on the lower-right, 11) "ROYAL CAPITAL MITRAS" at the central city, 12) "INNER WALL WALL SINA" on the innermost wall, 13) "MIDDLE WALL WALL ROSE" on the middle wall, 14) "OUTER WALL WALL MARIA" on the front outer wall. Subject details: Make the wall rings tall, pale stone, weathered, and segmented with massive gates and red-roofed towers. Populate the landscape with tiny soldiers, civilians, horses, tiled-roof houses, roads, farmland plots, bridges, streams, and forests. Add a few tiny Titan-like humanoid silhouettes outside and near the walls for scale, but keep the scene map-like rather than action-focused. Visual style: Hyper-realistic miniature model photography mixed with anime-world cartography, crisp isometric perspective, warm daylight, realistic shadows, high texture detail, tiny hand-painted model figures, natural greens and browns, pale stone walls, snowy gray mountains, cinematic depth of field but all important labels legible. Constraints: Keep the image as a single poster, no border, no watermark, no extra logos. Preserve the exact 14 map labels listed above and the three wall labels. Use an off-white background and a centered floating diorama with clean studio lighting.

Please transform each photo I upload into a separate, high-end design poster. Use a 3:4 vertical composition, split exactly 50/50 between top and bottom. The top half retains the original photo with subtle artistic color grading. The bottom half extracts the subject and reconstructs it into an isometric 3D miniature landscape using thick palette knife oil painting techniques. The subject should be a 3D miniature entity with clear volume and structure, set upon a thematic color field (like water, grass, or light bands) that extends along isometric perspectives. The style blends 3D miniature models with heavy oil paint textures on real paper. Details should be sharp for the subject but surrounded by thick, relief-like paint strokes and palette knife marks. Use a bright, healing color palette distilled from the photo, dominated by clean warm white and vibrant highlights from the original photo. The composition should feature diagonal isometric view with significant negative space. Add minimal, restrained text as a brief title or annotation that follows the spatial perspective.

Please turn each photo I upload into an independent high-end design poster. Do not stitch multiple images together; each photo should be output separately. The overall layout uses a 3:4 vertical composition, with the top and bottom areas strictly 1:1, each occupying 50% of the frame. The top half retains the original photo, keeping the subject's structure, spatial relationships, real materials, natural lighting, and original color atmosphere, with only minor high-end photographic color grading to give it the texture of an art magazine, independent publication, or exhibition photography. To fit the aspect ratio, the environment/background can be naturally extended, but the subject must not be stretched, distorted, or changed. The bottom half extracts the most recognizable **subject, silhouette, posture, and narrative relationship** from the photo. Following the logic of "deconstruction—screening—refinement—reconstruction," it is transformed into a **3D / isometric spatial healing-style block sculpture**. Focus on preserving the most unique volume proportions, axes, curves, intersections, layering, occlusions, and negative spaces of the subject, reorganized with rounded, simple, and tactile modular blocks; do not perfectly replicate details, but the correspondence with the original image above must be immediately felt. The composition is adaptively designed based on the subject's own visual center of gravity, posture direction, and spatial relationships. Rhythm is established through blocks of varying sizes, staggered heights, front-to-back intersections, partial suspension, density changes, and large areas of white space. Blocks can be spliced, stacked, nested, crossed, or naturally misplaced, allowing the subject to retain its identity while possessing a contemporary art toy-like sculptural feel and relaxed imagination, avoiding mechanical disassembly and simple pixelation. **The color scheme must be analyzed and generated from the original image above.** First, identify the most vibrant and recognizable main color relationships, along with comprehensive color temperature, brightness levels, cold-warm echoes, and key accent colors. Then, re-modulate these colors into a softer, clearer, brighter, and more airy healing color system. Preserve the hue identity and emotional memory of the original image, but moderately increase brightness, reduce harsh contrast, and purify muddy colors to make the colors feel gentle, childlike, light, and high-end. Different photos should naturally yield different color schemes; do not use any fixed preset color cards, and do not forcibly add colors that do not exist in the original image just for a "healing feel." Color establishes rhythm through **main color area, secondary color layers, homologous shades, and a tiny amount of vivid accent colors**, making the subject look rich but not cluttered, cute but not too sweet, soft but energetic. The block material uses a fine matte, soft diffuse reflection texture, with a feel like slight pulp, wood, pastel, or flexible materials, with rounded corners and soft shadows, avoiding plastic highlights, metallic feel, heavy CG, and cheap toy textures. Text establishes a light, high-end editorial micro-typography system. Extract a 2-5 word title from the photo's light and shadow, action, space, emotion, or symbolic meaning, and pair it with a few state words, locations, numbers, directional words, or miniature notes. Do not use years. Text can be arranged along block edges, module gaps, visual axes, or negative spaces, or it can intersect, be occluded by, or align with the blocks, making the text naturally part of the block composition. The overall presentation features a visual temperament of **Real Photography × Healing Blocks × Isometric Space × Original Color Translation × High-end Editorial Design**, which is gentle, light, childlike, quiet, exquisite, and imaginative but not naive.