Music Video

Cinematic anime short film clip, 10 seconds. Flat concrete rooftop, clear bright blue sky everywhere, city visible far below, just him and the ball. CHARACTER: use uploaded character sheet. AUDIO: High energy hip hop beat loud from frame one never stopping, every cut synced to the beat, crisp satisfying ball contact sound on every touch always audible. [0:00-0:01] Lying flat on his back on the concrete, both feet pointing up, juggling ball above him with alternating feet, blue sky above. Side profile ground level shot. Cut to below looking up at feet and ball against sky. Cut to overhead looking straight down at him horizontal. [0:01-0:02] Jumps to feet mid-juggle, immediately launches into double around the world — foot circling ball twice in one jump, blurring into a circle. Low angle looking up against blue sky. Side profile full jump. Extreme close up foot blurring around ball. [0:02-0:03] Ball lands perfectly still on back of neck. Close up of ball on neck. Wide shot against sky. Immediately flows into ATW from the neck stall — ball launches off neck, foot circles instantly. Low angle showing full combination against sky. [0:03-0:04] Bends forward, ball rolls slowly down entire spine from neck to lower back without falling. Side profile showing full roll. Close up of ball on spine. Arches back up explosively flicking ball back into air from lower back. [0:04-0:06] Sits cross legged on concrete mid-juggle, both heels alternating juggling while sitting. Overhead looking down. Close up heels from side. Stands back up mid-juggle without hands touching ground. [0:06-0:08] Handstand — body fully vertical, ball balanced on one foot pointing straight up. Wide shot against blue sky. Close up foot balancing ball upside down. Low angle looking up at him inverted against the sky. [0:08-0:10] Launches ball high with thigh — camera follows ball upward against pure blue sky — peak — drops back — rainbow flick over his head — turns — full power volley — ball rockets directly at camera filling entire frame — CUT TO BLACK. One final beat hit in darkness. Cinematic cel-shaded 3D anime, semi-realistic CGI, hand-painted textures, Unreal Engine quality, bright natural daylight, clear blue sky throughout, digital painting feel, hard-edge brushwork, heavy shadows, not cartoon not Disney not Pixar, film grain, premium anime quality, hip hop beat and ball contact sounds dominant throughout

Night retro old-town street, cinematic CG, high-fashion girl group MV mood, shallow depth of field, cool-warm color grade. 0-2s: Medium shot, slow arc left. [image2] stands under a streetlamp, lifts her eyes to camera. Focus locked on [image2]. 2-5s: Camera keeps arcing left, focus pulls forward. Blurred figure [image2] in the foreground resolves into a low-angle close-up, turning to face camera. [image2] blurs into bokeh. 5-9s: Camera pulls back, panning left. [image3] recedes to mid-ground. [image4] walks in from the left, filling the foreground. Focus shifts from [image3] to [image4]. 9-12s: Camera arcs around. [image4]falls back. [image1] walks in from the right into a foreground close-up. Focus moves to [image1]. 12-15s: Wide shot, camera pulls back and rises, then settles. Four members line up in a power stance — [image2] center, [image3] and [image4] on the sides, [image1] closing. Stone arches for depth, streetlamps forming a light trail, wet reflective ground.

The exact same adult female as in Reference Image 1—identical face, hairstyle, clothing, and body proportions. She performs an intense K-POP girl-crush solo dance, featuring confident hip sways, deep body rolls, fluid body waves, thigh isolations, sharp waist movements, and natural hair flips. Use a dynamic multi-camera music video setup. Start with a smooth 360° tracking shot, then switch between full-body dance steps, upper-body close-ups, waist-to-hip close-ups, rear three-quarter angles, and dramatic low-angle shots. Keep the choreography clear and continuous. Use close-ups as brief rhythmic inserts while showcasing her full body for most of the dance. End with a slow low-angle push-in shot as she turns to the camera with a confident expression. Warm skin tones, deep teal shadows, cinematic lighting, subtle film grain, realistic skin and fabric texture details, high-end K-POP MV and fashion commercial style, 24fps. Adapt to the attached character image. Maintain consistent face, clothing, and body proportions throughout.

J-pop dance routine, cool moves, multiple shots. She sings: Sparkling, look, smile! ✨ Thump-thump, let's grab our dreams! Jump into the pink sky Let's sing "You can do it!" My heart will never stop The future is colorful today too Anywhere as long as I'm with you Ready, set, Happy Days!

I will dress up as Cleopatra. The white moon and orange sun shine brilliantly all around. They are in the sky. I become Cleopatra and loudly sing of the realization of happiness, courage, determination, fortune, love, and peace with a peaceful smile of love, purity, dreams, and hope. My face, the queen's face, is colored in the primary colors of red, blue, yellow, green, black, and white, in a paint style. My hair spreads outward, with black lines on white. At the ends of the hair, which are bleeding and about to disappear, are the moon and sun in a purple sky. The moon and sun are spinning around.

[Base] Clear blue-green underwater space, six adult dancers as high-precision 3D rendered characters, arranged in three layers: center lead dancer in deep cyan long sleeves, two in front with short silver poles, three in back with translucent ribbons. Volumetric light, fabric, bubbles, and skin textures are realistic; ribbons moving through water add 2D hand-painted green ink effects with dry-brush edges and scattered ink lines like underwater paper paintings, without flattening the 3D characters. [Action/Dance Mode Addition] Group dance must have layers: lead dancer handles the main melody, front duo handles mirrored movements, back trio forms arches and reverse ripples with ribbons; ribbon passing must be sequential, not cloned synchronization. [Rhythm Control Enforcement] Every 2 seconds clearly define at least three sets of character movements and two directions; use water flow, bubbles, ribbons, and light beams as feedback. [Opening Setup] Start with front silver poles slicing water, then move through ribbon arches to see the lead; back row has a 0.2s delay in wrist raising. [Core Narrative] 0-2s: Lead dancer rises and rotates wrist, front duo crosses poles, back trio releases ribbons; bubbles rise, ribbons form asymmetric arch. 2-4s: Lead dancer flips right, front duo moves up/down, back trio passes through arch; flow pulls ribbons into progressive waves. 4-6s: Lead expands arms to chest, front duo rotates poles oppositely, two in back raise ribbons while one crosses low; light beams cut into segments. 6-8s: Lead advances to camera, front duo retreats diagonally, back ribbons fall and are caught by wrists; bubble trails form, distinct spatial layering. 8-10s: Lead rotates low, front duo crosses briefly then separates, back trio moves at different speeds, ribbons loop three times. 10-12s: Lead spirals upward, front poles point outward, back row releases ribbon ends asynchronously; ribbons, bubbles, and light rise as the formation opens from arch to fan. [Camera Logic] Open with front details; see lead through ribbons; 2-4s lateral pan; 4-6s wide shot showing three layers; 6-8s push toward lead; 8-10s top-down circular view; 10-12s low-angle pull away. [Details] Volumetric beams, realistic 3D textures; 2D green ink ribbon trails with wet-on-wet blurring and paper texture; light but opaque clothing; character differences in height, skin, and props; no brands/text. [Audio] No dialogue; underwater bass drums, soft metal bells, bubbles, and ribbon friction form the beat.

Create a 15 second photorealistic fashion performance film in 16:9 inside an abandoned concrete and brick industrial building: broken wooden staircase, exposed beams, cracked plaster, dusty floors, scattered rubble, rusted rails and large blown out window openings. Keep two male performers visually consistent. Performer A: pale skin, backward muted-green cap, white wraparound sunglasses, small hoop earrings, oversized black and white abstract fleece/jacket, loose dark trousers, black sneakers. Performer B: black balaclava, white oval wraparound sunglasses, teal green work jacket, dark shirt, very baggy pale blue grey jeans, white sneakers. Natural proportions, real skin texture, believable fabric weight, inertia and foot contact. Style: raw underground streetwear music video, full frame cinema camera, 12mm fisheye and 18mm ultrawide lenses. Handheld and physically close to the ground/bodies, with Dutch angles, fast push ins, pull backs, orbiting moves, short whip-pans and brief roll transitions. Preserve real camera momentum and parallax; no teleporting or impossible motion. 30 fps, 1/60-shutter feel, organic motion blur, mild lens breathing, realistic fisheye edge distortion and subtle sensor noise. 0–2.5s: extreme low angle beside the staircase, tilted frame. Performer A looms near lens, Performer B deeper in the space. Sweep past legs and sneakers so a shoe briefly crosses the lens; reveal the ruined stairwell and bright exterior openings. 2.5–4.5s: whip-pan to Performer B facing camera beneath the stairs, restrained rhythmic hand/shoulder gestures. Push into a distorted medium close up, then cut to Performer A in a low-angle portrait touching his white sunglasses. 4.5–6.5s: hard cut to a very wide floor level shot across rubble. Rapid dolly forward as Performer A walks/dances toward camera and passes close, creating natural foreground smear. 6.5–8.5s: circular fisheye energy. Performer B leans over the lens; one sneaker and trouser leg enlarge naturally in perspective. A fast rotational move transitions into an extreme symmetrical close up of Performer A’s face and sunglasses; hold briefly for stable facial detail and real reflections. 8.5–10.8s: Performer B centered between damaged stair rails, arms folding then opening into a small gesture. Camera retreats down the debris path while he advances, producing strong parallax and rushing floor texture. 10.8–12.8s: energetic whip and tilt into a high oblique angle showing both performers near the staircase, then drop to an extreme fisheye low angle where both lean into frame and gesture toward lens. 12.8–15s: snap to a long shot of Performer B framed by a concrete column. Fast lateral sweep and controlled zoom as he crouches, rises and gestures in a brighter rubble-filled bay. In the final beat Performer A steps in beside him; rapidly pull back down the long ruined corridor, ending wide with both men side-by-side.

@referance image As first frame. A sharply dressed man in a dark blazer and black shirt stands facing a tall ornate mirror in complete darkness. His reflection stares back — but the reflection smiles while he does not. 0–2s: Medium shot, symmetrical composition — the man on the left, his reflection on the right. Camera holds perfectly still. A cold overhead spotlight illuminates only him and the mirror. His expression is stone-cold. His reflection slowly tilts its head and grins wider. In a deep voice with metallic reverb: "You're not me." The reflection mouths the words simultaneously but slightly delayed. A dissonant string tone swells underneath. 2–5s: On the bass hit, he punches the mirror. Time shifts to extreme slow motion at the moment of impact. The glass cracks in a radial spiderweb pattern from his fist outward. Each crack emits a thin line of white light. Macro detail: his knuckles pressing into the fracture point, glass beginning to separate, light bleeding through. The shards start to lift outward toward the camera, each one containing a different version of his reflection — one laughing, one screaming, one calm, one looking away. Bass reverberates with a metallic distortion. 5–9s: The music drives forward. He steps through the broken mirror frame into a mirrored void — infinite reflections of himself stretching in every direction. Camera pulls back into an extreme wide shot revealing thousands of copies. He walks forward, each copy mirroring his movement but one beat delayed, creating a cascading wave effect. Camera tracks alongside him in a smooth lateral dolly. The copies begin diverging — some stop walking, some turn to face him, some dissolve into particles. He keeps walking, unflinching. 9–12s: The music reaches maximum intensity. He stops. Every copy stops. He turns to face the camera directly. Every copy turns to face him. Silence. Then on the final beat, every copy shatters simultaneously into mirror fragments that fly toward the camera. He remains standing, untouched, as thousands of reflective shards stream past the lens. Final frame: him alone in darkness, no mirror, no copies. One last shard floats past — in it, the smiling reflection winks. Hard cut to black. Cinematic texture, film grain, anamorphic lens flare, shallow depth of field. Lighting: cold overhead spot, white light through glass cracks, infinite reflections multiplying light sources. Audio: dissonant strings, metallic voice reverb, glass impact, slow-motion crack propagation, cascading footstep echoes, silence-to-shatter, massive final impact. 4K Ultra HD. Maintain consistency.

KAEL DRAYN @[Image] — "Frontier Justice" | Action Sequence. 15-second montage, hyper-kinetic rhythmic editing, variable frame rates. Art Direction & Vibe: Premium key art. Unified style: high-end gritty sci-fi anime render, sharp graphic linework, cinematic

Open on an extreme close up of his face reflected in a rain covered bus stop glass panel, breathing hard while distant city lights distort behind him. Without warning, a passing bus completely wipes the frame, and when it clears he is already sprinting full speed down the opposite side of the street. Camera whips across traffic barriers and catches him only partially framed, creating the feeling the operator almost loses him. A flickering overhead streetlight briefly freezes his silhouette in three harsh photographic flashes synchronized to the beat. On the final flash, smash cut to a low rear chase shot as he disappears down a narrow fluorescent underground entrance.

Please create one 8-second, 9:16 vertical multi-shot video of "Aoi playing the bass on a summer festival stage." Image 1 is for world-building and stage reference, and Image 2 is for Aoi's face and identity reference.

Death metal music is playing in the background. He yanks on his chain and says in a deep male death metal voice: Fun Tiff X made me.

The shadow in the photo looks like piano keys; please make a video where the keys move as if someone is playing them, and the music played is the Chopsticks March.

Start to include some music like a victorious secret runway model, and making each move precisely with the flow of the outfit she is wearing

Anime style, 10 seconds, one-take, no cuts. Starring a girl, strictly maintaining the same identity. Long pale blonde pigtails, red ribbons, slightly dark eyes, white and navy sailor uniform, red ribbon on chest, black headphones around her neck. Location is a DJ booth inside a club. Huge woofers and stacked speakers tower behind, with silhouettes of audience in the background. Red, blue, purple, and yellow-green spotlights cut through smoke, creating bright party energy. Painted in a consistent style with perfect visual unity. Base coloring is matte without gloss, lines have slight flicker/jitter, shadows use oscillating hatching, semi-sketchy style with a sense of dry medium texture, unified with a traditional art feel. Camera is fisheye lens, handheld slightly looking down from diagonally above. 0.0s-2.5s: swinging heavily left and right while rhythmically bouncing forward and back, dolly in feeling the beat. The girl scratches a turntable with her right hand and works faders/knobs with her left. Moves shoulders, hips, and knees to the rhythm, lithely swaying her upper body. 2.5s-5.5s: camera flows from her front to slightly right, a smooth semi-circular motion as if orbiting forward and back. Pigtails and ribbons jump as if wind is blowing through, she raises her hands, manipulating sound with a non-verbal hand dance. 5.5s-7.5s: fingers trace neck, shoulders, and arms; camera close-ups on the hand, emphasizing the path of the fingers with strong fisheye perspective. 7.5s-10.0s: camera moves up and down with heavy bass while pulling back then pushing forward again. The girl gives a short hand gesture to the viewer for a moment, then looks up at the camera. Ends by making a scratch and bouncing her body with a smile-like excitement. Audio: no vocals. Tech-house leaning EDM, heavy kicks, deep bass, scratch sounds, floor cheers only. Dynamic and unstable overall, but movements remain smooth, graceful, and maintain a sophisticated flow.

Korean K-pop MV style, the background is replaced with a neon street in Seoul at night. The appearance and clothing of the female lead strictly refer to @image1, and the appearance and clothing of the male lead strictly refer to @image2. All movements, positions, body postures, interaction processes, and rhythms of the male and female leads strictly refer to @depthvideo, completely replicated without modification. At the beginning of the video, the female lead appears first and naturally speaks: "I will say to him in Korean: 오빠, 정신 차려!" The first half "I will say to him in Korean" uses Chinese, and the second half "오빠, 정신 차려" uses natural Korean pronunciation, with a slightly hurried and reminding tone, and the lip shape is accurately synchronized with both languages. Subsequent character appearance orders and all movements continue to strictly follow @depthvideo. Keep the appearance of the two characters consistent throughout, with stable facial features and natural, smooth movements. 9:16 vertical screen, one-shot till the end, no subtitles, no text, no watermarks, no character misalignment, role swapping, or limb deformation.

Anime visual reference sheet, Studio Ghibli art style, clean cream white background. Bold clean outlines, cel shading, pure 2D anime illustration. FOOD: Raw butter block, cold and pale yellow. Laminated dough with visible layered strata. Rolled out dough sheet, pale gold. Folded dough triangle, uncurled. Shaped croissant crescents on a tray, unbaked and pale. Egg wash brushed golden over dough. Finished croissant, deep golden brown, flaky shattered layers, steam rising, a torn piece showing honeycomb interior. TOOLS: Wooden rolling pin, bench scraper, pastry brush, proofing tray, oven interior glowing warm gold. COLOR PALETTE: Butter yellow #F4D58D, dough pale gold #EFDDB5, baked crust gold-brown #C68E3F, deep golden brown #8B5A2B, egg wash sheen #E8B84B, steam white #FAF8F3, shadow brown #4A2F1B. Bold anime outlines, cel shading, Ghibli bakery illustration style, multiple reference panels clearly labeled. Anime bakery short film, Ghibli pastry aesthetic, warm golden morning light, flour dust drifting in sunbeams, cozy bakery kitchen, 16:9. A series of rapid close-up macro shots: hands placing a cold butter block onto rolled dough, dough being folded over the butter and sealed at the edges, rolling pin pressing and elongating the dough in long even strokes, dough being folded into thirds in one smooth motion, rolling pin flattening the dough again into a long sheet, dough being rolled up tightly into a spiral, dough cut into triangles with a sharp knife, fingers rolling a triangle from base to tip into a crescent shape, shaped croissants being placed on a tray in a neat row, pastry brush sweeping golden egg wash across the surface, tray sliding into a warm glowing oven, close-up of croissants slowly puffing and browning under heat, layers visibly separating and flaking as they bake, croissants pulled from the oven golden and steaming, extreme close-up of a croissant being torn in half revealing airy honeycomb layers, steam curling up from the warm interior. Each shot lasts under one second, cinematic food film pacing, hyper-detailed anime illustration, warm amber and buttery gold tones throughout.

Create a music video; the images are exclusive appearance references and @[blackout video] is the editorial clock. Keep four distinct members, continuous choreography, and an open rightward exit. Use @[image1] only for Vocal 1's final identity and wardrobe.