كل مطالبات فيديو

Cinematic anime short film clip, 10 seconds. Flat concrete rooftop, clear bright blue sky everywhere, city visible far below, just him and the ball. CHARACTER: use uploaded character sheet. AUDIO: High energy hip hop beat loud from frame one never stopping, every cut synced to the beat, crisp satisfying ball contact sound on every touch always audible. [0:00-0:01] Lying flat on his back on the concrete, both feet pointing up, juggling ball above him with alternating feet, blue sky above. Side profile ground level shot. Cut to below looking up at feet and ball against sky. Cut to overhead looking straight down at him horizontal. [0:01-0:02] Jumps to feet mid-juggle, immediately launches into double around the world — foot circling ball twice in one jump, blurring into a circle. Low angle looking up against blue sky. Side profile full jump. Extreme close up foot blurring around ball. [0:02-0:03] Ball lands perfectly still on back of neck. Close up of ball on neck. Wide shot against sky. Immediately flows into ATW from the neck stall — ball launches off neck, foot circles instantly. Low angle showing full combination against sky. [0:03-0:04] Bends forward, ball rolls slowly down entire spine from neck to lower back without falling. Side profile showing full roll. Close up of ball on spine. Arches back up explosively flicking ball back into air from lower back. [0:04-0:06] Sits cross legged on concrete mid-juggle, both heels alternating juggling while sitting. Overhead looking down. Close up heels from side. Stands back up mid-juggle without hands touching ground. [0:06-0:08] Handstand — body fully vertical, ball balanced on one foot pointing straight up. Wide shot against blue sky. Close up foot balancing ball upside down. Low angle looking up at him inverted against the sky. [0:08-0:10] Launches ball high with thigh — camera follows ball upward against pure blue sky — peak — drops back — rainbow flick over his head — turns — full power volley — ball rockets directly at camera filling entire frame — CUT TO BLACK. One final beat hit in darkness. Cinematic cel-shaded 3D anime, semi-realistic CGI, hand-painted textures, Unreal Engine quality, bright natural daylight, clear blue sky throughout, digital painting feel, hard-edge brushwork, heavy shadows, not cartoon not Disney not Pixar, film grain, premium anime quality, hip hop beat and ball contact sounds dominant throughout

Ink wash shrimp leaping into a futuristic city—a piece of rice paper unfolds among nocturnal skyscrapers, eight black-and-white ink wash shrimp leap out from the paper's surface, their bodies still retaining the 'flying white' brushwork and ink gradients. The shrimp whiskers turn into glowing city tracks, and ink droplets become neon rain; the scene features huge scale contrast, strong depth, cinematic lighting, and a spectacle that captures the eye instantly. No text, no watermarks.

Make another one with Me as He- Man string in a chair receiving ect with lighting flowing from the sky to a helmet on my head ridding of the voices as I convulse Having me say bring on the lightning and zap these Aliens! I hate Xenu!

Add blue dragon with octagon scales Yellow dragon with triangular scales Walking playfully side by side toward the red barn Make dragons more mystical looking

Cinematic cyberpunk alley at night during heavy rain, neon signs reflecting on wet pavement in pink, cyan and violet. A stunning Japanese woman in her mid-20s with long black hair, soft face, wearing a modern cyber-geisha outfit: elegant black silk kimono with glowing neon embroidery, high slit, thigh-high boots. She is gently cradling a fluffy white and silver cat with big luminous eyes and tiny glowing cybernetic ear implants. Soft rain droplets on their faces and fur. Shallow depth of field, volumetric god rays from neon signs, ultra-detailed, emotional and serene atmosphere, shot on 85mm lens, cinematic lighting, high contrast, 8k

the corcle of red color splash morphes from a to k letter then to the o letter then to the s letter whilet keeping the splashing color

Create a video of a rocket floating in the ocean. Then arrives a man, attaching a motor to the back of it and rides it to the shore while seating on top of that rocket. Please make that rocket float horizontally.

Alice shone her flashlight into the stone sarcophagus and discovered a strange metal medallion hidden among the remains. Suspicions arose in her mind, so she turned off the flashlight and slowly backed away in the darkness, vaguely sensing that she wasn’t alone in the tomb. A 15-second realistic cinematic treasure-hunting scene inside an ancient burial chamber, suspenseful, grounded, and emotionally escalating, like a moment from a high-quality adventure film just before something dangerous reveals itself. A female explorer leans over an open stone sarcophagus, studying a mummified body and its grave goods with a flashlight in hand. She notices a strange metallic plaque resting among the remains, examines it closely, lightly touches it, then looks between the plaque and the skull as if trying to understand why it is there. Nothing in the body moves. The remains stay completely still. But a quiet unease begins to build. She slowly scans the chamber around her with the flashlight, hears a faint sound from deeper in the tomb, startles, sweeps the beam again with sharper caution, then abruptly switches the flashlight off and backs away carefully into the dark, deeply unsettled. Visual tone: grounded adventure-film realism, dusty ancient tomb atmosphere, warm flashlight beam cutting through darkness, aged stone, burial carvings, dry debris, subtle haze, textured skin, fabric, dust, and worn artifacts. The chamber should feel sacred, claustrophobic, and wrong in a believable way. Not fantasy magic, not exaggerated horror. The fear should come from realism, silence, darkness, falling dust, and the feeling that something in the tomb may be aware of her. Character performance and emotional arc: The explorer begins in cautious investigative focus. When she notices the plaque, her expression tightens into rare-discovery concentration mixed with unease. She looks like someone who knows she may have found something important, but immediately senses it does not belong naturally among the burial objects. Her emotional progression should be clear and subtle: alert curiosity, fascinated inspection, rising suspicion, instinctive environmental awareness, startled recoil, defensive scanning, and controlled fear. Emphasize micro-expressions: eyes narrowing at the plaque, lips parting slightly as she studies it, breath quieting, brows drawing in, gaze shifting from the object to the chamber around her, jaw tightening after the distant sound, and a visibly strained effort to stay calm while retreating. Flashlight behavior is critical: The flashlight must be a major storytelling element. At first it is steady and practical, guiding her inspection of the sarcophagus and plaque. The beam should move naturally with her hand, revealing detail in the plaque, wrappings, bone structure, and dust. After she touches the plaque and begins feeling unease, the flashlight becomes part of her instinctive scan of the room, moving carefully across coffin edges, nearby walls, shadowed corners, and deeper darkness. After the sound, the flashlight should jolt once with her startled reaction, then become a controlled but urgent beam as she checks the chamber. Near the end, she must actively switch it off herself in one clear, deliberate action. It should not flicker out or die on its own. The shutoff must feel like a sudden survival decision and an unmistakable turning point. Body language and hand detail: She holds the flashlight in one hand throughout. Her free hand plays an important role: it hovers over the plaque, pauses, then gently brushes or traces its surface with her fingertips. Her posture should evolve naturally: leaning over the sarcophagus to inspect, shifting closer as she studies the plaque, lifting her head slightly to compare the plaque with the skull and wrappings, then slowly straightening just enough to look around the chamber. Once she hears the sound, her body should recoil subtly, then tighten into a defensive stance as she scans. After switching the light off, she retreats with careful, measured steps, shoulders tense, keeping her face and attention fixed toward the darkness. Corpse behavior: The body and skull must remain completely still at all times. Do not animate the corpse in any way. The suspense should come entirely from her reaction, the environment, the sound deeper in the tomb, falling dust, and the decision to turn the flashlight off. Dust and environment detail: Fine dust and powder should play an active role in building unease. Early in the scene, the flashlight catches faint floating dust in still air. As her unease increases and the distant sound appears, fine dust begins to fall more noticeably from above, drifting through the beam and softly landing on the stone and sarcophagus edges. Keep it subtle and believable. No major collapse, no large debris. The chamber should feel ancient, dry, quiet, and lightly unstable, with the dust helping the darkness feel inhabited. Camera language: Smooth, natural, and suspense-driven. No abrupt cuts, no flashy camera tricks, no montage. A single continuous flowing shot is preferred. The camera should begin close to the sarcophagus and her upper body, allowing the audience to read both the plaque and her face. It should move fluidly with her attention: closing in slightly as she examines the plaque, shifting with her gaze toward the skull and wrappings, then widening just enough to let the flashlight scan reveal more of the chamber around her. When the sound comes from deeper in the tomb, the camera should stay readable and intimate, responding to her recoil and retreat without becoming chaotic. The motion should feel like a careful cinematic witness, always motivated by her attention and fear. 15-second scene progression: 0-3 seconds: She leans over the open sarcophagus, sweeping the flashlight beam slowly across the remains and grave objects. The light catches on a strange plaque lying among the wrappings and bones. She stops immediately, eyes narrowing with focused curiosity. In a quiet, intrigued voice, she says: “Wait... what is this?” 3-6 seconds: She lowers the beam and brings it closer to the plaque, studying its surface, edges, and markings. Her free hand rises slowly, hesitates for a moment, then lightly touches the plaque, brushing dust from it with her fingertips. Her expression shifts from discovery to suspicion. In a low voice, almost to herself, she says: “No... this wasn’t placed here by accident.” 6-9 seconds: Still focused, she lifts her gaze from the plaque to the skull and surrounding wrappings, trying to understand how the object ended up there. Nothing moves. The remains stay completely still. But a quiet unease settles across her face. She slowly raises the flashlight and begins to look around the chamber, sweeping her eyes first, then the beam, across the coffin edge, nearby walls, shadowed corners, and the darker space beyond. Fine dust hangs in the beam. 9-12 seconds: As she continues scanning the chamber, a faint sound comes from deeper in the tomb — a light scrape, a soft stone shift, or a distant dry contact. She startles and steps back a half step, the flashlight beam jolting once with her movement. Dust begins to fall more noticeably from above, drifting through the light. She tightens her grip on the flashlight and sweeps the beam again with sharper caution, now fully alert. In a low, tense voice, she says: “No... no, I heard that.” 12-15 seconds: She suddenly decides the light is exposing her position. In one clear, deliberate motion, she clicks the flashlight off. Darkness closes in immediately, leaving only faint ambient traces and floating dust. She backs away carefully, shoulders tight, eyes fixed into the dark ahead. In a very low whisper, she says: “Something’s in here.” End on the feeling that the chamber is no longer empty. Dialogue requirements: - Englis

Ultra-detailed hyper-realistic side profile portrait of a cat made entirely of intricate marble stone mosaic tiles and polished mineral fragments. The cat wears a marble mosaic baseball cap with a flower emblem and stylized letter pattern, and round stone-framed glasses with mineral mosaic lenses. Its whiskers, beard-like fur, and facial details are sculpted from delicate stone filaments and tiles. Its skin/fur is composed of tiny polished marble squares forming a luxurious stone mosaic texture. Along its jawline and neck, miniature futuristic stone city skyscrapers and architectural structures emerge organically from the mosaic surface, blending the feline form with a marble metropolis. Its paw rests thoughtfully on its chin, covered in the same detailed marble mosaic tiles, wearing ornate stone rings with glowing dark gemstones. Its clothing is an elaborate marble mosaic garment decorated with sunflower-like ornaments and geometric patterns. Dramatic studio lighting highlights the polished stone surfaces and extreme detail. Deep black background for high contrast. Ultra sharp focus, cinematic lighting, luxury editorial photography style, hyper-real textures, extreme detail, masterpiece.

Quiet suburban street, evening, sprinklers running. Sky splits with a silent lightning-like tear, widening into a churning purple void. Camera pushes toward it from ground level as debris starts lifting off the street; ends with the camera crossing the threshold, the suburb replaced instantly by an alien horizon.

[Overall Style] Deadpan supernatural reversal comedy, opening with real cinematic texture, disguised as an oppressive urban ghost story in the first half, revealing it as a common rainy night misunderstanding in the second half. Featuring cold cyan streetlights, warm light from a convenience store, reflections on wet asphalt, restrained facial performances, precise spatial staging, and a rhythmic transition from horror sound effects to comedic audio. [Characters] Character A | Sword Immortal Sister Use @Image 1 as strict identity and costume reference: same 25-30 year old East Asian female, oval face, sharp dark eyes, long straight black hair, fair natural skin, tall slender figure, wearing white embroidered silk Hanfu, translucent layered wide sleeves, silver waist ornaments, jade hairpin, and white cloth boots. Character B | Bike Sister Use @Image 2 as strict reference: same 25-30 year old East Asian female, maintaining the same face, ponytail, body proportions, clothing, accessories, and the same bicycle covered by a translucent white raincoat. [Shot 1 | 0-5s | Low Angle Wide Slow Tracking] 16:9, empty modern urban underground passage at night, heavy rain, concrete pillars, dripping pipes, flickering fluorescent lights, distant neon signs, scattered leaves, and heavy mist clearly visible. Character A stands fully in the light, holding the same silver sword. Character B silently approaches on the bike covered in the raincoat; the reflectors look like glowing eyes, a plastic bag flapping like a ghost's tongue. Low horror ambient sound, rain, and bike chain noise. [Shot 2 | 5-10s | Medium Shot] Character A suddenly turns, draws the sword, sleeves billowing, shouting: "Show yourself, monster!" The raincoat figure doesn't answer, gliding forward steadily. Camera tracks back at the same speed, horror frequency intensifies, then a small crisp bike bell rings. [Shot 3 | 10-15s | Close-up to Two-Shot] Character B brakes under convenience store light, lifts the raincoat hood, revealing the consistent face, saying expressionlessly: "Sister, I just got off work. You're the one who looks like a ghost." Heroic sword sound stops instantly. Extreme close-up: Character A looks at her white Hanfu, hides the sword behind her back, nods while trying to remain cool, one eyelid twitching slightly. Freeze on Character B staring at her. [Technical Requirements] Strict 15s duration, three shots, stable character identity, coherent motion direction, realistic physics for rain, hair, and fabric, native Mandarin dialogue and spatial audio, no subtitles. Optimized for Seedance 2.0 multimodal input. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

A quiet luxury automotive commercial for a classic Mercedes-Benz 190 SL featuring a Kodak film look.

[HIGHEST PRIORITY — STRICT HAND ROLES AND ORIENTATION] The hand roles must remain fixed throughout the video: The photorealistic adult RIGHT HAND is solely responsible for stir-frying and operating the one and only spatula. The photorealistic adult LEFT HAND is solely responsible for taking away the glass chili flake jar. The left hand must never touch the spatula. No more than one real human hand may be visible in any frame. The left and right hands must never appear simultaneously. The RIGHT HAND enters only from the bottom-right corner. Its wrist remains connected to the bottom-right edge of the frame, the back of the hand faces the camera, and its thumb is clearly positioned on the screen-left side, pointing toward the center. The right hand holds the only wooden-handled metal spatula in the entire video. The LEFT HAND enters only from the upper-left side. Its wrist remains connected to the upper-left edge of the frame, the back of the hand faces the camera, and its thumb is clearly positioned on the screen-right side, pointing toward the center. The left hand enters empty-handed and only takes the chili flake jar. It never holds a spatula, spoon, or other kitchen utensil. Use a strict relay sequence: 00:00–00:03: only the spatula-holding right hand is visible. After the chili flake stream stops, the right hand places the only spatula flat inside the wok and completely leaves the frame. Only after the right hand has fully disappeared, from 00:03.2–00:03.8, the empty left hand enters, takes away the chili flake jar, and completely exits. Only after the left hand has fully disappeared may the right hand return at 00:03.8 and pick up the same spatula from the wok. Never show both hands simultaneously. No same-direction hands, mirrored hands, duplicated arms, floating hands, or extra palms. [FORMAT AND COMPOSITING STYLE] A 10-second, horizontal 16:9 comedy video in a single continuous photorealistic first-person cooking POV. Slight natural handheld movement only. No cuts and no transitions. Use a fixed widescreen composition: One black wok remains slightly left of center. Tang Tang and one small wooden stool remain on the right. Both the wok and Tang Tang remain fully visible without blocking each other. The kitchen, wok, glossy beef and vegetables, steam, chili flakes, glass chili flake jar, single spatula, wooden stool, condiment bottles, sink, window, and adult human hands must remain photorealistic and obey believable physical behavior. Tang Tang must remain a completely flat 2D chibi anime sticker throughout the video, with subtle crayon and paper grain, a clean dark-brown outline, and a complete white sticker border. She must have zero 3D volume, realistic skin, volumetric lighting, plastic depth, clay texture, or realistic cast shadow. [FIXED REAL KITCHEN] A lived-in, photorealistic home kitchen viewed slightly downward from the cook's eye level. The only black wok stays slightly left of center. Glossy beef and green vegetables sizzle inside it while natural steam rises. A white tiled wall and power outlet remain in the background. Soy sauce and cooking oil bottles stand against the wall. A stainless-steel sink is located in the rear-right area. Natural daylight enters through a side window. Maintain the same kitchen, camera position, 16:9 framing, geography, and left-right orientation throughout the entire video. [CHARACTER IDENTITY LOCK] Tang Tang is the only character. She is a young, energetic chibi sticker girl with two-head-tall proportions, an oversized round head, tiny limbs, and a small, soft round tummy. Her face is round, with big round sparkly eyes, rosy round cheeks, a small button nose, a cheerful gap-tooth grin, and a tiny freckle dot on each cheek. Her black hair is styled in two high bouncy pigtails held with bright yellow scrunchies, with short blunt bangs across her forehead. She wears: A mustard-yellow and white striped short-sleeve top A pastel-pink pinafore apron with a small fruit print Solid teal denim overall shorts White canvas slip-on shoes She has no text, numbers, logos, jewelry, or additional accessories beyond her hair scrunchies. Tang Tang remains seated on the single wooden stool beside the right side of the stove. Her height is approximately half the diameter of the wok. She behaves like a lightly elastic sheet of printed paper and may only squash or stretch in a flat cartoon manner. Her round head, high pigtails, bangs, striped top, pink pinafore apron, teal overalls, white canvas shoes, and round tummy must remain completely consistent throughout the pouring, reaction, crying, feeding, and collapsing actions. [00:00–00:03 — RIGHT HAND STIR-FRIES, TANG TANG POURS THE CHILI FLAKES] Only one photorealistic adult RIGHT HAND is visible. The right hand enters from the bottom-right corner, with its thumb on the screen-left side, and continuously holds the one and only wooden-handled metal spatula while stir-frying the beef and vegetables. It must never touch, support, cover, stabilize, or tilt the chili flake jar. Tang Tang makes a mischievous grin. Using her own two clearly visible 2D sticker hands, she independently hugs and lifts a photorealistic glass jar of dried red chili flakes larger than her head. Tang Tang personally raises, rotates, and tilts the jar toward the wok. The full weight and rotation of the jar are carried exclusively by her two 2D hands. A dense stream of realistic red chili flakes falls only from the opening of the jar held by Tang Tang and forms a visible red mound over the beef and vegetables. No real human fingers or hands may appear near the chili flake jar during this action. Audio: continuous food sizzling and a dry, papery stream of chili flakes pouring. [00:03–00:03.2 — RIGHT HAND LEAVES] The chili flake stream has completely stopped, and the red mound is clearly visible. The real right hand places the one and only spatula flat inside the wok, then completely exits through the bottom-right edge. At this moment, no real human hand is visible. The only spatula remains motionless inside the wok. [00:03.2–00:03.8 — LEFT HAND ALONE TAKES THE CHILI FLAKE JAR] Confirm that the real right hand has completely disappeared. Only one empty photorealistic adult LEFT HAND enters from the upper-left side, with its thumb clearly on the screen-right side. The empty left hand takes the glass chili flake jar directly from Tang Tang's two 2D hands, then exits completely through the upper-left side while carrying the jar. The left hand must never touch the spatula. The only spatula remains motionless inside the wok and must not duplicate. [00:03.8–00:05 — RIGHT HAND RETURNS AND USES THE SAME SPATULA] Confirm that the real left hand has completely disappeared. The same photorealistic right hand returns from the bottom-right corner, with its thumb still on the screen-left side. It picks up the same spatula that was previously placed inside the wok. The right hand lifts this single spatula from the wok toward Tang Tang's head along one continuous trajectory. Once the spatula has left the wok, no second spatula or spatula-shaped utensil may remain inside the wok. The right hand gives Tang Tang an impossibly light, harmless cartoon tap on the top of her head using the flat side of the same spatula, then returns that same spatula to the wok. With a "DUANG" sound, a flat red cartoon bump pops onto Tang Tang's head. Her paper body bounces vertically once, her eyes open wide, and her two 2D hands hold her head. Only the right hand is visible. The left hand is absent. Audio: a light metallic "DUANG" and one cartoon spring sound. [00:05–00:08 — RIGHT HAND FEEDS TANG TANG] Only the same photorealistic right hand and the same single spatula remain visible. Tang Tang's eyes become flat spiral cartoon eyes. Two bright blue, flat 2D sticker fountains of tears shoot sideways from her eyes. The right hand uses the same spatula to scoop a small bite of be

Add two new elegant women dancing joyfully with the two dancers already in the first image, in the same vibrant Cuban plaza celebration for a free Cuba.

A stylish young woman walks through a crowded city street during golden hour. With a simple snap of her fingers, time freezes instantly—cars stop mid-motion, birds remain suspended in the sky, raindrops hang in the air, and every person becomes perfectly still. She calmly explores the silent world, walking between frozen moments with cinematic tracking shots and breathtaking visuals. She then notices a little girl moments away from being struck by a falling construction sign. While time stands still, she gently moves the child to safety. With one final snap, time resumes. The sign crashes harmlessly to the ground, the crowd continues as if nothing happened, and the mysterious woman quietly walks away with a smile. Ultra-realistic visuals, emotional storytelling, golden-hour lighting, seamless transitions, and a powerful cinematic ending.

High-end fashion runway footage set in Paris featuring a detailed couture gown and realistic camera movement.

A cinematic, high-budget commercial style for Starbucks featuring cosmic coffee visuals and luxurious aesthetics.

Use the uploaded reference image as the exact character reference. Preserve her facial identity, hairstyle, eye color, makeup, skin tone, body proportions, delicate necklace, and facial consistency throughout every shot. Replace her current outfit with a fitted white sleeveless crop top, white pleated mini skirt, and white sneakers. Maintain realistic hand anatomy, natural expressions, and perfect character consistency. Create a premium mango juice commercial with a bright tropical summer aesthetic. The hero product is a realistic branded mango juice bottle featuring a vibrant orange label with fresh mango illustrations, green leaf accents, and a premium fruit juice logo. The bottle design must remain identical throughout the commercial. The video opens with the girl already on screen, standing in a sunlit tropical kitchen while holding a perfectly ripe mango beside her face. She smiles warmly at the camera, playfully tosses the mango into the air, and as it spins, it magically transforms into the chilled branded mango juice bottle. She catches it confidently, smiles, and says, "Taste summer in every sip." A cinematic macro sequence follows. Extreme close-ups showcase the bottle covered in sparkling condensation as golden mango juice splashes, fresh mango cubes, crushed ice, tropical leaves, and tiny water droplets explode around it in slow motion. Warm sunlight glistens beautifully across the premium label. She twists open the bottle with a satisfying crisp pop, takes a refreshing sip, closes her eyes for a moment, and smiles naturally as if enjoying the first taste of summer. The scene transitions to a lively tropical fruit market. Smooth handheld and gimbal shots follow her as she strolls between colorful fruit stalls, greets friendly vendors, samples fresh mango slices, laughs naturally, and carries the branded mango juice bottle while browsing baskets overflowing with ripe tropical fruit. She then arrives at a lush mango orchard during golden hour. She reaches up to pick ripe mangoes from the trees, fills a woven basket, and joins her friends for a relaxed picnic beneath the orchard canopy. Everyone enjoys the same branded mango juice while laughing, chatting, sharing fruit, and soaking in the warm evening sunlight. The final hero sequence shows her standing alone in the orchard as the sun sets behind endless rows of mango trees. She walks toward the camera with a bright smile, extends the chilled mango juice bottle close to the lens, and says, "Pure mango. Pure happiness." The camera slowly pulls back to reveal the glowing orchard, golden sunset, gently swaying leaves, and friends celebrating together in the background before fading out. Style: Premium beverage advertising, luxury commercial cinematography, ultra-realistic fruit textures, realistic liquid physics, glossy product photography, cinematic handheld and gimbal camera