Reflection Illusion Video Correction
A highly detailed correction-focused prompt for Seedance 2.0 to generate a 15-second video of a woman filming herself using her feet, visible only in a glass reflection.
المطالبة
PART A | Stop filming, the glass has told the truth | 15s Correction Version [Highest Priority Correction Rules] The entire clip must strictly feature: One adult female; Two arms, two hands; Two legs, two feet; One smartphone with a bright screen recording in portrait mode. A single phone is held between two feet from 0s to 15s, never transferred to hands, never duplicated, never turned off, and never dropped. Do not generate any clear arms, palms, or fingers in the dark tea-colored glass. The arm area in the reflection is swallowed by the character's body, cushions, and dark glass, retaining only extremely blurred shadows of the torso, two raised legs, two feet holding the phone, and the only bright-screen phone. The scene of 'holding the phone by hand' must absolutely not appear in the glass, nor should a second mobile phone screen appear in front of the character's abdomen, chest, or face. [Reference Image Usage Rules] Reference Image 1. Only lock the position of the front character, lying direction, leg lift structure, position of holding the phone with both feet, and glass composition. Ignore the arm lines in the reference image that may be misinterpreted as 'reflection of person holding the phone with hands'. Textual correction rules take precedence over the reference image: the phone can only be held by both feet, and no hands can touch the phone. The reference image does not control the style of the scene. The result is a realistic live-action video, no line drawings or joint markers. Character appearance, hairstyle, and preset clothing remain unchanged, no new clothing descriptions added. [Characters and Indoor Scenes] An East Asian adult woman in her early 30s, dressed, lying alone on a light gray soft lounge chair in a modern indoor rest area. She has an elegant, mature, gentle yet slightly lively beauty. Natural and realistic skin texture, exquisite yet restrained mature makeup, dark brown almond eyes, moist rose-colored lips, and long black hair naturally scattered on the cushions and shoulders. Behind the character's head is a whole piece of dark tea-colored glass with a dark wooden frame, occupying about the top third of the frame. The glass reflection is dim, low-contrast, and slightly misted, clearly weaker than the character subject. Soft warm indoor lights on the left illuminate her face, with a small amount of cool ambient light on the right and top, forming a very faint blue-gray halo on the edges of her black hair. The room is high-class and comfortable but maintains a real sense of life, not a studio. [Camera Position] 9:16 vertical screen, real smartphone front camera, one shot to the end. The phone is located about 60-70 cm diagonally above her face, looking down slightly, filming from above the hair to above the chest. The face is in the center of the frame, and the dark tea-colored glass is stably located at the top of the frame. The actual recording device is the only phone on the feet. The main frame cannot directly see the phone and feet, only their blurred reflections in the dark tea-colored glass. The lens produces very slight, irregular natural shaking as the ankles exert force, do not simulate a normal handheld photographer. [Bright Screen State of the Only Phone] The phone is about 15 cm high and 7 cm wide, vertically clamped between two feet. The inner edges of both feet continuously clamp the long sides of the phone, and the two big toes respectively press against the top left and right corners of the phone. The phone screen faces the dark tea-colored glass, so a stable vertical luminous rectangle must always appear in the glass reflection. The screen shows a soft cool white-blue light, faintly showing the running camera viewfinder frame, with a small, stable, non-flashing red recording indicator point, but no readable text or complex UI. The bright screen persists from 0 to 15 seconds, with stable brightness, no flickering, no blackouts, and no sudden overexposure. Due to the weakening of the dark tea-colored glass, the screen light is soft and hazy, but clearly an open and working phone, not a black phone case. This bright screen is the only rectangular luminous object in the glass. No other screens or phones must be generated near the character's hands. [Reflection Structure] Reflections in the dark tea-colored glass are only allowed to appear: a very blurred head and torso shadow of the same woman; two legs raised with knees bent forming an inverted V-shape; two feet continuously clamping the phone from the left and right sides; the only phone between the feet that remains bright from beginning to end. Do not show recognizable reflection palms and fingers. When the character in the foreground makes rich gestures, the arm reflection in the glass remains in a shadow state below the identifiable threshold, not forming a complete arm, let alone approaching or holding the phone. The reflection is about 1.5-2 stops darker than the character, with a visual presence of about 20%-30% of a normal mirror. Do not suddenly focus, brighten, or enlarge the reflection. The audience first notices her face, and only after looking closely or replaying do they discover the phone held by feet. [Performance Logic of This Segment] She pretends to face her boyfriend who is secretly filming her, and the actions should be like natural flirting between a couple, rather than continuously blocking the lens with both palms mechanically. Hand gestures follow the rich rhythm of the original film: one hand covering the face → hand sliding to the chest → one hand behind the head → one hand reaching for the lens → turning head and closing eyes → tidying hair or rubbing the back of the neck → one finger approaching the lens → can't help laughing → hands retracting to the body. Left and right hands move alternately, with only one hand approaching the lens most of the time. Prohibit both palms blocking the lens in parallel for several consecutive seconds. [Strict Time Storyboard] → 0-1.5s, she lies back, one hand naturally behind her head, the other palm gently covering her eyes and upper face, like just being woken up. Fingers relaxed, not touching the lens. The blurred reflection of the phone held by feet and its bright screen is always at the top of the glass. → 1.5-3s, the hand covering the face slowly slides over the cheek, stopping near the collarbone. She opens her sleepy eyes and looks at the camera, her brow slightly furrowed, saying coquettishly: 'Oh, why are you filming me again...' → 3-4.8s, the hand behind her head remains still, the other hand rises from her chest, wrist softly approaching the lens once, palm slanted towards the lens rather than completely covering the frame. She says: 'Stop filming, I want to sleep...' The extended hand is still about 10-15 cm away from the phone, does not touch the phone, and then naturally retracts. → 4.8-6.5s, she closes her eyes, slowly turns her face to one side, the extended hand falls back to her shoulder, fingertips brushing hair away from her ear, then gently rubbing the back of her neck. The other hand is still comfortably under her head. She says in a trailing voice: 'I'm so sleepy...' → 6.5-8.3s, she slightly raises her chin, doing a small stretching motion. The hand behind her head stretches along the cushion, the other hand lazily rises from the side of her shoulder, waves in the air, and then drops back to her body. Do not block the lens with both palms simultaneously. → 8.3-10.2s, she turns her face back to look at the camera, her eyes with a touch of affectionate helplessness. The right hand approaches the lens again, but this time only points the index finger gently at the lens, then the finger curls as if it wants to touch but is too lazy to really touch: 'Oh, stop it...' At this time, the toes tighten on the phone edge again, causing a very slight left-right sway; the only bright-screen phone in the glass moves completely synchronously with the feet, and no hands ever approach it. → 10.2-11.8s, she retracts her index finger, the palm grazes the edge of the lens without covering the frame, the corners of her mouth can't help rising, letting out a short natural laugh, and softly repeats: 'Stop it, stop it...' The smile comes from a couple-style flirting performance, not a smug laugh after the reflection or trick is exposed. → 11.8-13.2s, she puts one hand to the side of her neck and rubs it gently a couple of times, the other hand moves from behind her head to her chest. Both hands are simultaneously visible in the main frame, but both are far from the phone, visually proving she is not filming with her hands. → 13.2-15s, she puts her hands together in front of her body, closes her eyes, her head limply tilts to one side, and says softly: 'I'm really so sleepy...' The lens sinks slightly due to the relaxation of the ankles, then immediately stabilizes. In the dark tea-colored glass, the two feet are still firmly clamping the only phone that continues to record with a bright screen. Finally, stay for about 0.8 seconds to let the audience discover the reversal themselves. [Audio] Only the woman's natural, intimate, and slightly sleepy voice, slight breathing, hair friction, fingers grazing the cushion, and the tiny friction of toes adjusting the phone case. No male voice, no breathing or footsteps of a second person, no background music, narration, canned laughter, or reversal alert sounds. [Continuity Requirements] From 0 to 15 seconds, the phone is always between the two feet, and the screen is always lit and in recording mode. The contact points of both feet on the phone remain continuous, no releasing, no swapping, no teleporting. The character's front gestures can change, but both hands are always empty, never touching or taking the phone. No clear hands or arms are generated in the dark tea-colored glass, only legs, feet, the bright-screen phone, and the blurred torso are retained. [Negative Prompts] No second phone; no white phone appearing on the abdomen, chest, in front of the face, or in the hand; no character in the mirror filming by hand; no extra arms, third hand, fourth hand, extra fingers, or independently floating hands; do not let the hands in the reflection touch the phone; no black phone screen, screen off, flickering, deformation, discoloration, dropping, rotating, duplicating, teleporting, or transferring to hands; do not let the feet release the phone; do not generate feet as hands; no continuous blocking of the lens with both palms; no repeating the same pushing motion; no males, photographers, second person, or independent mirror figures; do not turn the dark tea-colored glass into high
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