GPT Image 2 秋分編集用ポスターシリーズ プロンプト
秋分の二十四節気をテーマにした、バランス、ミニマリズム、建築写真やモダンな東洋美学などの具体的なアートディレクションに焦点を当てた、9枚のハイエンド編集用ポスターを生成するための複雑な JSON プロンプト。
プロンプト
{
"task": "create_qiufen_editorial_poster_series",
"metadata": {
"generated_at": "2026-09-23",
"solar_term": "Autumn Equinox",
"calendar_context": "二十四節気の第16番目、秋の第4番目の節気。昼夜の長さが等しくなり、暑さと寒さが均衡する時期。"
},
"theme": {
"name": "Autumn Equinox",
"english": "AUTUMNAL EQUINOX",
"core_idea": "一年がこの時点に達すると、世界は静かに二つに分かれ始める。",
"interpretation": "秋分は晩秋ではなく、収穫のプロパガンダポスターでもない。その真の精神は「バランス」にある。昼と夜の長さはほぼ等しくなり、暑さと涼しさが交差し、万物は成熟の後、外向的な成長から内向的な収束へと徐々に移行していく。秋を大声で表現するのではなく、秩序、抑制、落ち着き、そして成熟を感じさせるものである。",
"emotional_sentence": "光と影がそれぞれ一歩引くことで、世界はその静寂の中でちょうど良くなる。"
},
"generation": {
"count": 9,
"aspect_ratio": "9:16",
"output_rule": "一度に9枚の独立した縦型ハイエンドポスターを生成する。各画像は単独で成立していなければならず、3x3グリッド、コラージュ、ストーリーボードを作成しないこと。",
"series_rule": "9作品すべてが秋分の同じ精神を共有しているが、それぞれ異なる視覚的入り口、空間関係、素材へのフォーカス、タイポグラフィの気質、スタイル表現を持たなければならない。",
"variation_rule": "統一感は秋分のバランス感覚とハイエンドな美学から生まれる。違いはスタイル方向、シーンロジック、ライティング順序、人物と空間の関係、余白構造、視覚言語から生まれる。"
},
"creative_principle": {
"core": "秋分の精神は固定するが、秋分がどのような見た目であるべきかは固定しない。",
"method": "落ち葉、稲穂、書道、古風なスタイル、収穫、月など伝統的な秋の要素を露骨に積み重ねたり、空虚なデザイナーコンセプトポスターにしたりしないこと。光と影、空間、幾何学、人物、素材、雰囲気、秩序を通じて、「バランスが起こっている」と感じさせる。",
"visual_question": "伝統的な節気テンプレートに頼らずに、これが「バランス、収束、成熟、静寂」に関する節気である秋分だと瞬時に認識させるにはどうすればよいか？"
},
"art_direction": {
"mood": [
"Balance",
"Restraint",
"Maturity",
"Quietness",
"Clarity",
"Sense of Order",
"Negative Space",
"Cool Lightness",
"Stability",
"Breathing Room"
],
"visual_character": [
"High-end but not cold",
"Minimalist but not empty",
"Eastern temperament but not templated ancient style",
"Fashionable but not posed",
"Like a high-end lifestyle campaign",
"Like a highly collected Pinterest poster",
"Like a high-aesthetic Xiaohongshu cover",
"Like magazine editorial visuals"
]
},
"seasonal_expression": {
"principle": "シンボルではなく、関係性を通じて秋分を表現する。",
"possible_relations": [
"Light and dark each occupying half",
"Cold and warm intersecting with each other",
"Balance between emptiness and fullness",
"Balance between nature and architecture",
"Balance between body and space",
"Balance between movement and stillness",
"Balance between growth and convergence",
"Balance between day and night",
"Balance between rational order and natural textures"
]
},
"human_presence": {
"optional": true,
"role": "Figures are emotional anchors, not studio models.",
"description": "If figures appear, use Sha Wujing from the 1983 version of Journey to the West as the character anchor. He wears modern fashion, but his iconic headband and large necklace beads must be reproduced. The figure should be natural, relaxed, and real, emphasizing posture, breathing, and the relationship between person and space rather than facial features.",
"styling_rule": "Clothing is generated freely based on the specific image, requiring only texture, low saturation, and suitability for early autumn. Do not specify exact styles rigidly; lean towards shirts, knits, light jackets, linen, cotton, and structured daily wear.",
"action_rule": "Do not preset fixed actions. Figures can stand, walk, linger, sit, lean, feel the wind, coexist with the environment, or not appear at all."
},
"color_system": {
"principle": "秋分の色は激しい秋色ではなく、より成熟し、穏やかで、バランスのとれたカラーシステムである。",
"direction": [
"Low to medium saturation",
"Off-white, oatmeal, light gray, misty blue, sage green, gray-green, light brown, moss green, charcoal gray, deep ink green, deep indigo",
"Allow small amounts of soft warm gold, terracotta, and sunset orange as seasonal transition points",
"Avoid large areas of golden rice paddy colors, intense oranges/reds, and cheap warm autumn filters"
]
},
"material_and_image_quality": {
"qualities": [
"Natural light or restrained artificial light",
"Real architectural and living materials",
"Real paper, fabric, plant, metal, stone, and glass textures",
"Slight film grain",
"Slight print feel",
"No over-sharpening",
"No over-smoothness",
"Avoid obvious AI plastic feel"
]
},
"typography": {
"main_title": "Autumn Equinox",
"subtitle_options": [
"Slowly dividing the world into two halves.",
"Day and night split equally, all things return to balance.",
"When light and shadow reach an agreement."
],
"rule": "Text should be minimalist and restrained, like a brand poster signature. Do not use traditional calligraphic solar term layouts; text should not bear the task of explanation."
},
"nine_style_directions": [
{
"index": 1,
"style_name": "Minimalist Architectural Balance",
"concept": "Express the 'halves' and sense of order of the Autumn Equinox through architectural and light/shadow segmentation.",
"direction": "Emphasize geometric structures, white walls, long shadows, halved light zones, and the calm relationship between horizontal and vertical lines. Can be without figures, or with only a very small figure for scale. Overall minimalist, high-end, and quiet, like a combination of architectural photography and brand posters."
},
{
"index": 2,
"style_name": "Poetic Natural Negative Space",
"concept": "Express the quietness of the Autumn Equinox through thin air, slight breezes, and negative space in nature.",
"direction": "Do not rely on yellow leaves; instead, express the seasonal transition through plants, grass edges, distant mountains, skylight, thin mist, slight coolness, and large areas of negative space. Like a very restrained nature-themed mood poster."
},
{
"index": 3,
"style_name": "Lifestyle Still Life",
"concept": "Reflect maturity, convergence, balance, and the order of early autumn through exquisite daily objects.",
"direction": "Focus on high-aesthetic still life relationships, such as fabrics, book pages, fruits, vessels, dining tables, paper, shadows, drinks, and balanced compositions between natural materials. Not a product ad, but high-end lifestyle visuals."
},
{
"index": 4,
"style_name": "Coexistence of Figure and Space",
"concept": "Express inner balance during the Autumn Equinox through the relationship between a person and their space.",
"direction": "The figure is not a performer but a dweller in the space. Emphasize small figures, large spaces, and restrained, natural relationships between people and light/shadow. Mood leans towards calm, mature, and breathable."
},
{
"index": 5,
"style_name": "Dual Structure / Symmetry and Asymmetry",
"concept": "The 'balance' of the Autumn Equinox is not necessarily absolute symmetry; it can also be high-end asymmetric balance.",
"direction": "Use dual blocks, dual materials, dual color faces, dual spaces, dual traces of figures, or mirror relationships to express 'equilibrium', but avoid making it look like a stiff design exercise; retain a realistic photographic quality."
},
{
"index": 6,
"style_name": "Autumn Equinox at the Edge of the City",
"concept": "Bring the Autumn Equinox into a modern urban context rather than a traditional pastoral one.",
"direction": "Scenes can come from modern streets, terraces, rooftops, corridors, edges of glass curtain walls, parking lots, open public spaces, etc. Express the sense of the solar term through light, wind, scale, and negative space, presenting contemporary visuals favored by young people."
},
{
"index": 7,
"style_name": "Material and Microscopic Order",
"concept": "Express the Autumn Equinox through texture, surface, subtle reflections, and arrangement order.",
"direction": "Emphasize details and partial views; can be closer-up and more abstract, but still needs to be real. Form high-end visual tension through fabric wrinkles, plant textures, paper edges, pottery, glass, water vapor, and metal reflections."
},
{
"index": 8,
"style_name": "Contemporary Eastern Courtyard Atmosphere",
"concept": "Not ancient style, but quietness and balance in modern Eastern spaces.",
"direction": "Scenes may include courtyards, wooden structures, stone, plants, corridors, door frames, and blank walls, but must be expressed with restraint under modern aesthetics. Do not create traditional Guofeng illustrations; aim for the vibe of a high-end Eastern hotel or brand campaign."
},
{
"index": 9,
"style_name": "Magazine Cover Editorial",
"concept": "Make the Autumn Equinox look like the theme of a high-end magazine cover.",
"direction": "Place more emphasis on layout, cover feel of figures or spaces, relationship between title and subtitle, control of visual center of gravity, and high-fashion temperament. Still express the balance and convergence of the Autumn Equinox, rather than making a generic fashion shoot."
}
],
"composition": {
"core": "Bear the narrative through negative space, order, light/shadow, and visual relationships, not by piling up traditional elements.",
"guidelines": [
"Each poster must have a clear visual center of gravity",
"Allow the subject to be small, letting space become the main narrative",
"Allow detail-oriented posters as well as large-scene posters",
"Allow symmetry as well as high-end asymmetric balance",
"The 9 images must be significantly different, not just changing colors or poses"
]
},
"diversity_contract": {
"rule": "The 9 posters must be generated separately, clearly differing in style, space, material, human relationships, picture rhythm, and lighting logic.",
"each_image_should_vary": [
"Space type",
"Presence/Absence of figures",
"Shot distance (close/far)",
"Weight of still life vs. figures",
"Material focus",
"Position of negative space",
"Lighting relationships",
"Layout structure",
"Angle of entering the Autumn Equinox mood"
],
"consistency": "Unity comes from the balance, maturity, quietness, restraint, and high-end aesthetics of the Autumn Equinox, not from a unified scene template."
},
"negative_constraints": [
"No traditional solar term templates",
"No large calligraphy characters dominating the image",
"No ancient-style illustration feel",
"No screens filled with fallen leaves",
"No harvest propaganda posters",
"No dominant visuals of golden rice paddies",
"No red-and-gold festive styles",
"No direct moon imagery typical of Mid-Autumn Festival",
"No cheap warm autumn filters",
"No empty concept posters",
"No identical skeleton across the 9 images",
"No batch-generated variations that only change background or pose"
],
"final_instruction": "Based on the unified worldview above, generate 9 Autumn Equinox posters separately at once. Each is an independently established high-end visual work, uniformly conveying the mood of the Autumn Equinox ('day and night split equally, heat and coolness intersect, all things return to balance, emotions converge'), but the 9 works must enter from different style directions, presenting clear differentiation. The focus is not on painting traditional autumn scenes, but on capturing the spirit of the Autumn Equinox itself."
}
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上の完全なプロンプトをコピーします。
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- 3
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