군중 / 그룹

7 warriors. one drakkar. flawless choreography on drifting ice. not a single one of them is smiling.

Duration: 30 seconds Aspect Ratio: 16:9 Language: Natural American English Sound: Original actor's voice on set, precise lip-sync; no narration, no subtitles, no background music Image: High-end Western realistic romance film quality, restrained, cold, shallow depth of field, real skin texture, minimal camera movement Characters are original fictional characters, do not refer to any actors, celebrities, or film/TV works. [Character Settings] Male NOAH: 28 years old, handsome, tall, short dark brown hair, white shirt sleeves rolled up. He suspects his girlfriend has fallen for a wealthier man. Angry on the surface, but actually afraid he isn't worthy of love. Female CLAIRE: 26 years old, beautiful, calm temperament, long golden-brown hair, simple black dress. She was indeed attracted to another man once, but what truly shook her wasn't money, but being long ignored by her boyfriend. Maintain consistency in faces, hairstyles, clothing, voices, and spatial positions throughout. [Core Emotional Arc] Suppressed suspicion → Sarcastic defense → Direct confrontation → Brief confession → Male hurt → Female reveals the relationship ended long ago. The two don't shout from the first second. The true emotional peak occurs when the female says: “No. But I wanted to.” The final blow is: “We just kept calling it love.” ━━━━━━━━━━━━━━━━━━ [Shot 1 | 0.0—7.0s] Two-person medium-close shot. NOAH stands in the foreground, CLAIRE stands a few steps away. Camera slowly approaches them. 0.0—2.4s NOAH's goal: Force her to admit it. He stares at her in silence for half a second, lips pressed tight, jaw slightly clenched. Brows pressed inward/down, eyelids tightened, but volume kept restrained, do not shout immediately. He says slowly: “Tell me the truth. Is it him?” Slightly emphasize “truth”; only look up at her when saying “him”. Stay still after speaking, no premature tears, do not look away. 2.4—4.4s CLAIRE's goal: Use sarcasm to block shame. She doesn't answer immediately. Short breath from the nose, a bitter smile appears for less than a second, eyes sweep over his shirt, then look back into his eyes. She asks softly: “You mean the man with the car?” “car” has no showing-off tone, but is meant to sting his insecurity. Smile disappears immediately after speaking. Body does not retreat. 4.4—7.0s NOAH is stung, pressure between brows increases, takes half a step forward but doesn't touch her. Voice raises for the first time: “Don’t make this a joke. I saw you leave with him.” Short emphasis on “saw”; lower voice on the final “him”, as if trying to control losing composure. CLAIRE doesn't roll eyes or interrupt while he speaks. Her eyes soften briefly, then close off again. ━━━━━━━━━━━━━━━━━━ [Shot 2 | 7.0—20.0s] Cut to over-the-shoulder shot of CLAIRE looking at NOAH, then slowly transition to alternating close-ups. 7.0—9.3s CLAIRE's goal: Make him understand “leaving” and “betrayal” are not the same thing. She pauses for half a second, says calmly: “And I came home.” Slow speed, low volume. “home” is said very softly, as if reminding him she once chose to return. Wait for his reaction after speaking, no further explanation. 9.3—12.0s NOAH's anger begins to lose its protective function. His lips open, but no sound for half a second. Eyes move from her eyes to her lips, then quickly back to eyes. One obvious but controlled inhale in the chest. He asks: “Did you kiss him?” Do not shout. Voice is softer and more unstable than before, as if he is truly afraid to hear the answer. 12.0—16.0s CLAIRE maintains eye contact for a second first. She answers the first word: “No.” Pause for about 0.8s. Her eyes drop for the first time, corners of mouth tighten slightly; when looking up again, aggression has completely vanished. Then confession: “But I wanted to.” “wanted” is said very softly, cannot be shouted. Slight breath break at the end of the voice, but no crying. This is the most important turning point. NOAH reacts only after hearing “wanted”: eyelids lift slightly, jaw relaxes, body moves back half a step as if losing support. Reaction must not be premature. 16.0—20.0s NOAH tries to explain everything with money, re-protecting his self-esteem. Short inhale, brows tighten inward, voice suddenly raises once: “Because he can give you everything?” “everything” reaches the male's highest volume in the film, then drops immediately. Presses lips tight after speaking, eyes no longer angry but waiting for a denial that can save him. ━━━━━━━━━━━━━━━━━━ [Shot 3 | 20.0—30.0s] Close-up of CLAIRE's face, then slight focus shift to NOAH behind her. Camera remains restrained, no orbiting or rapid zooming. 20.0—23.2s CLAIRE finally states the real reason. Inner brows lift slightly, eyes begin to moisten but tears cannot fall. Jaw tightens slightly, breathing becomes shallow. She looks straight at him and says: “Because he listened when I spoke.” Slight emphasis on “listened”; “spoke” is almost a whisper. This sentence is not revenge, but she is too exhausted to argue anymore. 23.2—25.0s All of NOAH's aggression disappears. Shoulders drop, eyes briefly leave her. He wants to say more but can only ask in a low voice: “So that’s it?” The ending of “it” is slightly weak. Do not cry, no exaggerated painful expressions. 25.0—30.0s CLAIRE shakes her head once gently. She says first: “No.” Pause for 0.6s, as if deciding whether to leave some dignity for the relationship. Then says calmly: “It ended months ago. We just kept calling it love.” Keep “ended” calm; voice breaks slightly for the first time when saying “love”. After the last word, she still looks straight at him for about 1 second. Tears stay on the lower eyelid, do not fall. Then she slowly looks away. NOAH stands in the out-of-focus background, doesn't chase after her, doesn't speak. Keep stillness and distance between the two for at least 1 second at the end, do not return to neutral expression, no extra dialogue. [Performance Restrictions] - Do not shout or cry from the first second. - CLAIRE's eyes cannot be noticeably moist before 20s, no continuous crying throughout. - NOAH's core is not rage, but using anger to cover insecurity and fear. - CLAIRE is not a cold villain; she is admitting a relationship has long been exhausted by neglect. - All pauses have psychological actions, avoid mechanical pauses. - Gestures restrained, no throwing things, no pushing, no physical conflict. - Retain accurate English dialogue, character assignments, natural breathing, and precise lip-sync. NEGATIVE: subtitles, captions, logos, watermarks, background music, theatrical overacting, constant shouting, premature tears, instant emotional switch, random gestures, physical violence, frozen listener, robotic delivery, lip-sync drift, double mouth, warped face, extra fingers, identity drift, wardrobe drift, abrupt camera movement

A 30-second, 16:9 scene set in a modern glass-walled conference room. Use Images 1, 4, 14, and 15 as environment references; Images 5 and 18 for the wide-shot seating arrangement; and Images 3, 7, 9, 10, 11, 12, and 17 for the tabletop props. The yellow-shirted intern from Image 2 and the bespectacled Technical Director from Image 16 sit in naturally and quietly observe the meeting. No background music. Preserve realistic conference-room ambience and natural dialogue.The opening shot begins from inside the wall-mounted presentation screen. The camera pulls backward, passes through the screen, and continues into a full wide shot of the conference room. Everyone is seated around the table in an awkward silence.Cut to a close-up of the white-haired Boss. Use Image 8 as the character reference and Audio 1 as the voice reference. He asks: “So the selling point is anti-swallow?”Cut to a slowly pushing close-up of the hat-wearing Creative/Video Director. Use Image 13 as the character reference and Audio 2 as the voice reference. He nods and replies: “Yep.”Cut back to a medium shot of the white-haired Boss, continuing to follow Image 8 and Audio 1. He says: “Isn’t that too niche? I’ve never had a machine eat my socks. Anyway…”Finally, shoot over the Boss’s shoulder toward the blue-shirted Marketing Director. Use Image 8 for the Boss in the foreground, Image 6 for the Marketing Director, and Audio 3 as her voice reference. She opens the client brief and says: “Boss, this is the No. 1 requirement in the client brief.”

10 second cinematic futuristic spaceship party montage shot on a 35mm lens in vertical 1:2. An elegant woman with braided hair and luminous freckles lounges beside an iridescent zero-gravity pool, wearing a translucent shimmering outfit beneath deep blue and violet light. Quick cuts to stylish otherworldly ethereal guests dancing inside a luxurious orbital lounge as Earth glows through enormous curved windows. A futuristic DJ performs on holographic decks while neon projections pulse with the music. Macro close-ups of crystalline cocktails pouring over floating ice, glossy skin, sparkling fabric, rippling liquid and reflective chrome surfaces. Guests laugh beneath luminous arches as robotic servers carry glowing drinks. The camera sweeps past the party toward the planet outside, ending on an intimate close-up of the woman’s hypnotic violet-blue eyes. Dynamic tracking shots, shallow depth of field, blue-purple-pink color grading, dreamy lens flares, sensual high-energy music video atmosphere, photorealistic, highly detailed, 8K. References images are attached for style

Ultra-realistic low-quality tabloid footage from a staged paparazzi-style scene. Old handheld consumer camera with cheap long zoom, heavy compression, unstable autofocus, rolling shutter, blown highlights, digital noise, accidental reframing and muffled wind audio. Bright humid Miami afternoon. Raw amateur look, no cinematic polish. Authentic low-grade tabloid texture, fictional adults, staged consent, imperfect focus, realistic sunlight and water reflections, natural body proportions, no nudity, no logos, no readable text. One fictional adult female celebrity, glamorous, wearing an elegant swim outfit and sunglasses. One fictional adult man in an open linen shirt and swim shorts. Both are consenting performers in a staged scene, with no resemblance to real public figures. Luxury Miami villa terrace with infinity pool, palm trees, white stone, glass walls and ocean skyline. Camera hidden behind leaves and a distant balcony railing. 0-5s: Shaky extreme long shot - The camera searches through palm leaves, loses focus, then catches the woman walking barefoot beside the pool. The operator whispers: “Wait… is that her?” 5-10s: Unstable digital zoom - The man approaches. They laugh, stand close and exchange a brief romantic kiss. Autofocus pulses between leaves and their faces. 10-15s: Crash zoom + bad reframing - She suddenly looks directly toward the lens. The operator lowers the camera in panic, showing only the railing, pool reflections and part of the terrace. 15-20s: Messy handheld recovery - The camera rises again. Both performers are now staring straight at the lens. The woman smiles, waves and says: “You really thought this was leaked?” Abrupt cut to black.

A concert scene set in prehistoric times. There are cavemen on stage, prehistoric people, singing in an unintelligible language. Dinosaurs are also roaming around. There is a crowded community watching the concert. The shooting will be multi-shot, it should have a natural and documentary-like camera feel. The visual style should be ultra-realistic.

A cinematic tropical beach club montage shot on a 35mm lens with bright summer lighting. A young smiling woman in an orange one shoulder swimsuit stands in a turquoise swimming pool managing a floating tray of orange liquor bottles. Quick cuts to resort guests warmly hugging and dancing under a thatched palapa roof on white sand. A tattooed DJ in a black shirt and cap mixes music on modern decks. Macro close up of sparkling wine pouring into a large glass filled with ice followed by bright orange liquor poured from a metal jigger with bright sunlight catching the liquid and creating lens flares. A lively shaded beach bar with guests laughing at wooden tables and a waiter walking past carrying a tray of colorful cocktails. Tilt up to green palm trees strung with warm lightbulbs against a bright sky. People relax at tables facing the ocean in the background. The scene ends with a soft focus fade on the DJ. Fast paced dynamic tracking shots shallow depth of field vibrant teal and orange color grading high energy music video style cinematic lighting photorealistic highly detailed 8k resolution.

[Generation Mode] Seedance 2.0 [Video Specifications] Strict total duration of 15 seconds, 16:9 aspect ratio, 24fps, three clean shots. [Overall Style] Cinematic realistic texture, using a restrained deadpan sports comedy style, high-end commercial film lighting, silent film-style reaction pacing, and clear visual misdirection. It disguises an ordinary indoor cycling class as a grand cavalry charge; the final punchline is shared by both characters, avoiding realistic penalties, accidental falls, failed magic, or one-sided embarrassment. Designed for Seedance 2.0's unified multi-modal reference, dual-character stable movement, continuous camera spatial relationships, and native audio-visual synchronization for Mandarin dialogue, music, ambient sounds, and action sound effects. [Scene Setting] A dimly lit high-end indoor cycling studio. Black mirror walls, two rows of fixed exercise bikes, flowing red and blue lights, slight stage mist, folded towels, silver water bottles, continuously spinning wheels, and an empty instructor platform are clearly visible. [Characters] Character ID A | Sword Immortal Sister A 25–30 year old East Asian 'Sword Immortal' sister from @Image 1. Strictly maintain the same face from the reference image, sharp dark eyes, long black hair, jade hairpin, tall and slender build, white embroidered silk Hanfu, semi-transparent wide sleeves, silver accessories, fluttering long skirt, and white cloth boots. Character ID B | Cycling Sister The same cycling sister from @Image 2. Strictly maintain the same face, ponytail, body proportions, clothing, shoes, and accessories. [Core Props] Two side-by-side fixed exercise bikes, folded towels, silver water bottles, empty instructor platform. [Shot 1 | 0-5s | Low-angle Full Shot Slow Tracking] Dim high-end indoor cycling studio. Character ID A, the 25–30 year old East Asian Sword Immortal sister from @Image 1, is fully seated on the frontmost fixed bike, hands gripping the handlebars, riding fast with a serious expression as if about to head into battle. Character ID B, the cycling sister from @Image 2, rides side-by-side with her. The camera tracks steadily forward from between the two bikes. Sounds of spinning wheels, chain rhythm, breathing, horse-hoof-like percussion, and heroic strings blend to create the illusion of thousands of troops charging. [Shot 2 | 5-10s | Cowboy Medium Shot Side Tracking] The same cycling sister lowers her upper body, pushes her cadence to the limit, and shouts: "Last ten seconds, charge!" The same Sword Immortal sister in white embroidered Hanfu stands up from the seat, hands gripping the handlebars, her long hair and wide sleeves fluttering violently backward. The cycling studio remains unchanged, but the red light trails and mirror reflections look like thousands of cavalrymen charging simultaneously. Their shoulders tremble from the effort, sweat beads appear naturally on their skin, yet they maintain a tragic and determined heroic expression as the music peaks. [Shot 3 | 10-15s | Close-up to Extreme Close-up] The heroic music stops abruptly, and ordinary white overhead lights flash on. An off-screen instructor announces calmly: "Warm-up finished, the formal class starts now." The same two women freeze simultaneously, slowly turn their heads to look at each other, and then both stop pedaling in unison. The Sword Immortal sister raises a slightly trembling hand and says seriously: "Cultivation requires gradual progress." The cycling sister immediately nods: "Agreed." Extreme close-up of their exhausted yet dignity-maintaining expressions, while the two wheels behind them continue to spin empty at high speed. Frame freeze. [Technical Requirements] Strict 15-second total duration, 16:9 wide screen, 24fps, three clean shots. Accurate Mandarin lip-sync, characters maintain clear left-right spatial relationships. Physical effects of pedaling, sweat, hair, silk fabric, wheels, and mirror reflections must be realistic. No generated captions, no added foreground figures. [Negative Prompt] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Create a 20-second cinematic fantasy action sequence in 16:9 with photorealistic live-action quality, bright natural daylight, sharp HDR detail, and one continuous handheld camera shot. A tall elven warrior princess with platinum-blonde hair, pale freckled skin, pointed ears, icy blue eyes, a delicate silver crown, and elegant silver battle armor fights her way through a ruined battlefield using a single longsword. Keep her appearance completely consistent from beginning to end. Around twenty-four individually designed green-skinned orc warriors attack her one after another from different parts of the environment, each carrying different weapons and wearing noticeably different armor so none of them feel duplicated. Instead of standing around waiting, every enemy should charge, defend, dodge, block, or attempt a counterattack. The princess moves between opponents through a magical blink ability: a brief silver-white burst surrounds her, she disappears completely, the camera keeps physically moving through the visible battlefield, and another small burst reveals her near the next attacker already positioned to strike. Never show her traveling between those points. Keep the camera close to the action, naturally following, circling, backing away, lowering, rising, and moving around rubble without cuts, sudden resets, whip pans, or impossible camera jumps. Her sword fighting should constantly change between powerful diagonal cuts, horizontal counters, rising slashes, overhead attacks, direct thrusts, reverse cuts, spinning finishes, parries, and quick evasive strikes, with no obvious repeated move back-to-back. Each exchange must involve only one opponent, with a clearly readable sword impact and that enemy falling before attention shifts to the next one; no single attack should defeat several enemies at once. Begin slightly wider as she enters the battlefield, gradually bring the camera closer as the pace increases, and make the final few seconds the fastest and most intense. The last opponent is a huge armored orc commander carrying a heavy cleaver. He swings aggressively, she narrowly avoids it and disappears in a bright silver flash, then reappears behind him and delivers one clean overhead finishing strike before he collapses. End with the princess standing among the defeated warriors as dust and loose fabric settle around her. Keep faces, armor, hair, sword edges, debris, particles, and environmental textures extremely crisp throughout with no motion blur. Use realistic sword sounds, armor impacts, footsteps, magical flash cracks, individual enemy reactions, battlefield ambience, and rising cinematic percussion, with no dialogue, captions, subtitles, duplicated characters, morphing anatomy, extra limbs, soft focus, hidden edits, camera teleportation, or night lighting.

[Generation Mode] Seedance 2.0 [Video Specifications] Strict total duration 15 seconds, 16:9 aspect ratio. [Overall Style] Cinematic realistic texture, pure ancient Chinese Xianxia aesthetics, blending classical stealth suspense, restrained deadpan comedy, moonlit ink blue and lantern warm gold tones, symmetrical architectural composition, fine film grain, and directional spatial sound. Through narrative misdirection, a seemingly dangerous sect forbidden area mission is reversed into an embarrassing mundane matter. [Character Locking] Character A | Sword Immortal Sister: Use @Image 1 to strictly lock Character A. 25–30 year old East Asian female, oval face, fair natural skin, dark apricot eyes, black long hair half-tied with white jade hairpin, tall and slender, wearing white embroidered silk Hanfu, translucent layered wide sleeves, silver belt, jade pendant, and white cloth boots. Character B | Junior Sister: Use @Image 2 to strictly lock Character B. 20–25 year old East Asian female, round expressive face, black braided hair, petite build, wearing green linen Hanfu, dark cloth belt, wooden hairpin, and black cloth shoes, holding a sealed bamboo scroll. [Scene Setting] Outside the sect's Sutra Pavilion at midnight. Wet stone floor, dark tiled roof, carved wooden pillars, paper windows, two stone lions, slowly drifting incense smoke, and three bronze alarm bells hanging on red strings establish a stable spatial relationship. [Core Props] The same bamboo scroll, the same three bronze alarm bells, and the same old wooden scroll return box. [Shot 1 | 0-5s | Low-angle wide tracking shot] Outside the Sutra Pavilion, the two characters advance cautiously through deep shadows. The senior sister observes the closed pavilion while the junior sister clutches the scroll; accompanied by tense wooden percussion and night sounds. [Shot 2 | 5-10s | Medium cowboy shot tracking] The senior sister raises two fingers to instantly freeze the swinging bronze bells, whispering: 'Remember, do not alert the Sutra Elder.' They pass under the silent bells towards the return box. [Shot 3 | 10-15s | Close-up reveal to extreme close-up] Junior sister places the scroll in the box. An invisible elder's voice says: 'Sword Mastery for Beginners, three days overdue.' Junior sister asks: 'Sister, are you still a beginner?' Sister replies: 'Reviewing the old to know the new.' One bell rings on its own. Extreme close-up of the sister's dignified smile stiffening. [Technical Requirements] Strict 15s duration, 16:9 ratio, native Mandarin lip-sync, stable characters, realistic physics for silk/hair/smoke/bells, no subtitles, only two visible characters. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

[Generation Mode] Seedance 2.0 [Video Specifications] Strict total duration 15 seconds, 16:9 aspect ratio, three clean shots. [Overall Style] Cinematic realistic texture, featuring Jacques Tati-style precise spatial comedy, silent film-style deadpan reactions, elegant Xianxia rescue imagery, strong wind environment orchestration, and a two-stage visual reversal. Designed for Seedance 2.0's multi-reference character locking, multi-prop coordinated movement, continuous spatial narrative, subtle character performance, and native audio-visual synchronization of Mandarin dialogue, ambient sounds, music, and action sound effects. [Characters] Character ID A | Sword Immortal Sister: The same 25-30 year old East Asian female from @Image 1, oval face, natural fair skin, sharp dark brown eyes, black long straight hair, tall and slender build, wearing white cloth boots, flowing white embroidered silk Hanfu, translucent layered wide sleeves, silver waist ornaments, and a jade hairpin. Character ID B | Cycling Sister: The same 25-30 year old East Asian female from @Image 2, round and expressive face, brown short ponytail, yellow windbreaker, blue jeans, white sneakers, accessories from the reference image, and the same bicycle. [Scene Setting] A residential building rooftop during a sudden summer gale. Moist concrete floor, water tanks, antennas, clotheslines, plastic clothespins, laundry baskets, distant residential high-rises, flying dust, and dozens of pieces of clothing torn off by the strong wind together establish a clear spatial relationship. [Core Props] Seven miniature silver flying swords, the same bicycle, a stationary cycling trainer, the same batch of clothes, the same batch of plastic clothespins, three laundry baskets arranged by color, and one missing white sock. [Shot 1 | 0-5s | Low-angle wide establishing shot] Rooftop of a residential building during a sudden summer gale; Character A and Character B looking up together as shirts, towels, pants, and socks swirl high above the rooftop like a chaotic airborne monster. [Shot 2 | 5-10s | Medium side tracking shot] The same sword immortal in white silk Hanfu shoots seven miniature silver flying swords into the storm; the same cycling sister pedals the same bike on a stationary trainer to create a controlled circular airflow. Flying swords weave through clothes, catching scattered pins, and guiding all garments into a color-coded rotating array. Character A shouts: 'Close the formation!' Flying sword whistles, bicycle chain rhythm, fabric flapping, and heroic percussion are precisely synchronized. [Shot 3 | 10-15s | Reveal close-up to extreme close-up] The same batch of clothes falls accurately into three color-coded laundry baskets. An old lady's voice from downstairs shouts: 'One white sock is missing!' Both characters freeze. Focus shifts to reveal the missing white sock stuck flat on the sword immortal's back. The cycling sister silently points; Character A maintains her cool, calmly saying: 'Formation loss.' Freeze frame on her slightly twitching eyelid. [Technical Requirements] Strict 15s duration, 16:9 ratio, three clean shots, realistic physics for wind/clothes/swords/hair, stable characters, accurate Mandarin lip-sync, no subtitles. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

15-second vintage Western duel with exactly TWO cowboys, in ONE continuous location and ONE continuous timeline.\n\nCRITICAL SPATIAL AND CHARACTER CONTINUITY:\n\nCowboy A is the terrifying scar-faced cowboy. Cowboy B is the harmless, dim-witted cowboy. After they turn around, Cowboy A must remain on SCREEN LEFT, facing RIGHT. Cowboy B must remain on SCREEN RIGHT, facing LEFT. They stand approximately eight meters apart, directly facing each other from opposite sides of the street. They must NEVER stand side by side after the opening moment. They never cross positions. Maintain the same left-to-right duel axis and obey the 180-degree camera rule in every shot.\n\nEach cowboy owns exactly ONE revolver and exactly ONE hip holster. Cowboy A has one revolver in his right-side holster. Cowboy B has one revolver in his right-side holster. Neither cowboy has a second weapon, a second holster, a backup gun or a rifle. Their left hands remain empty. After a revolver is drawn, its original holster is visibly empty.\n\n0–4 SECONDS — ESTABLISH AND LOCK THE DUEL AXIS:\n\nOne symmetrical wide profile shot of an empty, dusty frontier street. The two cowboys begin back-to-back at the exact center of the street. Cowboy A walks three steps toward screen left. Cowboy B walks three steps toward screen right. They stop simultaneously and pivot inward to face each other.\n\nEnd this beat with Cowboy A firmly positioned on screen left looking right, and Cowboy B firmly positioned on screen right looking left. They are separated by eight meters of empty street. Do not place them beside each other.\n\n4–7 SECONDS — CONTROLLED TENSION INSERTS:\n\nUse only three short cuts while preserving the established orientation:\n\n1. Extreme close-up of Cowboy A’s scarred face on the left side of the composition, his eyes looking toward screen right.\n2. Extreme close-up of Cowboy B’s nervous, foolish face on the right side of the composition, his eyes looking toward screen left.\n3. Matching close-ups of their right hands hovering above their single holstered revolvers.\n\nThen show a clean vertical split-screen containing ONLY their faces. Cowboy A occupies the left half and looks inward toward the right. Cowboy B occupies the right half and looks inward toward the left. Their gazes meet across the center dividing line. No full bodies and no weapons appear during the split-screen shot.\n\n7–15 SECONDS — COMEDIC ENDING:\n\nCowboy B, still on screen right, panics and throws his ONE revolver from right to left toward Cowboy A. Cowboy B’s right hand becomes completely empty. The thrown revolver lands in the dirt one meter in front of Cowboy A; Cowboy A does NOT catch it and does NOT pick it up.\n\nCowboy B turns away and runs off toward the far right edge of the street, nearly losing his hat.

Shot 1: Wide shot, vast 19th-century battlefield covered in churned mud and scattered bodies, thick smoke haze rolling low across the ground. Camera slowly dollies forward through drifting smoke, revealing French infantry and cavalry moving chaotically in the background, horses snorting, hooves kicking up dirt and debris. Cannon crew in worn blue uniforms brace around a heavy field cannon, faces smeared with soot, breath visible in cold air, no flags anywhere in the frame, dramatic overcast sky pressing down. Shot 2: Medium shot, French cannon crew loads the cannon — one soldier forcefully rams a perfectly round iron cannonball into the barrel, muscles straining, forearms flexing, veins visible, dirt and soot grinding into his skin as the rod slams forward with weight and resistance, camera tracks slightly to maintain framing, fabric of uniforms shaking from nearby impacts. Shot 3: Extreme close-up, macro detail of the cannon fuse being lit — flint sparks erupt, flame catches instantly, fuse hissing aggressively, embers spitting outward, heat distortion warping the air, the gunner’s dirty fingers twitch from the heat, sweat and soot mixing on skin. Shot 4: Low-angle shot from beside the cannon wheel as it fires — massive recoil blasts backward, wood creaks under force, explosion of fire and smoke erupts from the barrel, shockwave pushes dust and debris outward, uniforms snap violently in the blast, nearby soldiers flinch, ears ringing implied. Shot 5: High-speed tracking shot locked to the cannonball in flight — camera accelerates violently with the iron ball as it tears through the battlefield at extreme velocity, the sphere spinning rapidly, surface scuffed and heated, air distortion rippling around it. Everything else smears into heavy motion blur — soldiers, horses, ground, and smoke streak into elongated lines, bullets streak past as sharp flashes, overwhelming sense of speed and force, aggressive motion parallax, debris whipping past in warped streaks, pure kinetic energy. Shot 6: Wide cinematic shot, aftermath moment — cannon crew silhouetted against thick drifting smoke, one soldier reloads while another wipes sweat and soot from his face, chest heaving, distant musket fire flashes through fog, cavalry silhouettes emerge and vanish, battlefield alive with motion and tension. Dramatic high-contrast lighting, smoke haze, drifting embers, natural motion blur, physically accurate recoil and chaos, anamorphic lens, film grain, cinematic realism, ARRI Alexa look, desaturated historical tones, no morphing, no flicker, no face distortion, no identity change, no outfit change, no warped anatomy, no extra limbs, no rubbery motion, no teleporting, no broken physics, no CGI look, no cartoon, no unreal reflections, no melting objects, no duplicates

An man talking to a woman about the weather at a cyberpunk noodle bar. Covered outdoor area, bar height seating. Rain falling behind them. Sitting side by side EXTEND PROMPT: The cook brings them bowls of ramen and make a remark

Korean cooking competition final, from stage entry to judging and decision. Broadcast show multicam, lighting with only pillars of light falling on a dark stage, vivid 4K broadcast quality, slight camera shake. A large, empty dark studio. Black floor and black walls. At the far end, there's a huge double door several times human height, and white light leaks from behind it. A flat floor without a threshold leads directly from the door to the front of the stage, and light pours only onto the long judging table at the front of the stage. The back is submerged in darkness. A light mist is present, making the light beams visible. Cooking: Soy sauce braised short ribs (Galbi-jjim) filling a large white ceramic plate. Three judges share this one plate. Half a dozen short-cut ribs are piled up with bones exposed, and thick meat is attached to the bones. Shiny dark brown sauce covers it, with whole chestnuts, jujubes, and diagonally sliced carrots embedded here and there. Steam continues to rise. Cart: A high-end stainless steel serving cart used to transport food in a cooking competition program. It has two shelves at waist height, and the top surface is polished like a mirror, with light sliding across it. A U-shaped handle is attached vertically at one end, and the chef holds and pushes it with both hands. Small black caster wheels at the four corners. A serving dish is placed in the center of the top shelf covered with a silver dome lid, and steam leaks through the gap in the lid. The bottom shelf is empty. Person: Use the attached character sheet as the only visual criteria for this woman. Keep the face, hair, and clothing exactly as in the photo and do not change them at all. A female chef in her late twenties, her expression is stiff. After placing the dish on the judging table, the chef just stands on the opposite side and watches, and does not touch the food. Only the three judges eat. The judges sit in a row from the left: a man in his fifties, a woman in her forties, and a man in his thirties, and the tasting order is also from the left. All three are dressed in dark suits. Initially expressionless, their faces come alive after taking a bite. Sound: A grand orchestra bursts forth at the entrance, then subsides into a low string drone to maintain tension. A single heavy drum beat at each time lock. The music stops abruptly just before the judging dialogue, then brass and timpani burst out the moment the dialogue ends. An orchestra with thick bass. 0-1.5s [Front Low Angle Wide] Look up at the door from near the floor. In the darkness, the huge double doors split open, and white light spreads vertically, creating a long beam of light on the floor. In the center stands the black silhouette of the chef holding the cart. 1.5-4s [Side Tracking to Front Low Angle] The camera follows closely at walking speed. A profile shot crossing the screen — two arms holding the cart handle, the edge of the silver lid gleaming, and the backlight tracing the outline in white. As the camera moves to the front, the cart enters the light at the front of the stage, and the light hits the face, revealing facial features. Stop the cart and look straight ahead. 4-8s [Medium Two-Shot] The chef picks up the dish from the cart, places it in the middle of the judging table, and lifts the silver lid. Steam billows into the light. Holding the lid, take a step back and stand on the opposite side. The three judges sit in a row and look down at the dish. The man in his fifties at the far left looks up at the chef. "Are you ready for the final challenge?" The chef briefly says "Yes." Quick cut to her stiff face. 8-13s [Low Angle + Rapid Cut] The male judge in his fifties on the left uses chopsticks to tear the meat along the grain. The moment the meat splits in two, it opens in slow motion — steam bursts out between the split grains, and the inner surface is shiny and soaked in sauce. Time locks at the widest point. The camera orbits around the split. Extreme close-up insert of him putting that piece in his mouth and starting to chew. The chef standing on the opposite side watches. The man says nothing. 13-17s [Dynamic Side Tracking] Time flows again. One side of the plate is already hollowed out where meat has been torn off. The female judge in her forties in the middle scoops up sauce with a spoon and tilts it over the plate. Slow motion — dark brown sauce flows thick and slow from the tip of the spoon and stops mid-drop. Rapid cut over the woman's shoulder. She uses chopsticks to pick up a piece of meat soaked in sauce, puts it in her mouth, and chews. While chewing, she raises her eyebrows and looks at the man in his fifties on the left. 17-21s [Handheld Close Action] The plate is already half empty and sauce is spread everywhere. The male judge in his thirties on the right places chopsticks next to a rib and pushes the meat aside. Slow motion — the meat slides smoothly off the bone, the grains splitting in layers and steam leaking out. Stop the moment the bone is revealed white. The camera pushes in and orbits the revealed bone. He picks up that piece, puts it in his mouth, and chews, his eyes slightly widening. 21-26s [Medium Close-up] Short extreme close-up scanning the edge of the plate — the sauce is boiled down black and stuck to the rim. Hard cut from the plate to the people. The man in his fifties on the left has already put his chopsticks down next to the plate, wipes his mouth with a napkin, and looks straight at the chef. To his right, the woman in her forties and the man in his thirties also look at her while sitting in their seats. The plate is still half empty, with the scraped rib bones and smeared sauce remaining. Tone is calm and professional. "The seasoning is a little heavy… but this dish, chef… it wins." Hard cut to the chef's face — a small, restrained smile leaking out as she tries to hold it back. 26-30s [Final Extreme Close-up Montage] Extreme close-up of the hollowed-out area where meat was torn off and the smeared sauce marks. Plate

Photorealistic psychological crime drama set in a police interrogation room. A detective presents crime scene photographs to a suspect. When one photo accidentally flips upside down, the suspect instinctively turns it the right way, unknowingly revealing knowledge only the culprit would have. The detective quietly realizes she has caught him.

[STYLE + CAMERA + ATMOSPHERE] Opulent Qing-dynasty palace drama television look, shot on ARRI Alexa with warm amber candlelit tones mixed with cool jade accents, refined ceremonial atmosphere. Slow circling crane shots combined with graceful tracking movements, elegant restrained pacing throughout. [CHARACTERS] A young elegant woman with an elaborate traditional updo adorned with pearl and jade ornaments, dressed in a flowing pale silk gown with wide draping sleeves, moving with graceful controlled fluidity. Seated nobility and officials in formal Qing-dynasty attire watching intently from surrounding cushioned seats. [LOCATION] Grand imperial palace hall with red lacquered pillars, intricate carved wooden screens, warm lantern light glowing against dark polished floors, silk banners hanging from high ceilings. [TIMELINE] 0-6s: [Wide crane shot descending into the hall] The woman stands center stage in the flowing pale gown, arms raised gracefully as soft instrumental music implied through her poised stillness, seated guests watching with anticipation. 6-12s: [Slow circling tracking shot around her] She begins moving through a series of fluid controlled poses, wide sleeves trailing through the air like wings, jade ornaments catching the lantern light. 12-18s: [Low tracking shot following her sleeve movements] Her long sleeves sweep low and rise again in perfect synchronization with her turning steps, silk fabric rippling elegantly with each motion. 18-24s: [Medium shot capturing a dramatic spin] She executes a graceful spinning turn, sleeves flaring outward in a wide circular arc, expression serene yet intensely focused, seated guests leaning forward in admiration. 24-30s: [Wide pull-back crane shot] She settles into a final elegant pose, sleeves draping gently to the floor, the entire hall falling into a moment of hushed appreciation before quiet approving murmurs ripple through the seated guests. [STYLE & QUALITY BOOSTERS] Exact period production texture of premium Qing-dynasty court drama, coherent silk fabric and sleeve physics, stable character continuity, warm lantern-lit color grading, no modern digital sharpness, refined ceremonial grace throughout.

【Generation Mode】 Seedance 2.0 【Video Specifications】 Strictly 15 seconds total duration, 16:9 widescreen, three coherent and clear shots. 【Overall Style】 Movie-level realistic texture, blending the grand aura of poetic Xianxia, classical Chinese white-space composition, restrained deadpan comedy, cool cloud blue and warm morning sun gold tones, fine film grain, clear action-causal editing; the final reversal is completed through 'a cosmic immortal chess game being defeated by the most ordinary rules of Go', designed for Seedance 2.0's reference image identity consistency, multi-shot continuous narrative, native Mandarin lip-sync, spatial sound, and controllable particle motion. 【Scene Setting】 An immortal chess platform on a high mountain gate above the sea of clouds, featuring carved stone railings, twisted ancient pines, bronze incense burners, silk banners fluttering in the wind, distant tiled hall eaves, and a single square stone Go table, establishing a clear and stable spatial relationship. 【Characters】 Character ID A | Sword Immortal Senior Sister Senior Sister @Image 1, East Asian female aged 25–30, oval face, fair skin, dark almond eyes, long black hair half-tied with a white jade hairpin, tall and slender build, wearing white embroidered silk Hanfu, semi-transparent layered wide sleeves, silver waistband, jade pendant, and white cloth boots. Character ID B | Junior Sister Junior Sister @Image 2, East Asian female aged 20–25, round and lively face, black hair in braids, petite build, wearing teal linen Hanfu, dark waistband, wooden hairpin, and black cloth shoes. 【Core Prop】 Only one Go board throughout. 【Shot 1 | 0-5s | Wide Shot or Long Shot】 Immortal chess platform on a high mountain gate above the sea of clouds, carved stone railings, twisted ancient pines, bronze incense burners, silk banners fluttering in the wind, distant tiled hall eaves, and a single square stone Go table. The same Senior Sister and Junior Sister sit face-to-face on both sides of the table. 【Shot 2 | 5-10s | Medium Shot or Cowboy Shot】 The same Senior Sister in white embroidered silk Hanfu picks up a single black stone and says solemnly: 'In this game, I take the galaxy as my board.' She places the stone firmly. A giant semi-transparent Go board unfolds over the sea of clouds, black star-like stones lighting up in sequence, low thunder in the distance, restrained sword wind lifting her wide sleeves and long hair. The same Junior Sister never looks up, quietly observing the ordinary board in front of her. 【Shot 3 | 10-15s | Close-up or Extreme Close-up】 The same Junior Sister places an ordinary white stone into a narrow gap on the board and says calmly: 'Senior sister, this area is out of liberties.' All black star stones in the sea of clouds extinguish in order; the giant sky board quickly shrinks, and the same black stones turn back into ordinary pebbles, falling neatly into the Senior Sister's hem and lap. Extreme Close-up: Her forced dignified smile freezes instantly as the last black stone falls into her teacup with a dry, crisp clink. 【Technical Requirements】 Stable facial features and clothing, only one Go board throughout, realistic motion of silk fabric, cloud sea, starlight, stones, incense smoke, and hair, native Mandarin audio, no subtitles, no extra characters. 【Negative Prompts】 blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props