Perler Beads Style Structural Poster

Generate a 16:9 horizontal infographic poster. Theme: Pan Jinlian. Must cover knowledge points: [Point 1] through [Point 8]. Visual Style Definition: This is a structural flat infographic poster in the style of 'Perler beads / fuse beads / pixel bead array.' The image consists of a large number of regularly arranged circular plastic beads, each with clear circular boundaries, a slight central indentation, uniform spacing, low-saturation plastic texture, and stable grid order. The overall composition must maintain a front-facing flat view, resembling a public cultural infographic poster made of beads, rather than toy photography, 3D models, cartoon illustrations, or ordinary pixel art. Core Composition: Compress the [Theme] subject into a large-scale monochromatic bead image field rather than a complete realistic object or centered illustration. The subject must flow in from the edges of the frame, crossing page boundaries with a bleed cut, like a larger fragment of bead media entering the page. The subject occupies the main visual weight but is not fully presented; viewers must reconstruct the theme through silhouettes, directions, missing areas, bead density, and local textures. Subject Morphology: The outer edges of the subject show low-resolution bead steps, block fractures, hard-cut gaps, pixelated jagged outlines, missing bead sections, and rough boundaries after sampling. Smooth silhouettes, complete icon outlines, and realistic details are prohibited. The interior uses only different brightness levels of the same thematic structural color to form low-contrast image fragments, halftone noise, scanning grains, material afterimages, archival textures, and local density changes. Background and Negative Space: The background uses a high-brightness light-colored bead field, similar to unprinted paper, light creamy white plastic baseboards, or pale grey-white bead arrays. The background is not a decorative base color but actively cuts into the subject, forming large voids, winding paths, quiet text windows, reading pause zones, and knowledge point containers. Whitespace must act like air and a blade; it provides breathing room and cuts the subject structure. Large light-colored areas and large structural color areas must invade each other. Color System: Adopt a strict three-layer functional color scheme. Layer 1: Light-colored base (60%-70% area) for breathing and windows. Layer 2: Theme structural color (25%-35% area) for the subject and mood. Layer 3: High-contrast information color (3%-6% area) for titles, numbers, and annotations. Infographic System: Convert all 8 knowledge points into bead information nodes using forms like numbered tags, coordinate lines, or time scales. Reading Path: Build a jumping reading path from top markers to main titles to peripheral knowledge points and finally to the footer. Typography: Use narrow modern sans-serif fonts with precise hierarchy. Theme Translation Rules: Do not use default icons; translate concepts into bead density, missing areas, or spatial pressure. Material: All elements are made of beads with matte plastic textures and slight manufacturing irregularities. Visual Ambience: Restrained, rational, modern, and archival. Hard Requirements: 16:9, flat view, circular bead particles clearly visible, subject bleed-cut, at least 8 information nodes. Forbidden: Realistic objects, centered illustrations, cartoon styles, 3D toy photography, depth of field, glows, or gradients. Final Effect: A high-end structural infographic poster where the theme is represented by bead fields and pixelated voids rather than being directly drawn.