A grandiose and sacred prompt for creating a high-detail Tang-style fantasy goddess, characterized by red and gold ceremonial aesthetics and majestic ritual atmosphere.
9:16 vertical orientation, high-precision ancient fantasy goddess character portrait, Tang Dynasty fantasy aesthetic, cinematic high-status female lead poster feel. The overall image is sacred, noble, vivid, powerful, and magnificent, with a strong sense of ritual and ceremony. The subject is a young adult Eastern female, visual age around 20–28 years old, with clear natural Eastern features, not Westernized, not childish, and not a generic internet celebrity face. She has a classic oval face with smooth contours, phoenix eyes leaning towards apricot eyes with a clear commanding presence, a refined nose, and full, soft yet clearly defined lips, presenting the noble majesty and vivid divinity of a goddess. Skin is porcelain white, delicate, transparent, and polished with high-end luster.
Makeup is a vivid crimson style, intense and focused on the lips, floral forehead mark, and eyes. The base is white, transparent, smooth, and refined. Eye makeup uses layers of crimson, reddish-brown, warm gold, and dark brown, highlighting the outer corners and contours. Eyeliner is detailed and slightly elongated, lashes are long and distinct, and the tear troughs are moderately highlighted. Lips are full crimson or carmine with a refined texture. A detailed gold-red floral mark or divine pattern adorns the forehead. Highlights are concentrated on the bridge and tip of the nose, under the eyes, cheekbones, and Cupid's bow. The overall makeup is magnificent, strong, and sacred, not cheap or vulgar.
Hairstyle is long, straight black hair half-draped and half-tied, with a voluminous crown and smooth, shiny strands. Long hair at the back falls naturally, enhancing the ethereal feel. Headwear is exquisite with heavy craftsmanship, featuring a fine gold crown, ruby embellishments, pearl chains, long hairpins, and ceremonial structural pieces. Earrings are heavy but organized gold pendants with ruby structures, overall magnificent yet restrained with clear layers. Clothing is a palace-style ancient gown, a high-splendor Tang fantasy lead outfit using a white, red, and gold palette: ivory and pearl white as main colors, vermilion and crimson as secondary, with gold, champagne gold, and minor ruby luster as accents. The gown structure is solemn and elongated, fitted upper body with clear curves, full chest and clear waistline expressing noble dignity. The skirt is multi-layered, including an inner gown, semi-transparent outer layer, draped silk stoles, and ceremonial sleeve structures. Fabrics include silk-like textures, heavy embroidered tulle, gold thread jacquard, and soft ceremonial gauze. Necklines, lapels, waistbands, and sleeve edges feature fine gold borders and phoenix, floral, cloud, or divine pattern embroidery. The waist is fitted with a heavy gold waistband, draped pearl chains, and ceremonial tassel ornaments.
The scene is a mountain peak altar, crimson sunset sky, and a sea of clouds on a stone platform. The character stands on the high altar, background features blurred stone textures and surging clouds. Far-off crimson glow fills the sky, clouds churn, and the edges of the stone platform and ancient ritual patterns are vaguely visible, filling the scene with a sense of divinity and cosmic ritual. The shot is a medium-upper body, slightly low-angle composition, with the character as the absolute center. She can be slightly turned with her face facing the camera, one hand lightly holding the stole or lapel, the other naturally down or near the waistband, shoulders open, in a solemn and noble posture. Lighting is warm crimson glow mixed with soft side-backlighting. Jewelry highlights are prominent; hair edges, headwear contours, stole edges, and waistband details are clearly rim-lit. The overall image is high-precision, highly complete, sacred, magnificent, with a strong cinematic poster feel, possessing the commanding beauty of a goddess.