Generate a 12-second, 9:16 vertical, realistic movie-level tech product advertisement based on the reference product image. The product must strictly match the reference image from the first frame to the last: a white desk fan, circular fan guard, ChatGPT six-petal vortex-shaped special fan blades, white rounded base, and the base must permanently maintain and only have 4 mechanical buttons. The four buttons are permanently fixed from left to right: 1st (leftmost) = go; 2nd (left-center) = plus; 3rd (right-center) = pro; 4th (rightmost and largest) = reset. This is a fixed product structure. The video is strictly prohibited from changing the number, position, size, arrangement, and text of the buttons. The highest priority is not recognizing the button text, but strictly executing the following physical space actions: leftmost button → move right one slot → move right one more slot → rightmost large button. Specifically: press the leftmost button first; press the 2nd button from the left second; press the 3rd button from the left third; finally press the rightmost largest button. The text go / plus / pro / reset is only for auxiliary recognition. [Key Interaction Rules] The first three button presses must be completed in the same continuous shot. From the first press of 'go' to the completion of the third press of 'pro': no camera cuts, no change in camera position, no left-right mirroring, no change in focal length, no orbiting, no regenerating the hand, no allowing the hand to leave and re-enter the frame. The camera is always directly in front of the product, looking slightly down at about 20°. Fully display the four buttons so they all exist in the frame simultaneously. A right hand enters from the bottom left of the screen. The index finger first hovers directly over the leftmost button. Afterward, the index finger can only move along a horizontal path from left to right. Returning to the left is strictly prohibited. The movement must be presented as a clear: PRESS → SLIDE RIGHT → PRESS → SLIDE RIGHT → PRESS. Move only the distance of one button each time. [0.0-1.2s | Product Opening] Pure white studio, white desktop. Fan is static. Front 3/4 product hero shot, showing the full fan. ChatGPT six-petal vortex blades clearly visible. Four buttons on the base clearly arranged: go | plus | pro | reset. Camera slowly dollies push-in. High-end tech product ad quality, soft studio lighting, natural shadows, realistic white plastic and metal materials. No human hand allowed at this time. [1.2-4.8s | Continuous Three-Stage Operation Shot] Hard cut to a fixed shot slightly looking down from the front of the product. No editing allowed from now until 4.8s. Simultaneously see: entire fan body, full base, full four buttons. Buttons fixed left-to-right: go | plus | pro | reset. A right hand enters from the bottom left. Important: hand must enter from the left, not the right. Index finger first stops directly over the 1st button 'go' on the far left. (1.4-2.1s): Index finger vertically downward, presses only the 1st button. Real mechanical sinking feedback occurs. Others remain still. Fan starts rotating at low speed. Index finger lifts again. (2.1-3.2s): Index finger stays in frame, slides horizontally right from the 1st button, moves one button distance. Stops over 2nd button. Vertically presses 2nd button. Fan speed increases. Index finger lifts. (3.2-4.5s): Index finger slides right again one button distance, stops over 3rd button, vertically presses it. Fan enters highest speed. (4.5-4.8s): Index finger lifts, hand leaves from bottom right. Fan keeps rotating at top speed. The first three operations must form a clear 'leftmost → second → third' visual trajectory moving left to right. [4.8-6.0s | Wind Performance] Switch to 3/4 side ad shot. Camera slides horizontally. Fan rotates at high speed. Vortex structure forms elegant motion blur. A thin white paper at the desk edge is gently moved by the wind. Restrained, high-end look. No hand in this segment. [6.0-7.2s | Blade Macro] Macro shot at very close range. Camera near fan center. Rotating six-petal blades form beautiful ChatGPT vortex. Central axis remains stable. Motion blur only on rotating structure. Real mechanical movement. No floating logos or 2D animation. [7.2-8.6s | Hero Shot] Low-angle 3/4 side. Fan runs at high speed. Camera slowly dollies out with slight orbit. White paper and silk ribbon sway. Button area remains: go | plus | pro | reset. No hand operation. [8.6-10.0s | RESET] Hard cut back to frontal fixed shot identical to 1.2-4.8s. Four buttons visible: go | plus | pro | reset. Hand enters from bottom right. Index finger appears directly over the large 'reset' button on the far right. (8.6-9.2s): Hover over large button for half a second. (9.2-9.7s): Index finger vertically downward, presses only the largest 4th button. Clear mechanical sinking. Others stay still. [10.0-11.0s | Stop] Reset is pressed, fan stops immediately.
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Browse free video prompts from YouMind's AI prompt library, grouped by styles. Every prompt is curated from real creative workflows and ready to copy, adapt, and reuse.
Cup noodles correspond to Reference Image 1. The cat corresponds to Reference Image 2. The host corresponds to Reference Image 3. 0–2.5 seconds: Close-up shot. holds the unopened in one hand, brings it close to the camera, and shakes it excitedly while pointing at the cup with the other hand and talking directly to the camera. then tears open one corner of the paper lid, lifts it, and looks down into the cup. The camera quickly pushes in toward the opening. Inside, there is only a dry noodle block. nods with satisfaction. End state: the paper lid is half-open, and the are placed in the center of the table. 2.5–5 seconds: An electric kettle enters the frame from the right and pours hot water into the cup. The water stream is clearly audible and white steam rises from the cup. keeps talking while pouring. After finishing, presses the paper lid back down flat and pats it twice with the palm of the hand. End state: the paper lid is closed, with a thin stream of steam escaping from the rim. 5–7.5 seconds: takes out a white mechanical dial kitchen timer, forcefully twists the dial all the way to the end, then turns it back to the desired time and places it beside the cup noodles with a sharp tap. The scene immediately enters fast-forward mode: rapidly jitters and shifts around in the seat, talks, drinks water, checks the phone, and fidgets with exaggerated time-lapse-like movements. The lighting outside the window remains unchanged. The timer dial visibly spins rapidly back toward zero while steam continues escaping through the gap in the cup lid. End state: the dial reaches zero and the timer rings loudly while vibrating intensely. 7.5–10 seconds: The instant the timer rings, fast-forward mode stops and everything returns to normal speed. excitedly reaches forward and tears open the paper lid in one quick motion. At the exact same moment the lid flips open, the head of suddenly pops straight out of the cup. stares directly into the camera with huge wide-open eyes and a slightly open mouth; its ears flatten backward for an instant, then spring upright. At that exact moment, all sound suddenly cuts out. and stare at each other in complete silence for half a second. The camera rapidly pushes into an extreme close-up of the cat’s face. End state: ’s head is sticking out of the cup, while ’s hand is frozen in midair. 10–12.5 seconds: first looks left, then right, then looks up at with a completely confused expression. It hooks both front paws over the rim of the cup and pulls its upper body up. Its hind legs push against the inside wall of the cup, launching the cat out. lands with all four paws on the tabletop, then rapidly sprints toward the left side of the frame and completely exits the shot. While running, it knocks over the kitchen timer. The wobble from the impact but do not fall over. End state: only the empty cup and the fallen timer remain on the table. is completely
Have a peaceful night. A serene and peaceful good night scene featuring a large, bright full moon shining brilliantly in a clear deep blue night sky, casting soft silvery moonlight over a tranquil landscape with gentle rolling hills, a calm reflective lake mirroring the moon
Cinematic dynamic action scene full length shot of a fierce female Korean martial artist with long, dark blue hair. She is wearing a modern black sports top, white Taekwondo pants, a black belt, and is barefoot She performs powerful high-energy Taekwondo roundhouse and spin kicks against multiple male opponents inside a dimly lit gritty industrial warehouse Cinematic volumetric lighting with dust motes floating in the air, high impact fight choreography, dramatic energy shockwaves and dust explosion effects upon impact, camera panning dynamically, 8k resolution photorealistic hyper detailed action movie sequence.
Duration: 15s | Aspect Ratio: 16:9 Style: Ultra-realistic early-2000s Korean MiniDV home video, nostalgic documentary realism, natural handheld camera, faded colors, soft DV sharpness, autofocus hunting, exposure pumping, motion blur, digital compression, no stabilization, no modern cinematic grading. MAIN CHARACTER: Young Korean man, early 20s, slim-average build, short slightly messy black hair, clean-shaven, natural skin texture. Faded white oversized T-shirt, loose blue jeans, worn white canvas sneakers, black wristwatch. Keep identical face, hairstyle, outfit and proportions throughout. SETTING: Authentic early-2000s Korean neighborhood—narrow concrete alleys, low-rise houses, bicycles, utility poles, small shops, school playground, riverside and rooftop. No smartphones, modern cars, LED screens or modern advertising. 0–1.5s Bright summer morning. He wakes up, opens bedroom window and sunlight floods in. Cicadas and birds outside. Quick handheld cut. 1.5–3s He rides an old bicycle through a quiet Korean alley. Camera follows shakily from behind. He turns and briefly smiles. 3–4.5s Tiny neighborhood convenience store. He grabs a cold bottled drink, takes a sip outside. His friend steals a sip and he laughs. 4.5–6s Outdoor basketball court. He shoots—SWISH. He celebrates toward the camera as his friend laughs. 6–7.5s Riverside. He rides beside the water, stops, throws a small stone. SPLASH. 7.5–9s Sitting outside a small shop eating ice cream. Ice cream accidentally gets on his lip. Friend points the camera at him; he notices and laughs. 9–10.5s Sudden summer water fight. Friends spray him with a garden hose. He grabs it and sprays them back. Chaotic handheld laughter. 10.5–12s Warm sunset. He walks home beside his bicycle through the same neighborhood, quieter now. Cicadas continue. 12–13.5s Night rooftop. He and friends watch distant fireworks. Firework light briefly illuminates their faces. One friend says naturally: “여름 진짜 좋다.” (“Summer is really nice.”) 13.5–15s Final handheld shot: he runs down the neighborhood street at night, turns toward camera laughing. Motion blur → brief MiniDV glitch → abrupt black. AUDIO: Only natural sounds—cicadas, birds, bicycle chain, footsteps, basketball, shop ambience, water splashing, laughter and fireworks. No background music. REALISM: Every cut must feel like a genuine memory recorded by a friend. Same character throughout, realistic physics, spontaneous expressions, hard cuts only, no flashy transitions, no text, no subtitles, no watermark, no modern cinematic effects.
Duration: 10 seconds Aspect ratio: 9:16 Reference: @Image1, lock the protagonist's face, hairstyle, and styling, no additional description or changing of clothes Audio: Realistic city night ambient sound, running footsteps, strong wind whistling, low-frequency rebound of elastic device, muffled landing sound, friends cheering; no dialogue, no narration, no subtitles Overall style: Extreme sports mobile phone live recording, real high-altitude distance, strong sense of presence, one-shot throughout, slight handheld and high-speed motion blur, reject game CG feel GLOBAL CONTINUITY Setting: Nighttime city skyscraper rooftop, green helicopter landing pad, yellow circular markings, low concrete parapet. A vertical street canyon formed between two tall buildings, with vehicles, streetlights, and intersections visible on the ground. Lower apparatus: A huge circular black elastic rebound device is set in the center of the street, with a deep black elastic surface in the center, surrounded by a continuous rainbow light belt in the outer ring. The device is huge and directly opposite the edge of the roof, serving as the accurate landing point for the protagonist to fall and bounce. Main subject: @Image1 is the sole protagonist. Identity, face, and styling remain consistent throughout. Bystanders: Three to four friends standing on the left side of the roof, filming with mobile phones and waiting for the protagonist to return. They must not steal the focus from the main subject. CAMERA CONTINUITY The entire video is a one-shot filmed by a friend on the roof with a mobile phone. The filmer first follows the run-up behind the protagonist; after the protagonist jumps, the filmer quickly rushes to the parapet to look down; then the camera continues to lock on the protagonist, gradually lifting from vertical downward to the sky; after the protagonist bounces back to the roof, the camera returns to eye level. No cuts, no teleporting, no changing perspectives. STUNT ENGINE The action loop must be fixed: Rooftop run-up → Leap over parapet → High-altitude fall → Hit the center of the circular elastic surface → Deep depression of the device → Strong rebound → Protagonist rises at high speed → Mid-air tuck and flip → Positioning for landing → Feet return to the same rooftop → Knee-bend landing → Cheering celebration. SHOT 1 (00:00-00:10) High-altitude Rebound Stunt Subject: @Image1 protagonist stands at the back of the rooftop helipad, facing the distant parapet. Friends are on the left side of the frame filming. Action: 00:00-00:01.50 | Fast Run-up The protagonist's back is to the camera, running quickly from the center of the helipad to the edge of the roof. Strides gradually increase, body leans forward, arms swing naturally. The filmer follows closely behind the protagonist with a mobile phone, creating realistic footstep vibrations. A friend stands on the left holding up a phone, watching tensely. 00:01.50-00:02.30 | Leap Off Rooftop The protagonist takes a powerful final step, leaping over the low parapet. At the moment of leaving the roof, arms spread to the sides, body leans slightly forward, actively diving into the gap between the two tall buildings. The filmer rushes to the parapet, the camera quickly tilts downward, always keeping the protagonist in the center of the frame. 00:02.30-00:04.80 | High-altitude Fall The camera is almost vertically downward. The protagonist descends rapidly through the space between the buildings, body adjusting from a forward lean to facing downward, arms staying spread to stabilize direction. As the protagonist descends, streets, vehicles, and intersections quickly appear. A giant black circular elastic device appears from the bottom of the frame, the rainbow light ring illuminating the surrounding buildings. The protagonist's descent trajectory must accurately target the center of the black elastic surface, not hitting the light ring or the buildings. 00:04.80-00:05.50 | Hitting the Center The protagonist's body lands right in the center of the black elastic surface. The elastic surface clearly forms a deep depression after the impact, the rainbow light ring remains fixed, and the device must not break. After a brief compression, the elastic surface returns to its original state with huge force, popping the protagonist vertically upward. Must clearly show the four stages: "contact—depression—compression—rebound," no premature reverse flight before contact. 00:05.50-00:08.20 | High-speed Rebound and Mid-air Flip The filmer is still standing at the rooftop parapet. The filmer's feet briefly appear at the bottom of the frame, reinforcing the realistic first-person perspective and high-altitude distance. The protagonist rises at high speed from the center of the circular device, returning along the original vertical path to the roof. The camera continues to lift from vertically downward to upward, following the protagonist through the space between the city buildings. After taking off, the protagonist tightens the abdomen, knees close to the chest, arms holding the shins, forming a tight tuck, and completes a continuous rapid flip in the air. Do not lock a specific rotation direction, prioritize natural continuous rotation. As the protagonist approaches the roof height, they begin to open the body: release the legs, look up to find the roof, turn feet downward, and spread arms for balance. 00:08.20-00:09.40 | Return to Rooftop The protagonist approaches the camera at high speed, leaping back onto the helipad from outside the parapet. Both feet contact the green ground simultaneously, knees and hips bend deeply to absorb the landing impact in a low squat. The landing must have clear weight: soles or feet contact, legs compressing, body sinking, slight rebound to recover. Must not land standing straight up or lightly. The filmer quickly takes half a step back to avoid the protagonist hitting the camera while maintaining a frontal close-up. 00:09.40-00:10.00 | Realistic Celebration The protagonist quickly stands up from the squat, looking excitedly at the camera and cheering. Rooftop friends rush into the frame, surrounding the protagonist with phones, patting shoulders, punching the air, and celebrating loudly. The camera shakes slightly due to the crowd approaching, ending in a realistic mobile phone selfie video state. Environment: Tall building lights, street vehicles, and the rainbow light ring maintain spatial stability. The fall and rise must happen along the same vertical line, and the protagonist eventually returns to the same rooftop they jumped from. Camera: 24mm mobile phone wide-angle, one-shot. Begins with a low-position follow-up from behind; after jumping, becomes an over-the-shoulder downward shot; during rebound, continuously lifts from vertical downward to upward; finally returns to eye-level close-up. Style: Realistic night mobile phone exposure, tall buildings have accurate perspective and scale. Wind noise increases during the descent phase, and city lights form natural motion trails; the protagonist returns to the roof extremely fast, but the human silhouette remains clear. Constraints: This is a professionally arranged fictional extreme sports scene. Must fully show the circular elastic device catching and rebounding the protagonist, not showing a free fall without protection. The protagonist's descent and ascent must be continuously traceable. The rebound comes from the physical compression of the black elastic surface, not flight, teleportation, rope pulling, or superpowers. Negative: Changing @Image1 character styling, redesigning clothes, clothing drift, face drift, character replacement, mid-cut, camera teleportation, scene jump, filmer suddenly appearing on the ground, third-person aerial photography, protagonist flying directly, floating, invisible rope lift, anti-gravity, instantly returning to the roof, no elastic device, wrong landing point, landing on rainbow light ring, hitting buildings, hitting parapet, rebounding before contact, elastic surface not sinking, device breaking, device deformation and disappearance, descent direction change, ascent path offset, body passing through elastic surface, abnormal character size, distorted limbs during flipping, extra arms, extra legs, joint inversion, body melting, duplicate characters, landing without weight, landing standing straight, feet penetrating the ground, falling and injured, blood, serious injury, friends blocking the camera early, crowd frozen, phone deformed, tall buildings bent, floating vehicles, anime rendering, game CG, plastic skin, cheap green screen, excessive lighting effects, excessive slow motion, subtitles, screen text, watermark, brand logo, voiceover, extra dialogue
Ultra-realistic cinematic scene of a humanoid robot kneeling beside a young child on the floor, carefully helping with a small toy project. Dark cozy room, dramatic warm flashlight beam, cool blue window light, realistic white-and-black robotic body, emotional storytelling, detailed reflections, shallow depth of field, cinematic lighting, photorealistic, 8K, high detail, film still aesthetic, natural composition, vertical.
30-second continuous photorealistic candid home-video scene in a quiet Korean residential neighborhood on a warm summer morning. The entire video must look like genuine footage recorded by a friend in the early 2000s, NOT a commercial, movie, music video or AI-generated scene.\n\nCHARACTER CONSISTENCY:\nUse the supplied character reference sheet as the strict visual reference for all characters.\n\nMAIN GIRL: Minji, 21, young Korean woman, natural realistic face, authentic skin texture, messy wavy black hair loosely tied back. Oversized plain white T-shirt, loose light pajama pants and simple flat sandals. Keep exactly the same face, hairstyle, clothing, age and body proportions throughout.\n\nFRIEND: Jisung, 22, remains behind the camera for the entire video. Only his natural male voice and laughter are heard.\n\nNEIGHBOR: Mrs. Park, elderly Korean woman around 70, same appearance as reference, wearing comfortable patterned house clothes.\n\nTwo school children appear briefly in the background wearing ordinary school clothes and backpacks.\n\nLOCATION:\nA real lived-in older Korean residential lane: narrow concrete road, modest houses, aged walls, potted plants, bicycles, laundry, utility poles and overhead wires. Warm natural morning sunlight. Nothing staged or overly picturesque.\n\nCAMERA:\nEntire video is filmed by Jisung using an old handheld early-2000s consumer DV camcorder. Genuine handheld shake, slightly imperfect framing, small accidental pans, occasional autofocus adjustment, mild exposure breathing, faded DV colors, soft digital detail, subtle compression noise and realistic motion blur.\n\nThe camera operator reacts physically to events. Do NOT use cinematic camera movement, gimbal stabilization, slow motion, drone shots, perfect composition, dramatic depth of field or modern commercial color grading.\n\nSEQUENCE — ONE NATURAL CONTINUOUS EVENT:\n\n[0–4 SEC]\nMinji casually walks out of her house holding a green garden hose and begins watering several potted plants beside the entrance.\n\nShe notices Jisung filming her and looks directly toward the camera with a small amused smile.\n\nMINJI, natural Korean-accented English:\n“Why are you filming this?”\n\nJISUNG, casually from behind camera:\n“I’m bored.”\n\nShe gives him a playful annoyed look, then continues watering.\n\n[4–9 SEC]\nThe water pressure gradually becomes weak and then almost stops.\n\nMinji looks at the hose nozzle, confused. She lightly shakes it once and squeezes the nozzle again.\n\nNothing.\n\nShe follows the hose with her eyes and notices that part of the hose is accidentally trapped underneath her own sandal.\n\nHer reaction is subtle and completely natural.\n\n[9–13 SEC]\nMinji casually lifts her foot off the hose.\n\nIMMEDIATELY the normal water pressure returns.\n\nA sudden stream of water shoots upward from the badly angled nozzle and splashes directly across her face, hair and upper T-shirt.\n\nIMPORTANT: realistic garden-hose physics only. No explosive or exaggerated water.\n\nMinji freezes for a moment in genuine surprise.\n\nJisung instinctively jerks the camera sideways, briefly losing the framing, then quickly points it back toward her while laughing.\n\nMinji slowly looks directly at the camera with an embarrassed “seriously?” expression.\n\n[13–18 SEC]\nLaughing, Minji turns the hose toward Jisung as if she is going to spray him.\n\nWhile adjusting the nozzle she accidentally rotates it the wrong direction.\n\nA short stronger spray hits her own shoulder and face AGAIN.\n\nShe immediately recoils and laughs:\n\n“Wait—wait!”\n\nJisung laughs harder behind the camera. His laughter makes the handheld framing noticeably shakier.\n\nMinji is genuinely laughing now, slightly soaked, with wet strands of hair naturally sticking around her face.\n\n[18–23 SEC]\nMrs. Park, the elderly neighbor who has been tending plants near her doorway, notices what happened.\n\nMinji looks toward her, embarrassed but laughing.\n\nMrs. Park smiles and raises her own small garden hose as though she is going to help.\n\nMinji relaxes.\n\nInstead, Mrs. Park gives Minji ONE quick, harmless playful spray of water.\n\nMinji looks completely shocked for half a second.\n\nThen Mrs. Park laughs.\n\nMinji immediately starts laughing too.\n\n[23–27 SEC]\nMinji playfully sprays a small amount of water back toward Mrs. Park.\n\nMrs. Park laughs and steps behind her gate.\n\nTwo school children walking farther down the lane notice the situation, stop briefly and laugh naturally before continuing.\n\nKeep this spontaneous and subtle — NOT a large staged water fight.\n\n[27–30 SEC]\nStill laughing and visibly wet, Minji walks directly toward Jisung and the camera while holding the hose.\n\nShe points at him and says:\n\n“You started this.”\n\nJISUNG replies while laughing:\n“I literally did nothing!”\n\nMinji gives him a mischievous look and sends ONE quick spray directly toward the camera.\n\nWater hits the camcorder lens.\n\nThe image instantly becomes partially blurred and smeared by realistic water droplets while the camera operator reacts.\n\nMinji’s genuine laughter remains audible through the wet blurry image.\n\nHARD CUT.\n\nREALISM / PERFORMANCE:\nAll people must look and move like real humans captured unexpectedly on a home video. Natural blinking, breathing, posture, weight shifts, imperfect timing, realistic hand movements and restrained facial expressions.\n\nDialogue must sound like REAL HUMAN SPEECH: natural young adult voices, normal conversational volume, correct emotional timing, subtle Korean accents, no robotic cadence, no narrator voice, no exaggerated acting. Characters must speak ONLY their assigned dialogue. No extra dialogue.\n\nThe humor comes entirely from the believable accident and genuine reactions. Nobody behaves like an actor performing a comedy sketch.\n\nWATER PHYSICS:\nWater must behave exactly like real garden-hose water: correct gravity, splash direction, droplets, wet fabric and progressively wetter hair. The hose stays physically connected and maintains consistent shape. No disappearing hose, duplicated hose, impossible water sources or changing nozzle.\n\nCONTINUITY:\nMinji becomes progressively wetter after each splash and must remain wet afterward. Her clothing, face, hairstyle, house, hose and neighborhood remain consistent. Mrs. Park remains the same person. School children remain consistent. No character duplication, sudden wardrobe changes, teleportation, object morphing or discontinuous positions.\n\nAUDIO:\nAbsolutely NO music and NO narration.\n\nOnly authentic location sound: birds, distant neighborhood conversations, faint traffic, footsteps on concrete, occasional bicycle sound, running water, hose splashes, clothing movement and genuine laughter.\n\nFINAL LOOK:\nWarm summer morning, nostalgic early-2000s Korean home-video feeling. Slightly faded DV colors, ordinary natural sunlight and imperfect consumer-camera quality.\n\nThe finished video should feel like a funny forgotten family camcorder recording from a real summer morning — completely spontaneous, mundane, charming and physically believable.

(1998 Tim and Eric Infomercial Aesthetic) (Medium: SD BetaSP Broadcast Camera) [SCENE START] INT/EXT. SUBURBAN HOUSE AND STREET - DAY Camera: Handheld tracking, quick snap zooms, low-resolution NTSC color bleed, harsh video lighting Lighting: Flat bright studio fills mixed with harsh overhead sunlight, slight chromatic aberration SUBJECT: @steve: oversized vintage ugly plaid suit jacket, holding slim black folding smartphone, deadpan face. Crowd: Suburban neighbor walking dog outside. ACTION: [Time 00:00-00:02]: @seeksteve pulls black brick phone from pocket, unfolding screen twice, VO: 'They folded twice.' Third panel keeps expanding infinitely across kitchen counter with rapid hinge clicks. When screens unfold they always remain together and there’s are never gaps between them. [Time 00:02-00:08]: @seeksteve walks as screen accordion expands endlessly through dining table crushing it as we witness splintering wood snapping the table in half, smashes through sliding glass door with realistic glass-shattering physics as the door shatters the wall starts falling apart with drywall caving in and dust building causing absolute mayhem, deploying like black glass carpet onto driveway with rapid machine gun clicks, VO: 'We kept going. Galaxy Hundredfold. Phone. Tablet. Driveway.' [Time 00:08-00:12]: High angle shot shows @seeksteve standing at end of black glass runway stretching down street, glass phone runway stretches all the way to house in house in background, car swerves to avoid the glass phone runway but drives into house, house was already crumbling but it now falls down completely, VO: 'Know when to hold em, know when to fold em… Unlimited.' Smash cut to product title text Samsung Galaxy Hundredfold, placed over scene depicting firefighters arriving to the scene, black gradient slightly blurred so product text remains focus. ATMOSPHERE: The vibe is deadpan and surreal and destructive. Absurdly commercial tone with @seeksteve maintaining serious product presenter energy throughout extreme physical impossibility and destruction. [STYLE MODIFIERS] Reference: Tim and Eric Awesome Show, VHS Tape, Commercial B-Roll, Disaster Footage Audio implication: Deadpan male voiceover, rapid mechanical hinge clicking, wood table splintering, glass shattering, wall crumbling, muffled car honk, screeching car tires, impact of vehicle with house, dead silence at end
A cinematic 15-second monochrome lifestyle video featuring a young Asian woman [use reference image] in an oversized white shirt and oversized trousers, moving naturally through a modern house and garden. • Scene 1 (0–3s): She wakes up and sits on the edge of the bed, sunlight softly falling across her face as she looks toward the window. • Scene 2 (3–6s): In front of a mirror, she casually fixes her messy hair, smiling subtly at her reflection. • Scene 3 (6–9s): She walks barefoot through the kitchen, playfully spinning a mug in her hand before taking a sip. • Scene 4 (9–12s): Outside, she walks through the garden while gently touching the leaves and flowers along the path. • Scene 5 (12–15s): She sits beside the swimming pool with her feet in the water, looking peacefully toward the camera as the scene fades out. Cinematic black-and-white photography, soft natural lighting, subtle film grain, realistic skin texture, candid expressions, intimate framing, gentle handheld camera movement, smooth transitions, editorial fashion-film aesthetic, minimal and elegant atmosphere.
[0-4] Slow zoom in on the back of her head, The duelist in the torn haori holds a curved blade low at her right side, centre frame, back to the storm-dark city, rain sheeting off the clay tiles at her boots, lightning cracks the sky [4-6] Snap cut, extreme close up to the tip of the blade, she flicks blood from it upwards in one sharp arc, the water breaking into spray off the steel
Create a Vlog-style home video of a quiet and cool high school library committee girl after school, filmed by a fellow committee member friend. 480p. Consist of a hard-cut montage of short shots (approx. 2 seconds each). Each shot is a different moment, where 1 shot = 1 small event. Do not use transitions or fades. Since it is filmed by a friend, she is at least somewhat relaxed and shows her true expression at the end. Main Subject: The same Japanese high school girl throughout all shots. A cool beauty with single-lidded almond eyes, long downcast lashes, finely shaped eyebrows, translucent white realistic skin texture, no makeup, a slim nose, thin lips, and a sharp jawline. Quiet eyes behind thin silver-rimmed glasses. Straight black hair to the shoulders. White short-sleeved shirt, navy pleated skirt, and indoor school shoes. Quiet with few expressions. Keep facial features, body type, hairstyle, glasses, and uniform completely consistent from start to finish. Location: The school library during summer after school until closing. Rows of tall bookshelves, a checkout counter, window seats with evening sun, and a corner for children's books. No advertisements or recognizable brands. Camera / Visual Style: Common to all shots: An old handheld home digital camera. Natural camera shake, imperfect framing, occasional focus hunting, exposure fluctuations from the setting sun, light motion blur, subtle noise, and slightly muted colors. No stabilization, gimbals, drones, slow motion, or cinematic lighting. Shot List (In order, approx. 2s each, all hard cuts): 1. Walking between shelves holding returned books to her chest. Noticing the camera and putting a finger to her lips. 2. Stretching to return a book to a high shelf, failing, and silently going to get a step stool. 3. Rhythmic and precise hands stamping return dates at the counter. 4. A profile of her reading by the window in the evening sun. Slender fingers turning a page. 5. After closing, opening a picture book in the deserted children's corner. Physical Realism: Maintain authentic real-world physics. Hands, fingers, hair, glasses, uniforms, books, step stools, and stamps behave naturally. No extra fingers, fused hands, distorted bodies, floating objects, disappearing objects, or sudden deformations. Keep book text blurred and unreadable. Maintain subject consistency across all shots. Audio: Natural environmental sounds only. The silence of the library, the sound of pages turning, the sound of the stamp, the sound of indoor shoes, distant voices from club activities, and a small voice reading aloud (words unintelligible). No music, narration, or artificial sound effects. Final Atmosphere: A record of a cool and quiet girl's unseen practice sessions that happened to be caught on film. Not a commercial work or a drama. The gap between the silence and her resigned smile when caught is endearing. Quiet, dedicated, colored by the evening sun, warm, and deeply human. Prioritize the feeling that the camera just happened to be there.
he tips forward and slides into it headfirst in one smooth impossible motion, the hat rocking once and settling upright as if nothing happened
Cinematic painterly video of an elderly woman with long windblown white hair sitting on a deserted train platform at dusk. Holding a small glowing vintage radio in both hands. Rusted abandoned steam locomotive behind her. Wet empty tracks stretching into fog. Worn coat. Golden cloudy sky. Melancholic. Ultra detailed. 8k. Grok Imagine.
exhales a long slow drift of glowing golden mist over the open ocean, a soft ribbon of dawn-colored vapor
a young man dressing up, cut to him wearing his jacket, cut to him walking out the door, cut to him walking in the streets, cut to him opening a sofa shop.
A 5-second cinematic Chinese martial arts fantasy video. 16:9 wide screen, high-definition live-action film quality, powerful action scene. A deep night sky with a pale full moon. The background features traditional Chinese palace architecture with vermilion pillars, tiled roofs, and a cobblestone courtyard. Moonlight and thin mist illuminate the courtyard, creating a grand and tense atmosphere. In the center, a young and dignified female martial artist. Her long black hair is tied in a high ponytail, fluttering in the wind. She wears a pink-based Hanfu-style battle dress, with long sleeves and hem swaying beautifully with her movements. Her facial features, hairstyle, clothing, and physique are consistent throughout the video. 0.0s-1.2s: The camera slowly approaches from slightly diagonally in front of her. She steps in sharply from a low stance, looking at the camera with a focused expression. 1.2s-3.1s: She delivers two consecutive lightning-fast roundhouse kicks. Both kicks show clear leg trajectories and full-body rotation. The camera follows her movement in a smooth semicircular track, adding slight slow motion and motion blur only at the moment of the kick. Her clothing and ponytail flutter significantly due to strong centrifugal force. 3.1s-5.0s: Immediately after landing, she poses with both hands in front of her chest, condensing pale blue glowing energy from her palms. She then thrusts both hands toward the camera, releasing a brilliant large energy wave forward. The wave is accompanied by circular shockwaves, particles, and fine streaks of light, approaching the foreground. The camera retreats slightly while receiving the wave, and finally, pale blue light envelops the entire screen. A powerful, elegant, and cinematic performance throughout. Natural human structure, accurate limbs, smooth continuous motion, clear cause-and-effect in action, three-dimensional lighting, beautiful contrast between pale moonlight and pink clothing, grand scale, high-end cinematography, cinematic color grading, very high definition, no text or logos displayed on screen.
Main Subjects: Young French woman, 23, natural everyday appearance, shoulder-length chestnut-brown hair tied loosely with a faded blue scrunchie, wispy bangs, realistic skin texture, minimal makeup. Her father, early 50s, ordinary appearance, short greying brown hair, light stubble, wearing a faded navy work shirt, worn beige trousers, and old sneakers. Their relationship feels casual and familiar, with natural teasing and comfortable silence. Maintain consistent identities, clothing, hairstyles, and appearances throughout. Location: Quiet residential neighborhood in Lyon on a sunny Saturday afternoon. Modest row houses and apartment buildings, narrow pavement, parked bicycles, small gardens, garage doors, old concrete walls, potted plants, and mature trees casting moving shadows. An old dark-green bicycle rests beside a garage. No tourist landmarks, cafés, advertisements, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine family interaction, spontaneous laughter, natural body language, believable physical movement, authentic lived-in French neighborhood atmosphere. Camera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, imperfect framing, occasional accidental zoom, autofocus hunting between faces and bicycle parts, exposure pumping when moving between sunlight and shade, faded colors, soft contrast, slight motion blur, subtle rolling shutter, mild digital compression artifacts, visible sensor noise, no stabilization, no cinematic camera movement. 00:00–00:03 Her father kneels beside the old bicycle, turning the wheel by hand and inspecting the loose chain. She stands nearby holding a small box of tools while the camera approaches shakily. 00:03–00:06 He tries to reconnect the chain, but it slips off again. She laughs quietly. He looks at her with an exaggerated annoyed expression before both start laughing. 00:06–00:09 She crouches beside him and holds the bicycle steady while he works with a wrench. Grease gets onto his fingers, and he casually wipes them on an old cloth. 00:09–00:12 They finally get the chain working. Her father spins the pedal and the wheel turns smoothly. He gives a satisfied nod while she claps jokingly. 00:12–00:15 She gets onto the repaired bicycle and slowly rides down the residential street. Her father calls something encouraging from behind. She turns around, smiles toward the camcorder, and keeps riding as the operator struggles to follow before abruptly cutting to black. Audio: Natural ambience only–bicycle chain clicking, tools tapping metal, footsteps, birds, distant cars, leaves rustling, occasional neighborhood conversation, bicycle tires rolling over pavement, father and daughter laughing. No music. No narration. Goal: A forgotten MiniDV home video from 2004, capturing a completely ordinary Saturday afternoon with a father and daughter repairing an old bicycle outside their home in Lyon–war
Generate a 12-second, 9:16 vertical, realistic movie-level tech product advertisement based on the reference product image. The product must strictly match the reference image from the first frame to the last: a white desk fan, circular fan guard, ChatGPT six-petal vortex-shaped special fan blades, white rounded base, and the base must permanently maintain and only have 4 mechanical buttons. The four buttons are permanently fixed from left to right: 1st (leftmost) = go; 2nd (left-center) = plus; 3rd (right-center) = pro; 4th (rightmost and largest) = reset. This is a fixed product structure. The video is strictly prohibited from changing the number, position, size, arrangement, and text of the buttons. The highest priority is not recognizing the button text, but strictly executing the following physical space actions: leftmost button → move right one slot → move right one more slot → rightmost large button. Specifically: press the leftmost button first; press the 2nd button from the left second; press the 3rd button from the left third; finally press the rightmost largest button. The text go / plus / pro / reset is only for auxiliary recognition. [Key Interaction Rules] The first three button presses must be completed in the same continuous shot. From the first press of 'go' to the completion of the third press of 'pro': no camera cuts, no change in camera position, no left-right mirroring, no change in focal length, no orbiting, no regenerating the hand, no allowing the hand to leave and re-enter the frame. The camera is always directly in front of the product, looking slightly down at about 20°. Fully display the four buttons so they all exist in the frame simultaneously. A right hand enters from the bottom left of the screen. The index finger first hovers directly over the leftmost button. Afterward, the index finger can only move along a horizontal path from left to right. Returning to the left is strictly prohibited. The movement must be presented as a clear: PRESS → SLIDE RIGHT → PRESS → SLIDE RIGHT → PRESS. Move only the distance of one button each time. [0.0-1.2s | Product Opening] Pure white studio, white desktop. Fan is static. Front 3/4 product hero shot, showing the full fan. ChatGPT six-petal vortex blades clearly visible. Four buttons on the base clearly arranged: go | plus | pro | reset. Camera slowly dollies push-in. High-end tech product ad quality, soft studio lighting, natural shadows, realistic white plastic and metal materials. No human hand allowed at this time. [1.2-4.8s | Continuous Three-Stage Operation Shot] Hard cut to a fixed shot slightly looking down from the front of the product. No editing allowed from now until 4.8s. Simultaneously see: entire fan body, full base, full four buttons. Buttons fixed left-to-right: go | plus | pro | reset. A right hand enters from the bottom left. Important: hand must enter from the left, not the right. Index finger first stops directly over the 1st button 'go' on the far left. (1.4-2.1s): Index finger vertically downward, presses only the 1st button. Real mechanical sinking feedback occurs. Others remain still. Fan starts rotating at low speed. Index finger lifts again. (2.1-3.2s): Index finger stays in frame, slides horizontally right from the 1st button, moves one button distance. Stops over 2nd button. Vertically presses 2nd button. Fan speed increases. Index finger lifts. (3.2-4.5s): Index finger slides right again one button distance, stops over 3rd button, vertically presses it. Fan enters highest speed. (4.5-4.8s): Index finger lifts, hand leaves from bottom right. Fan keeps rotating at top speed. The first three operations must form a clear 'leftmost → second → third' visual trajectory moving left to right. [4.8-6.0s | Wind Performance] Switch to 3/4 side ad shot. Camera slides horizontally. Fan rotates at high speed. Vortex structure forms elegant motion blur. A thin white paper at the desk edge is gently moved by the wind. Restrained, high-end look. No hand in this segment. [6.0-7.2s | Blade Macro] Macro shot at very close range. Camera near fan center. Rotating six-petal blades form beautiful ChatGPT vortex. Central axis remains stable. Motion blur only on rotating structure. Real mechanical movement. No floating logos or 2D animation. [7.2-8.6s | Hero Shot] Low-angle 3/4 side. Fan runs at high speed. Camera slowly dollies out with slight orbit. White paper and silk ribbon sway. Button area remains: go | plus | pro | reset. No hand operation. [8.6-10.0s | RESET] Hard cut back to frontal fixed shot identical to 1.2-4.8s. Four buttons visible: go | plus | pro | reset. Hand enters from bottom right. Index finger appears directly over the large 'reset' button on the far right. (8.6-9.2s): Hover over large button for half a second. (9.2-9.7s): Index finger vertically downward, presses only the largest 4th button. Clear mechanical sinking. Others stay still. [10.0-11.0s | Stop] Reset is pressed, fan stops immediately.
Have a peaceful night. A serene and peaceful good night scene featuring a large, bright full moon shining brilliantly in a clear deep blue night sky, casting soft silvery moonlight over a tranquil landscape with gentle rolling hills, a calm reflective lake mirroring the moon
Duration: 15s | Aspect Ratio: 16:9 Style: Ultra-realistic early-2000s Korean MiniDV home video, nostalgic documentary realism, natural handheld camera, faded colors, soft DV sharpness, autofocus hunting, exposure pumping, motion blur, digital compression, no stabilization, no modern cinematic grading. MAIN CHARACTER: Young Korean man, early 20s, slim-average build, short slightly messy black hair, clean-shaven, natural skin texture. Faded white oversized T-shirt, loose blue jeans, worn white canvas sneakers, black wristwatch. Keep identical face, hairstyle, outfit and proportions throughout. SETTING: Authentic early-2000s Korean neighborhood—narrow concrete alleys, low-rise houses, bicycles, utility poles, small shops, school playground, riverside and rooftop. No smartphones, modern cars, LED screens or modern advertising. 0–1.5s Bright summer morning. He wakes up, opens bedroom window and sunlight floods in. Cicadas and birds outside. Quick handheld cut. 1.5–3s He rides an old bicycle through a quiet Korean alley. Camera follows shakily from behind. He turns and briefly smiles. 3–4.5s Tiny neighborhood convenience store. He grabs a cold bottled drink, takes a sip outside. His friend steals a sip and he laughs. 4.5–6s Outdoor basketball court. He shoots—SWISH. He celebrates toward the camera as his friend laughs. 6–7.5s Riverside. He rides beside the water, stops, throws a small stone. SPLASH. 7.5–9s Sitting outside a small shop eating ice cream. Ice cream accidentally gets on his lip. Friend points the camera at him; he notices and laughs. 9–10.5s Sudden summer water fight. Friends spray him with a garden hose. He grabs it and sprays them back. Chaotic handheld laughter. 10.5–12s Warm sunset. He walks home beside his bicycle through the same neighborhood, quieter now. Cicadas continue. 12–13.5s Night rooftop. He and friends watch distant fireworks. Firework light briefly illuminates their faces. One friend says naturally: “여름 진짜 좋다.” (“Summer is really nice.”) 13.5–15s Final handheld shot: he runs down the neighborhood street at night, turns toward camera laughing. Motion blur → brief MiniDV glitch → abrupt black. AUDIO: Only natural sounds—cicadas, birds, bicycle chain, footsteps, basketball, shop ambience, water splashing, laughter and fireworks. No background music. REALISM: Every cut must feel like a genuine memory recorded by a friend. Same character throughout, realistic physics, spontaneous expressions, hard cuts only, no flashy transitions, no text, no subtitles, no watermark, no modern cinematic effects.
Ultra-realistic cinematic scene of a humanoid robot kneeling beside a young child on the floor, carefully helping with a small toy project. Dark cozy room, dramatic warm flashlight beam, cool blue window light, realistic white-and-black robotic body, emotional storytelling, detailed reflections, shallow depth of field, cinematic lighting, photorealistic, 8K, high detail, film still aesthetic, natural composition, vertical.

(1998 Tim and Eric Infomercial Aesthetic) (Medium: SD BetaSP Broadcast Camera) [SCENE START] INT/EXT. SUBURBAN HOUSE AND STREET - DAY Camera: Handheld tracking, quick snap zooms, low-resolution NTSC color bleed, harsh video lighting Lighting: Flat bright studio fills mixed with harsh overhead sunlight, slight chromatic aberration SUBJECT: @steve: oversized vintage ugly plaid suit jacket, holding slim black folding smartphone, deadpan face. Crowd: Suburban neighbor walking dog outside. ACTION: [Time 00:00-00:02]: @seeksteve pulls black brick phone from pocket, unfolding screen twice, VO: 'They folded twice.' Third panel keeps expanding infinitely across kitchen counter with rapid hinge clicks. When screens unfold they always remain together and there’s are never gaps between them. [Time 00:02-00:08]: @seeksteve walks as screen accordion expands endlessly through dining table crushing it as we witness splintering wood snapping the table in half, smashes through sliding glass door with realistic glass-shattering physics as the door shatters the wall starts falling apart with drywall caving in and dust building causing absolute mayhem, deploying like black glass carpet onto driveway with rapid machine gun clicks, VO: 'We kept going. Galaxy Hundredfold. Phone. Tablet. Driveway.' [Time 00:08-00:12]: High angle shot shows @seeksteve standing at end of black glass runway stretching down street, glass phone runway stretches all the way to house in house in background, car swerves to avoid the glass phone runway but drives into house, house was already crumbling but it now falls down completely, VO: 'Know when to hold em, know when to fold em… Unlimited.' Smash cut to product title text Samsung Galaxy Hundredfold, placed over scene depicting firefighters arriving to the scene, black gradient slightly blurred so product text remains focus. ATMOSPHERE: The vibe is deadpan and surreal and destructive. Absurdly commercial tone with @seeksteve maintaining serious product presenter energy throughout extreme physical impossibility and destruction. [STYLE MODIFIERS] Reference: Tim and Eric Awesome Show, VHS Tape, Commercial B-Roll, Disaster Footage Audio implication: Deadpan male voiceover, rapid mechanical hinge clicking, wood table splintering, glass shattering, wall crumbling, muffled car honk, screeching car tires, impact of vehicle with house, dead silence at end
[0-4] Slow zoom in on the back of her head, The duelist in the torn haori holds a curved blade low at her right side, centre frame, back to the storm-dark city, rain sheeting off the clay tiles at her boots, lightning cracks the sky [4-6] Snap cut, extreme close up to the tip of the blade, she flicks blood from it upwards in one sharp arc, the water breaking into spray off the steel
he tips forward and slides into it headfirst in one smooth impossible motion, the hat rocking once and settling upright as if nothing happened
exhales a long slow drift of glowing golden mist over the open ocean, a soft ribbon of dawn-colored vapor
A 5-second cinematic Chinese martial arts fantasy video. 16:9 wide screen, high-definition live-action film quality, powerful action scene. A deep night sky with a pale full moon. The background features traditional Chinese palace architecture with vermilion pillars, tiled roofs, and a cobblestone courtyard. Moonlight and thin mist illuminate the courtyard, creating a grand and tense atmosphere. In the center, a young and dignified female martial artist. Her long black hair is tied in a high ponytail, fluttering in the wind. She wears a pink-based Hanfu-style battle dress, with long sleeves and hem swaying beautifully with her movements. Her facial features, hairstyle, clothing, and physique are consistent throughout the video. 0.0s-1.2s: The camera slowly approaches from slightly diagonally in front of her. She steps in sharply from a low stance, looking at the camera with a focused expression. 1.2s-3.1s: She delivers two consecutive lightning-fast roundhouse kicks. Both kicks show clear leg trajectories and full-body rotation. The camera follows her movement in a smooth semicircular track, adding slight slow motion and motion blur only at the moment of the kick. Her clothing and ponytail flutter significantly due to strong centrifugal force. 3.1s-5.0s: Immediately after landing, she poses with both hands in front of her chest, condensing pale blue glowing energy from her palms. She then thrusts both hands toward the camera, releasing a brilliant large energy wave forward. The wave is accompanied by circular shockwaves, particles, and fine streaks of light, approaching the foreground. The camera retreats slightly while receiving the wave, and finally, pale blue light envelops the entire screen. A powerful, elegant, and cinematic performance throughout. Natural human structure, accurate limbs, smooth continuous motion, clear cause-and-effect in action, three-dimensional lighting, beautiful contrast between pale moonlight and pink clothing, grand scale, high-end cinematography, cinematic color grading, very high definition, no text or logos displayed on screen.
Cup noodles correspond to Reference Image 1. The cat corresponds to Reference Image 2. The host corresponds to Reference Image 3. 0–2.5 seconds: Close-up shot. holds the unopened in one hand, brings it close to the camera, and shakes it excitedly while pointing at the cup with the other hand and talking directly to the camera. then tears open one corner of the paper lid, lifts it, and looks down into the cup. The camera quickly pushes in toward the opening. Inside, there is only a dry noodle block. nods with satisfaction. End state: the paper lid is half-open, and the are placed in the center of the table. 2.5–5 seconds: An electric kettle enters the frame from the right and pours hot water into the cup. The water stream is clearly audible and white steam rises from the cup. keeps talking while pouring. After finishing, presses the paper lid back down flat and pats it twice with the palm of the hand. End state: the paper lid is closed, with a thin stream of steam escaping from the rim. 5–7.5 seconds: takes out a white mechanical dial kitchen timer, forcefully twists the dial all the way to the end, then turns it back to the desired time and places it beside the cup noodles with a sharp tap. The scene immediately enters fast-forward mode: rapidly jitters and shifts around in the seat, talks, drinks water, checks the phone, and fidgets with exaggerated time-lapse-like movements. The lighting outside the window remains unchanged. The timer dial visibly spins rapidly back toward zero while steam continues escaping through the gap in the cup lid. End state: the dial reaches zero and the timer rings loudly while vibrating intensely. 7.5–10 seconds: The instant the timer rings, fast-forward mode stops and everything returns to normal speed. excitedly reaches forward and tears open the paper lid in one quick motion. At the exact same moment the lid flips open, the head of suddenly pops straight out of the cup. stares directly into the camera with huge wide-open eyes and a slightly open mouth; its ears flatten backward for an instant, then spring upright. At that exact moment, all sound suddenly cuts out. and stare at each other in complete silence for half a second. The camera rapidly pushes into an extreme close-up of the cat’s face. End state: ’s head is sticking out of the cup, while ’s hand is frozen in midair. 10–12.5 seconds: first looks left, then right, then looks up at with a completely confused expression. It hooks both front paws over the rim of the cup and pulls its upper body up. Its hind legs push against the inside wall of the cup, launching the cat out. lands with all four paws on the tabletop, then rapidly sprints toward the left side of the frame and completely exits the shot. While running, it knocks over the kitchen timer. The wobble from the impact but do not fall over. End state: only the empty cup and the fallen timer remain on the table. is completely
Cinematic dynamic action scene full length shot of a fierce female Korean martial artist with long, dark blue hair. She is wearing a modern black sports top, white Taekwondo pants, a black belt, and is barefoot She performs powerful high-energy Taekwondo roundhouse and spin kicks against multiple male opponents inside a dimly lit gritty industrial warehouse Cinematic volumetric lighting with dust motes floating in the air, high impact fight choreography, dramatic energy shockwaves and dust explosion effects upon impact, camera panning dynamically, 8k resolution photorealistic hyper detailed action movie sequence.
Duration: 10 seconds Aspect ratio: 9:16 Reference: @Image1, lock the protagonist's face, hairstyle, and styling, no additional description or changing of clothes Audio: Realistic city night ambient sound, running footsteps, strong wind whistling, low-frequency rebound of elastic device, muffled landing sound, friends cheering; no dialogue, no narration, no subtitles Overall style: Extreme sports mobile phone live recording, real high-altitude distance, strong sense of presence, one-shot throughout, slight handheld and high-speed motion blur, reject game CG feel GLOBAL CONTINUITY Setting: Nighttime city skyscraper rooftop, green helicopter landing pad, yellow circular markings, low concrete parapet. A vertical street canyon formed between two tall buildings, with vehicles, streetlights, and intersections visible on the ground. Lower apparatus: A huge circular black elastic rebound device is set in the center of the street, with a deep black elastic surface in the center, surrounded by a continuous rainbow light belt in the outer ring. The device is huge and directly opposite the edge of the roof, serving as the accurate landing point for the protagonist to fall and bounce. Main subject: @Image1 is the sole protagonist. Identity, face, and styling remain consistent throughout. Bystanders: Three to four friends standing on the left side of the roof, filming with mobile phones and waiting for the protagonist to return. They must not steal the focus from the main subject. CAMERA CONTINUITY The entire video is a one-shot filmed by a friend on the roof with a mobile phone. The filmer first follows the run-up behind the protagonist; after the protagonist jumps, the filmer quickly rushes to the parapet to look down; then the camera continues to lock on the protagonist, gradually lifting from vertical downward to the sky; after the protagonist bounces back to the roof, the camera returns to eye level. No cuts, no teleporting, no changing perspectives. STUNT ENGINE The action loop must be fixed: Rooftop run-up → Leap over parapet → High-altitude fall → Hit the center of the circular elastic surface → Deep depression of the device → Strong rebound → Protagonist rises at high speed → Mid-air tuck and flip → Positioning for landing → Feet return to the same rooftop → Knee-bend landing → Cheering celebration. SHOT 1 (00:00-00:10) High-altitude Rebound Stunt Subject: @Image1 protagonist stands at the back of the rooftop helipad, facing the distant parapet. Friends are on the left side of the frame filming. Action: 00:00-00:01.50 | Fast Run-up The protagonist's back is to the camera, running quickly from the center of the helipad to the edge of the roof. Strides gradually increase, body leans forward, arms swing naturally. The filmer follows closely behind the protagonist with a mobile phone, creating realistic footstep vibrations. A friend stands on the left holding up a phone, watching tensely. 00:01.50-00:02.30 | Leap Off Rooftop The protagonist takes a powerful final step, leaping over the low parapet. At the moment of leaving the roof, arms spread to the sides, body leans slightly forward, actively diving into the gap between the two tall buildings. The filmer rushes to the parapet, the camera quickly tilts downward, always keeping the protagonist in the center of the frame. 00:02.30-00:04.80 | High-altitude Fall The camera is almost vertically downward. The protagonist descends rapidly through the space between the buildings, body adjusting from a forward lean to facing downward, arms staying spread to stabilize direction. As the protagonist descends, streets, vehicles, and intersections quickly appear. A giant black circular elastic device appears from the bottom of the frame, the rainbow light ring illuminating the surrounding buildings. The protagonist's descent trajectory must accurately target the center of the black elastic surface, not hitting the light ring or the buildings. 00:04.80-00:05.50 | Hitting the Center The protagonist's body lands right in the center of the black elastic surface. The elastic surface clearly forms a deep depression after the impact, the rainbow light ring remains fixed, and the device must not break. After a brief compression, the elastic surface returns to its original state with huge force, popping the protagonist vertically upward. Must clearly show the four stages: "contact—depression—compression—rebound," no premature reverse flight before contact. 00:05.50-00:08.20 | High-speed Rebound and Mid-air Flip The filmer is still standing at the rooftop parapet. The filmer's feet briefly appear at the bottom of the frame, reinforcing the realistic first-person perspective and high-altitude distance. The protagonist rises at high speed from the center of the circular device, returning along the original vertical path to the roof. The camera continues to lift from vertically downward to upward, following the protagonist through the space between the city buildings. After taking off, the protagonist tightens the abdomen, knees close to the chest, arms holding the shins, forming a tight tuck, and completes a continuous rapid flip in the air. Do not lock a specific rotation direction, prioritize natural continuous rotation. As the protagonist approaches the roof height, they begin to open the body: release the legs, look up to find the roof, turn feet downward, and spread arms for balance. 00:08.20-00:09.40 | Return to Rooftop The protagonist approaches the camera at high speed, leaping back onto the helipad from outside the parapet. Both feet contact the green ground simultaneously, knees and hips bend deeply to absorb the landing impact in a low squat. The landing must have clear weight: soles or feet contact, legs compressing, body sinking, slight rebound to recover. Must not land standing straight up or lightly. The filmer quickly takes half a step back to avoid the protagonist hitting the camera while maintaining a frontal close-up. 00:09.40-00:10.00 | Realistic Celebration The protagonist quickly stands up from the squat, looking excitedly at the camera and cheering. Rooftop friends rush into the frame, surrounding the protagonist with phones, patting shoulders, punching the air, and celebrating loudly. The camera shakes slightly due to the crowd approaching, ending in a realistic mobile phone selfie video state. Environment: Tall building lights, street vehicles, and the rainbow light ring maintain spatial stability. The fall and rise must happen along the same vertical line, and the protagonist eventually returns to the same rooftop they jumped from. Camera: 24mm mobile phone wide-angle, one-shot. Begins with a low-position follow-up from behind; after jumping, becomes an over-the-shoulder downward shot; during rebound, continuously lifts from vertical downward to upward; finally returns to eye-level close-up. Style: Realistic night mobile phone exposure, tall buildings have accurate perspective and scale. Wind noise increases during the descent phase, and city lights form natural motion trails; the protagonist returns to the roof extremely fast, but the human silhouette remains clear. Constraints: This is a professionally arranged fictional extreme sports scene. Must fully show the circular elastic device catching and rebounding the protagonist, not showing a free fall without protection. The protagonist's descent and ascent must be continuously traceable. The rebound comes from the physical compression of the black elastic surface, not flight, teleportation, rope pulling, or superpowers. Negative: Changing @Image1 character styling, redesigning clothes, clothing drift, face drift, character replacement, mid-cut, camera teleportation, scene jump, filmer suddenly appearing on the ground, third-person aerial photography, protagonist flying directly, floating, invisible rope lift, anti-gravity, instantly returning to the roof, no elastic device, wrong landing point, landing on rainbow light ring, hitting buildings, hitting parapet, rebounding before contact, elastic surface not sinking, device breaking, device deformation and disappearance, descent direction change, ascent path offset, body passing through elastic surface, abnormal character size, distorted limbs during flipping, extra arms, extra legs, joint inversion, body melting, duplicate characters, landing without weight, landing standing straight, feet penetrating the ground, falling and injured, blood, serious injury, friends blocking the camera early, crowd frozen, phone deformed, tall buildings bent, floating vehicles, anime rendering, game CG, plastic skin, cheap green screen, excessive lighting effects, excessive slow motion, subtitles, screen text, watermark, brand logo, voiceover, extra dialogue
30-second continuous photorealistic candid home-video scene in a quiet Korean residential neighborhood on a warm summer morning. The entire video must look like genuine footage recorded by a friend in the early 2000s, NOT a commercial, movie, music video or AI-generated scene.\n\nCHARACTER CONSISTENCY:\nUse the supplied character reference sheet as the strict visual reference for all characters.\n\nMAIN GIRL: Minji, 21, young Korean woman, natural realistic face, authentic skin texture, messy wavy black hair loosely tied back. Oversized plain white T-shirt, loose light pajama pants and simple flat sandals. Keep exactly the same face, hairstyle, clothing, age and body proportions throughout.\n\nFRIEND: Jisung, 22, remains behind the camera for the entire video. Only his natural male voice and laughter are heard.\n\nNEIGHBOR: Mrs. Park, elderly Korean woman around 70, same appearance as reference, wearing comfortable patterned house clothes.\n\nTwo school children appear briefly in the background wearing ordinary school clothes and backpacks.\n\nLOCATION:\nA real lived-in older Korean residential lane: narrow concrete road, modest houses, aged walls, potted plants, bicycles, laundry, utility poles and overhead wires. Warm natural morning sunlight. Nothing staged or overly picturesque.\n\nCAMERA:\nEntire video is filmed by Jisung using an old handheld early-2000s consumer DV camcorder. Genuine handheld shake, slightly imperfect framing, small accidental pans, occasional autofocus adjustment, mild exposure breathing, faded DV colors, soft digital detail, subtle compression noise and realistic motion blur.\n\nThe camera operator reacts physically to events. Do NOT use cinematic camera movement, gimbal stabilization, slow motion, drone shots, perfect composition, dramatic depth of field or modern commercial color grading.\n\nSEQUENCE — ONE NATURAL CONTINUOUS EVENT:\n\n[0–4 SEC]\nMinji casually walks out of her house holding a green garden hose and begins watering several potted plants beside the entrance.\n\nShe notices Jisung filming her and looks directly toward the camera with a small amused smile.\n\nMINJI, natural Korean-accented English:\n“Why are you filming this?”\n\nJISUNG, casually from behind camera:\n“I’m bored.”\n\nShe gives him a playful annoyed look, then continues watering.\n\n[4–9 SEC]\nThe water pressure gradually becomes weak and then almost stops.\n\nMinji looks at the hose nozzle, confused. She lightly shakes it once and squeezes the nozzle again.\n\nNothing.\n\nShe follows the hose with her eyes and notices that part of the hose is accidentally trapped underneath her own sandal.\n\nHer reaction is subtle and completely natural.\n\n[9–13 SEC]\nMinji casually lifts her foot off the hose.\n\nIMMEDIATELY the normal water pressure returns.\n\nA sudden stream of water shoots upward from the badly angled nozzle and splashes directly across her face, hair and upper T-shirt.\n\nIMPORTANT: realistic garden-hose physics only. No explosive or exaggerated water.\n\nMinji freezes for a moment in genuine surprise.\n\nJisung instinctively jerks the camera sideways, briefly losing the framing, then quickly points it back toward her while laughing.\n\nMinji slowly looks directly at the camera with an embarrassed “seriously?” expression.\n\n[13–18 SEC]\nLaughing, Minji turns the hose toward Jisung as if she is going to spray him.\n\nWhile adjusting the nozzle she accidentally rotates it the wrong direction.\n\nA short stronger spray hits her own shoulder and face AGAIN.\n\nShe immediately recoils and laughs:\n\n“Wait—wait!”\n\nJisung laughs harder behind the camera. His laughter makes the handheld framing noticeably shakier.\n\nMinji is genuinely laughing now, slightly soaked, with wet strands of hair naturally sticking around her face.\n\n[18–23 SEC]\nMrs. Park, the elderly neighbor who has been tending plants near her doorway, notices what happened.\n\nMinji looks toward her, embarrassed but laughing.\n\nMrs. Park smiles and raises her own small garden hose as though she is going to help.\n\nMinji relaxes.\n\nInstead, Mrs. Park gives Minji ONE quick, harmless playful spray of water.\n\nMinji looks completely shocked for half a second.\n\nThen Mrs. Park laughs.\n\nMinji immediately starts laughing too.\n\n[23–27 SEC]\nMinji playfully sprays a small amount of water back toward Mrs. Park.\n\nMrs. Park laughs and steps behind her gate.\n\nTwo school children walking farther down the lane notice the situation, stop briefly and laugh naturally before continuing.\n\nKeep this spontaneous and subtle — NOT a large staged water fight.\n\n[27–30 SEC]\nStill laughing and visibly wet, Minji walks directly toward Jisung and the camera while holding the hose.\n\nShe points at him and says:\n\n“You started this.”\n\nJISUNG replies while laughing:\n“I literally did nothing!”\n\nMinji gives him a mischievous look and sends ONE quick spray directly toward the camera.\n\nWater hits the camcorder lens.\n\nThe image instantly becomes partially blurred and smeared by realistic water droplets while the camera operator reacts.\n\nMinji’s genuine laughter remains audible through the wet blurry image.\n\nHARD CUT.\n\nREALISM / PERFORMANCE:\nAll people must look and move like real humans captured unexpectedly on a home video. Natural blinking, breathing, posture, weight shifts, imperfect timing, realistic hand movements and restrained facial expressions.\n\nDialogue must sound like REAL HUMAN SPEECH: natural young adult voices, normal conversational volume, correct emotional timing, subtle Korean accents, no robotic cadence, no narrator voice, no exaggerated acting. Characters must speak ONLY their assigned dialogue. No extra dialogue.\n\nThe humor comes entirely from the believable accident and genuine reactions. Nobody behaves like an actor performing a comedy sketch.\n\nWATER PHYSICS:\nWater must behave exactly like real garden-hose water: correct gravity, splash direction, droplets, wet fabric and progressively wetter hair. The hose stays physically connected and maintains consistent shape. No disappearing hose, duplicated hose, impossible water sources or changing nozzle.\n\nCONTINUITY:\nMinji becomes progressively wetter after each splash and must remain wet afterward. Her clothing, face, hairstyle, house, hose and neighborhood remain consistent. Mrs. Park remains the same person. School children remain consistent. No character duplication, sudden wardrobe changes, teleportation, object morphing or discontinuous positions.\n\nAUDIO:\nAbsolutely NO music and NO narration.\n\nOnly authentic location sound: birds, distant neighborhood conversations, faint traffic, footsteps on concrete, occasional bicycle sound, running water, hose splashes, clothing movement and genuine laughter.\n\nFINAL LOOK:\nWarm summer morning, nostalgic early-2000s Korean home-video feeling. Slightly faded DV colors, ordinary natural sunlight and imperfect consumer-camera quality.\n\nThe finished video should feel like a funny forgotten family camcorder recording from a real summer morning — completely spontaneous, mundane, charming and physically believable.
A cinematic 15-second monochrome lifestyle video featuring a young Asian woman [use reference image] in an oversized white shirt and oversized trousers, moving naturally through a modern house and garden. • Scene 1 (0–3s): She wakes up and sits on the edge of the bed, sunlight softly falling across her face as she looks toward the window. • Scene 2 (3–6s): In front of a mirror, she casually fixes her messy hair, smiling subtly at her reflection. • Scene 3 (6–9s): She walks barefoot through the kitchen, playfully spinning a mug in her hand before taking a sip. • Scene 4 (9–12s): Outside, she walks through the garden while gently touching the leaves and flowers along the path. • Scene 5 (12–15s): She sits beside the swimming pool with her feet in the water, looking peacefully toward the camera as the scene fades out. Cinematic black-and-white photography, soft natural lighting, subtle film grain, realistic skin texture, candid expressions, intimate framing, gentle handheld camera movement, smooth transitions, editorial fashion-film aesthetic, minimal and elegant atmosphere.
Create a Vlog-style home video of a quiet and cool high school library committee girl after school, filmed by a fellow committee member friend. 480p. Consist of a hard-cut montage of short shots (approx. 2 seconds each). Each shot is a different moment, where 1 shot = 1 small event. Do not use transitions or fades. Since it is filmed by a friend, she is at least somewhat relaxed and shows her true expression at the end. Main Subject: The same Japanese high school girl throughout all shots. A cool beauty with single-lidded almond eyes, long downcast lashes, finely shaped eyebrows, translucent white realistic skin texture, no makeup, a slim nose, thin lips, and a sharp jawline. Quiet eyes behind thin silver-rimmed glasses. Straight black hair to the shoulders. White short-sleeved shirt, navy pleated skirt, and indoor school shoes. Quiet with few expressions. Keep facial features, body type, hairstyle, glasses, and uniform completely consistent from start to finish. Location: The school library during summer after school until closing. Rows of tall bookshelves, a checkout counter, window seats with evening sun, and a corner for children's books. No advertisements or recognizable brands. Camera / Visual Style: Common to all shots: An old handheld home digital camera. Natural camera shake, imperfect framing, occasional focus hunting, exposure fluctuations from the setting sun, light motion blur, subtle noise, and slightly muted colors. No stabilization, gimbals, drones, slow motion, or cinematic lighting. Shot List (In order, approx. 2s each, all hard cuts): 1. Walking between shelves holding returned books to her chest. Noticing the camera and putting a finger to her lips. 2. Stretching to return a book to a high shelf, failing, and silently going to get a step stool. 3. Rhythmic and precise hands stamping return dates at the counter. 4. A profile of her reading by the window in the evening sun. Slender fingers turning a page. 5. After closing, opening a picture book in the deserted children's corner. Physical Realism: Maintain authentic real-world physics. Hands, fingers, hair, glasses, uniforms, books, step stools, and stamps behave naturally. No extra fingers, fused hands, distorted bodies, floating objects, disappearing objects, or sudden deformations. Keep book text blurred and unreadable. Maintain subject consistency across all shots. Audio: Natural environmental sounds only. The silence of the library, the sound of pages turning, the sound of the stamp, the sound of indoor shoes, distant voices from club activities, and a small voice reading aloud (words unintelligible). No music, narration, or artificial sound effects. Final Atmosphere: A record of a cool and quiet girl's unseen practice sessions that happened to be caught on film. Not a commercial work or a drama. The gap between the silence and her resigned smile when caught is endearing. Quiet, dedicated, colored by the evening sun, warm, and deeply human. Prioritize the feeling that the camera just happened to be there.
Cinematic painterly video of an elderly woman with long windblown white hair sitting on a deserted train platform at dusk. Holding a small glowing vintage radio in both hands. Rusted abandoned steam locomotive behind her. Wet empty tracks stretching into fog. Worn coat. Golden cloudy sky. Melancholic. Ultra detailed. 8k. Grok Imagine.
a young man dressing up, cut to him wearing his jacket, cut to him walking out the door, cut to him walking in the streets, cut to him opening a sofa shop.
Main Subjects: Young French woman, 23, natural everyday appearance, shoulder-length chestnut-brown hair tied loosely with a faded blue scrunchie, wispy bangs, realistic skin texture, minimal makeup. Her father, early 50s, ordinary appearance, short greying brown hair, light stubble, wearing a faded navy work shirt, worn beige trousers, and old sneakers. Their relationship feels casual and familiar, with natural teasing and comfortable silence. Maintain consistent identities, clothing, hairstyles, and appearances throughout. Location: Quiet residential neighborhood in Lyon on a sunny Saturday afternoon. Modest row houses and apartment buildings, narrow pavement, parked bicycles, small gardens, garage doors, old concrete walls, potted plants, and mature trees casting moving shadows. An old dark-green bicycle rests beside a garage. No tourist landmarks, cafés, advertisements, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine family interaction, spontaneous laughter, natural body language, believable physical movement, authentic lived-in French neighborhood atmosphere. Camera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, imperfect framing, occasional accidental zoom, autofocus hunting between faces and bicycle parts, exposure pumping when moving between sunlight and shade, faded colors, soft contrast, slight motion blur, subtle rolling shutter, mild digital compression artifacts, visible sensor noise, no stabilization, no cinematic camera movement. 00:00–00:03 Her father kneels beside the old bicycle, turning the wheel by hand and inspecting the loose chain. She stands nearby holding a small box of tools while the camera approaches shakily. 00:03–00:06 He tries to reconnect the chain, but it slips off again. She laughs quietly. He looks at her with an exaggerated annoyed expression before both start laughing. 00:06–00:09 She crouches beside him and holds the bicycle steady while he works with a wrench. Grease gets onto his fingers, and he casually wipes them on an old cloth. 00:09–00:12 They finally get the chain working. Her father spins the pedal and the wheel turns smoothly. He gives a satisfied nod while she claps jokingly. 00:12–00:15 She gets onto the repaired bicycle and slowly rides down the residential street. Her father calls something encouraging from behind. She turns around, smiles toward the camcorder, and keeps riding as the operator struggles to follow before abruptly cutting to black. Audio: Natural ambience only–bicycle chain clicking, tools tapping metal, footsteps, birds, distant cars, leaves rustling, occasional neighborhood conversation, bicycle tires rolling over pavement, father and daughter laughing. No music. No narration. Goal: A forgotten MiniDV home video from 2004, capturing a completely ordinary Saturday afternoon with a father and daughter repairing an old bicycle outside their home in Lyon–war
Generate a 12-second, 9:16 vertical, realistic movie-level tech product advertisement based on the reference product image. The product must strictly match the reference image from the first frame to the last: a white desk fan, circular fan guard, ChatGPT six-petal vortex-shaped special fan blades, white rounded base, and the base must permanently maintain and only have 4 mechanical buttons. The four buttons are permanently fixed from left to right: 1st (leftmost) = go; 2nd (left-center) = plus; 3rd (right-center) = pro; 4th (rightmost and largest) = reset. This is a fixed product structure. The video is strictly prohibited from changing the number, position, size, arrangement, and text of the buttons. The highest priority is not recognizing the button text, but strictly executing the following physical space actions: leftmost button → move right one slot → move right one more slot → rightmost large button. Specifically: press the leftmost button first; press the 2nd button from the left second; press the 3rd button from the left third; finally press the rightmost largest button. The text go / plus / pro / reset is only for auxiliary recognition. [Key Interaction Rules] The first three button presses must be completed in the same continuous shot. From the first press of 'go' to the completion of the third press of 'pro': no camera cuts, no change in camera position, no left-right mirroring, no change in focal length, no orbiting, no regenerating the hand, no allowing the hand to leave and re-enter the frame. The camera is always directly in front of the product, looking slightly down at about 20°. Fully display the four buttons so they all exist in the frame simultaneously. A right hand enters from the bottom left of the screen. The index finger first hovers directly over the leftmost button. Afterward, the index finger can only move along a horizontal path from left to right. Returning to the left is strictly prohibited. The movement must be presented as a clear: PRESS → SLIDE RIGHT → PRESS → SLIDE RIGHT → PRESS. Move only the distance of one button each time. [0.0-1.2s | Product Opening] Pure white studio, white desktop. Fan is static. Front 3/4 product hero shot, showing the full fan. ChatGPT six-petal vortex blades clearly visible. Four buttons on the base clearly arranged: go | plus | pro | reset. Camera slowly dollies push-in. High-end tech product ad quality, soft studio lighting, natural shadows, realistic white plastic and metal materials. No human hand allowed at this time. [1.2-4.8s | Continuous Three-Stage Operation Shot] Hard cut to a fixed shot slightly looking down from the front of the product. No editing allowed from now until 4.8s. Simultaneously see: entire fan body, full base, full four buttons. Buttons fixed left-to-right: go | plus | pro | reset. A right hand enters from the bottom left. Important: hand must enter from the left, not the right. Index finger first stops directly over the 1st button 'go' on the far left. (1.4-2.1s): Index finger vertically downward, presses only the 1st button. Real mechanical sinking feedback occurs. Others remain still. Fan starts rotating at low speed. Index finger lifts again. (2.1-3.2s): Index finger stays in frame, slides horizontally right from the 1st button, moves one button distance. Stops over 2nd button. Vertically presses 2nd button. Fan speed increases. Index finger lifts. (3.2-4.5s): Index finger slides right again one button distance, stops over 3rd button, vertically presses it. Fan enters highest speed. (4.5-4.8s): Index finger lifts, hand leaves from bottom right. Fan keeps rotating at top speed. The first three operations must form a clear 'leftmost → second → third' visual trajectory moving left to right. [4.8-6.0s | Wind Performance] Switch to 3/4 side ad shot. Camera slides horizontally. Fan rotates at high speed. Vortex structure forms elegant motion blur. A thin white paper at the desk edge is gently moved by the wind. Restrained, high-end look. No hand in this segment. [6.0-7.2s | Blade Macro] Macro shot at very close range. Camera near fan center. Rotating six-petal blades form beautiful ChatGPT vortex. Central axis remains stable. Motion blur only on rotating structure. Real mechanical movement. No floating logos or 2D animation. [7.2-8.6s | Hero Shot] Low-angle 3/4 side. Fan runs at high speed. Camera slowly dollies out with slight orbit. White paper and silk ribbon sway. Button area remains: go | plus | pro | reset. No hand operation. [8.6-10.0s | RESET] Hard cut back to frontal fixed shot identical to 1.2-4.8s. Four buttons visible: go | plus | pro | reset. Hand enters from bottom right. Index finger appears directly over the large 'reset' button on the far right. (8.6-9.2s): Hover over large button for half a second. (9.2-9.7s): Index finger vertically downward, presses only the largest 4th button. Clear mechanical sinking. Others stay still. [10.0-11.0s | Stop] Reset is pressed, fan stops immediately.
Cinematic dynamic action scene full length shot of a fierce female Korean martial artist with long, dark blue hair. She is wearing a modern black sports top, white Taekwondo pants, a black belt, and is barefoot She performs powerful high-energy Taekwondo roundhouse and spin kicks against multiple male opponents inside a dimly lit gritty industrial warehouse Cinematic volumetric lighting with dust motes floating in the air, high impact fight choreography, dramatic energy shockwaves and dust explosion effects upon impact, camera panning dynamically, 8k resolution photorealistic hyper detailed action movie sequence.
Ultra-realistic cinematic scene of a humanoid robot kneeling beside a young child on the floor, carefully helping with a small toy project. Dark cozy room, dramatic warm flashlight beam, cool blue window light, realistic white-and-black robotic body, emotional storytelling, detailed reflections, shallow depth of field, cinematic lighting, photorealistic, 8K, high detail, film still aesthetic, natural composition, vertical.
A cinematic 15-second monochrome lifestyle video featuring a young Asian woman [use reference image] in an oversized white shirt and oversized trousers, moving naturally through a modern house and garden. • Scene 1 (0–3s): She wakes up and sits on the edge of the bed, sunlight softly falling across her face as she looks toward the window. • Scene 2 (3–6s): In front of a mirror, she casually fixes her messy hair, smiling subtly at her reflection. • Scene 3 (6–9s): She walks barefoot through the kitchen, playfully spinning a mug in her hand before taking a sip. • Scene 4 (9–12s): Outside, she walks through the garden while gently touching the leaves and flowers along the path. • Scene 5 (12–15s): She sits beside the swimming pool with her feet in the water, looking peacefully toward the camera as the scene fades out. Cinematic black-and-white photography, soft natural lighting, subtle film grain, realistic skin texture, candid expressions, intimate framing, gentle handheld camera movement, smooth transitions, editorial fashion-film aesthetic, minimal and elegant atmosphere.
he tips forward and slides into it headfirst in one smooth impossible motion, the hat rocking once and settling upright as if nothing happened
A 5-second cinematic Chinese martial arts fantasy video. 16:9 wide screen, high-definition live-action film quality, powerful action scene. A deep night sky with a pale full moon. The background features traditional Chinese palace architecture with vermilion pillars, tiled roofs, and a cobblestone courtyard. Moonlight and thin mist illuminate the courtyard, creating a grand and tense atmosphere. In the center, a young and dignified female martial artist. Her long black hair is tied in a high ponytail, fluttering in the wind. She wears a pink-based Hanfu-style battle dress, with long sleeves and hem swaying beautifully with her movements. Her facial features, hairstyle, clothing, and physique are consistent throughout the video. 0.0s-1.2s: The camera slowly approaches from slightly diagonally in front of her. She steps in sharply from a low stance, looking at the camera with a focused expression. 1.2s-3.1s: She delivers two consecutive lightning-fast roundhouse kicks. Both kicks show clear leg trajectories and full-body rotation. The camera follows her movement in a smooth semicircular track, adding slight slow motion and motion blur only at the moment of the kick. Her clothing and ponytail flutter significantly due to strong centrifugal force. 3.1s-5.0s: Immediately after landing, she poses with both hands in front of her chest, condensing pale blue glowing energy from her palms. She then thrusts both hands toward the camera, releasing a brilliant large energy wave forward. The wave is accompanied by circular shockwaves, particles, and fine streaks of light, approaching the foreground. The camera retreats slightly while receiving the wave, and finally, pale blue light envelops the entire screen. A powerful, elegant, and cinematic performance throughout. Natural human structure, accurate limbs, smooth continuous motion, clear cause-and-effect in action, three-dimensional lighting, beautiful contrast between pale moonlight and pink clothing, grand scale, high-end cinematography, cinematic color grading, very high definition, no text or logos displayed on screen.
Cup noodles correspond to Reference Image 1. The cat corresponds to Reference Image 2. The host corresponds to Reference Image 3. 0–2.5 seconds: Close-up shot. holds the unopened in one hand, brings it close to the camera, and shakes it excitedly while pointing at the cup with the other hand and talking directly to the camera. then tears open one corner of the paper lid, lifts it, and looks down into the cup. The camera quickly pushes in toward the opening. Inside, there is only a dry noodle block. nods with satisfaction. End state: the paper lid is half-open, and the are placed in the center of the table. 2.5–5 seconds: An electric kettle enters the frame from the right and pours hot water into the cup. The water stream is clearly audible and white steam rises from the cup. keeps talking while pouring. After finishing, presses the paper lid back down flat and pats it twice with the palm of the hand. End state: the paper lid is closed, with a thin stream of steam escaping from the rim. 5–7.5 seconds: takes out a white mechanical dial kitchen timer, forcefully twists the dial all the way to the end, then turns it back to the desired time and places it beside the cup noodles with a sharp tap. The scene immediately enters fast-forward mode: rapidly jitters and shifts around in the seat, talks, drinks water, checks the phone, and fidgets with exaggerated time-lapse-like movements. The lighting outside the window remains unchanged. The timer dial visibly spins rapidly back toward zero while steam continues escaping through the gap in the cup lid. End state: the dial reaches zero and the timer rings loudly while vibrating intensely. 7.5–10 seconds: The instant the timer rings, fast-forward mode stops and everything returns to normal speed. excitedly reaches forward and tears open the paper lid in one quick motion. At the exact same moment the lid flips open, the head of suddenly pops straight out of the cup. stares directly into the camera with huge wide-open eyes and a slightly open mouth; its ears flatten backward for an instant, then spring upright. At that exact moment, all sound suddenly cuts out. and stare at each other in complete silence for half a second. The camera rapidly pushes into an extreme close-up of the cat’s face. End state: ’s head is sticking out of the cup, while ’s hand is frozen in midair. 10–12.5 seconds: first looks left, then right, then looks up at with a completely confused expression. It hooks both front paws over the rim of the cup and pulls its upper body up. Its hind legs push against the inside wall of the cup, launching the cat out. lands with all four paws on the tabletop, then rapidly sprints toward the left side of the frame and completely exits the shot. While running, it knocks over the kitchen timer. The wobble from the impact but do not fall over. End state: only the empty cup and the fallen timer remain on the table. is completely
Duration: 15s | Aspect Ratio: 16:9 Style: Ultra-realistic early-2000s Korean MiniDV home video, nostalgic documentary realism, natural handheld camera, faded colors, soft DV sharpness, autofocus hunting, exposure pumping, motion blur, digital compression, no stabilization, no modern cinematic grading. MAIN CHARACTER: Young Korean man, early 20s, slim-average build, short slightly messy black hair, clean-shaven, natural skin texture. Faded white oversized T-shirt, loose blue jeans, worn white canvas sneakers, black wristwatch. Keep identical face, hairstyle, outfit and proportions throughout. SETTING: Authentic early-2000s Korean neighborhood—narrow concrete alleys, low-rise houses, bicycles, utility poles, small shops, school playground, riverside and rooftop. No smartphones, modern cars, LED screens or modern advertising. 0–1.5s Bright summer morning. He wakes up, opens bedroom window and sunlight floods in. Cicadas and birds outside. Quick handheld cut. 1.5–3s He rides an old bicycle through a quiet Korean alley. Camera follows shakily from behind. He turns and briefly smiles. 3–4.5s Tiny neighborhood convenience store. He grabs a cold bottled drink, takes a sip outside. His friend steals a sip and he laughs. 4.5–6s Outdoor basketball court. He shoots—SWISH. He celebrates toward the camera as his friend laughs. 6–7.5s Riverside. He rides beside the water, stops, throws a small stone. SPLASH. 7.5–9s Sitting outside a small shop eating ice cream. Ice cream accidentally gets on his lip. Friend points the camera at him; he notices and laughs. 9–10.5s Sudden summer water fight. Friends spray him with a garden hose. He grabs it and sprays them back. Chaotic handheld laughter. 10.5–12s Warm sunset. He walks home beside his bicycle through the same neighborhood, quieter now. Cicadas continue. 12–13.5s Night rooftop. He and friends watch distant fireworks. Firework light briefly illuminates their faces. One friend says naturally: “여름 진짜 좋다.” (“Summer is really nice.”) 13.5–15s Final handheld shot: he runs down the neighborhood street at night, turns toward camera laughing. Motion blur → brief MiniDV glitch → abrupt black. AUDIO: Only natural sounds—cicadas, birds, bicycle chain, footsteps, basketball, shop ambience, water splashing, laughter and fireworks. No background music. REALISM: Every cut must feel like a genuine memory recorded by a friend. Same character throughout, realistic physics, spontaneous expressions, hard cuts only, no flashy transitions, no text, no subtitles, no watermark, no modern cinematic effects.
30-second continuous photorealistic candid home-video scene in a quiet Korean residential neighborhood on a warm summer morning. The entire video must look like genuine footage recorded by a friend in the early 2000s, NOT a commercial, movie, music video or AI-generated scene.\n\nCHARACTER CONSISTENCY:\nUse the supplied character reference sheet as the strict visual reference for all characters.\n\nMAIN GIRL: Minji, 21, young Korean woman, natural realistic face, authentic skin texture, messy wavy black hair loosely tied back. Oversized plain white T-shirt, loose light pajama pants and simple flat sandals. Keep exactly the same face, hairstyle, clothing, age and body proportions throughout.\n\nFRIEND: Jisung, 22, remains behind the camera for the entire video. Only his natural male voice and laughter are heard.\n\nNEIGHBOR: Mrs. Park, elderly Korean woman around 70, same appearance as reference, wearing comfortable patterned house clothes.\n\nTwo school children appear briefly in the background wearing ordinary school clothes and backpacks.\n\nLOCATION:\nA real lived-in older Korean residential lane: narrow concrete road, modest houses, aged walls, potted plants, bicycles, laundry, utility poles and overhead wires. Warm natural morning sunlight. Nothing staged or overly picturesque.\n\nCAMERA:\nEntire video is filmed by Jisung using an old handheld early-2000s consumer DV camcorder. Genuine handheld shake, slightly imperfect framing, small accidental pans, occasional autofocus adjustment, mild exposure breathing, faded DV colors, soft digital detail, subtle compression noise and realistic motion blur.\n\nThe camera operator reacts physically to events. Do NOT use cinematic camera movement, gimbal stabilization, slow motion, drone shots, perfect composition, dramatic depth of field or modern commercial color grading.\n\nSEQUENCE — ONE NATURAL CONTINUOUS EVENT:\n\n[0–4 SEC]\nMinji casually walks out of her house holding a green garden hose and begins watering several potted plants beside the entrance.\n\nShe notices Jisung filming her and looks directly toward the camera with a small amused smile.\n\nMINJI, natural Korean-accented English:\n“Why are you filming this?”\n\nJISUNG, casually from behind camera:\n“I’m bored.”\n\nShe gives him a playful annoyed look, then continues watering.\n\n[4–9 SEC]\nThe water pressure gradually becomes weak and then almost stops.\n\nMinji looks at the hose nozzle, confused. She lightly shakes it once and squeezes the nozzle again.\n\nNothing.\n\nShe follows the hose with her eyes and notices that part of the hose is accidentally trapped underneath her own sandal.\n\nHer reaction is subtle and completely natural.\n\n[9–13 SEC]\nMinji casually lifts her foot off the hose.\n\nIMMEDIATELY the normal water pressure returns.\n\nA sudden stream of water shoots upward from the badly angled nozzle and splashes directly across her face, hair and upper T-shirt.\n\nIMPORTANT: realistic garden-hose physics only. No explosive or exaggerated water.\n\nMinji freezes for a moment in genuine surprise.\n\nJisung instinctively jerks the camera sideways, briefly losing the framing, then quickly points it back toward her while laughing.\n\nMinji slowly looks directly at the camera with an embarrassed “seriously?” expression.\n\n[13–18 SEC]\nLaughing, Minji turns the hose toward Jisung as if she is going to spray him.\n\nWhile adjusting the nozzle she accidentally rotates it the wrong direction.\n\nA short stronger spray hits her own shoulder and face AGAIN.\n\nShe immediately recoils and laughs:\n\n“Wait—wait!”\n\nJisung laughs harder behind the camera. His laughter makes the handheld framing noticeably shakier.\n\nMinji is genuinely laughing now, slightly soaked, with wet strands of hair naturally sticking around her face.\n\n[18–23 SEC]\nMrs. Park, the elderly neighbor who has been tending plants near her doorway, notices what happened.\n\nMinji looks toward her, embarrassed but laughing.\n\nMrs. Park smiles and raises her own small garden hose as though she is going to help.\n\nMinji relaxes.\n\nInstead, Mrs. Park gives Minji ONE quick, harmless playful spray of water.\n\nMinji looks completely shocked for half a second.\n\nThen Mrs. Park laughs.\n\nMinji immediately starts laughing too.\n\n[23–27 SEC]\nMinji playfully sprays a small amount of water back toward Mrs. Park.\n\nMrs. Park laughs and steps behind her gate.\n\nTwo school children walking farther down the lane notice the situation, stop briefly and laugh naturally before continuing.\n\nKeep this spontaneous and subtle — NOT a large staged water fight.\n\n[27–30 SEC]\nStill laughing and visibly wet, Minji walks directly toward Jisung and the camera while holding the hose.\n\nShe points at him and says:\n\n“You started this.”\n\nJISUNG replies while laughing:\n“I literally did nothing!”\n\nMinji gives him a mischievous look and sends ONE quick spray directly toward the camera.\n\nWater hits the camcorder lens.\n\nThe image instantly becomes partially blurred and smeared by realistic water droplets while the camera operator reacts.\n\nMinji’s genuine laughter remains audible through the wet blurry image.\n\nHARD CUT.\n\nREALISM / PERFORMANCE:\nAll people must look and move like real humans captured unexpectedly on a home video. Natural blinking, breathing, posture, weight shifts, imperfect timing, realistic hand movements and restrained facial expressions.\n\nDialogue must sound like REAL HUMAN SPEECH: natural young adult voices, normal conversational volume, correct emotional timing, subtle Korean accents, no robotic cadence, no narrator voice, no exaggerated acting. Characters must speak ONLY their assigned dialogue. No extra dialogue.\n\nThe humor comes entirely from the believable accident and genuine reactions. Nobody behaves like an actor performing a comedy sketch.\n\nWATER PHYSICS:\nWater must behave exactly like real garden-hose water: correct gravity, splash direction, droplets, wet fabric and progressively wetter hair. The hose stays physically connected and maintains consistent shape. No disappearing hose, duplicated hose, impossible water sources or changing nozzle.\n\nCONTINUITY:\nMinji becomes progressively wetter after each splash and must remain wet afterward. Her clothing, face, hairstyle, house, hose and neighborhood remain consistent. Mrs. Park remains the same person. School children remain consistent. No character duplication, sudden wardrobe changes, teleportation, object morphing or discontinuous positions.\n\nAUDIO:\nAbsolutely NO music and NO narration.\n\nOnly authentic location sound: birds, distant neighborhood conversations, faint traffic, footsteps on concrete, occasional bicycle sound, running water, hose splashes, clothing movement and genuine laughter.\n\nFINAL LOOK:\nWarm summer morning, nostalgic early-2000s Korean home-video feeling. Slightly faded DV colors, ordinary natural sunlight and imperfect consumer-camera quality.\n\nThe finished video should feel like a funny forgotten family camcorder recording from a real summer morning — completely spontaneous, mundane, charming and physically believable.
[0-4] Slow zoom in on the back of her head, The duelist in the torn haori holds a curved blade low at her right side, centre frame, back to the storm-dark city, rain sheeting off the clay tiles at her boots, lightning cracks the sky [4-6] Snap cut, extreme close up to the tip of the blade, she flicks blood from it upwards in one sharp arc, the water breaking into spray off the steel
Cinematic painterly video of an elderly woman with long windblown white hair sitting on a deserted train platform at dusk. Holding a small glowing vintage radio in both hands. Rusted abandoned steam locomotive behind her. Wet empty tracks stretching into fog. Worn coat. Golden cloudy sky. Melancholic. Ultra detailed. 8k. Grok Imagine.
Main Subjects: Young French woman, 23, natural everyday appearance, shoulder-length chestnut-brown hair tied loosely with a faded blue scrunchie, wispy bangs, realistic skin texture, minimal makeup. Her father, early 50s, ordinary appearance, short greying brown hair, light stubble, wearing a faded navy work shirt, worn beige trousers, and old sneakers. Their relationship feels casual and familiar, with natural teasing and comfortable silence. Maintain consistent identities, clothing, hairstyles, and appearances throughout. Location: Quiet residential neighborhood in Lyon on a sunny Saturday afternoon. Modest row houses and apartment buildings, narrow pavement, parked bicycles, small gardens, garage doors, old concrete walls, potted plants, and mature trees casting moving shadows. An old dark-green bicycle rests beside a garage. No tourist landmarks, cafés, advertisements, or commercial activity. Visual Style: Ultra-realistic documentary realism. Genuine family interaction, spontaneous laughter, natural body language, believable physical movement, authentic lived-in French neighborhood atmosphere. Camera Style: Early-2000s consumer MiniDV camcorder. Heavy handheld shake, imperfect framing, occasional accidental zoom, autofocus hunting between faces and bicycle parts, exposure pumping when moving between sunlight and shade, faded colors, soft contrast, slight motion blur, subtle rolling shutter, mild digital compression artifacts, visible sensor noise, no stabilization, no cinematic camera movement. 00:00–00:03 Her father kneels beside the old bicycle, turning the wheel by hand and inspecting the loose chain. She stands nearby holding a small box of tools while the camera approaches shakily. 00:03–00:06 He tries to reconnect the chain, but it slips off again. She laughs quietly. He looks at her with an exaggerated annoyed expression before both start laughing. 00:06–00:09 She crouches beside him and holds the bicycle steady while he works with a wrench. Grease gets onto his fingers, and he casually wipes them on an old cloth. 00:09–00:12 They finally get the chain working. Her father spins the pedal and the wheel turns smoothly. He gives a satisfied nod while she claps jokingly. 00:12–00:15 She gets onto the repaired bicycle and slowly rides down the residential street. Her father calls something encouraging from behind. She turns around, smiles toward the camcorder, and keeps riding as the operator struggles to follow before abruptly cutting to black. Audio: Natural ambience only–bicycle chain clicking, tools tapping metal, footsteps, birds, distant cars, leaves rustling, occasional neighborhood conversation, bicycle tires rolling over pavement, father and daughter laughing. No music. No narration. Goal: A forgotten MiniDV home video from 2004, capturing a completely ordinary Saturday afternoon with a father and daughter repairing an old bicycle outside their home in Lyon–war
Have a peaceful night. A serene and peaceful good night scene featuring a large, bright full moon shining brilliantly in a clear deep blue night sky, casting soft silvery moonlight over a tranquil landscape with gentle rolling hills, a calm reflective lake mirroring the moon
Duration: 10 seconds Aspect ratio: 9:16 Reference: @Image1, lock the protagonist's face, hairstyle, and styling, no additional description or changing of clothes Audio: Realistic city night ambient sound, running footsteps, strong wind whistling, low-frequency rebound of elastic device, muffled landing sound, friends cheering; no dialogue, no narration, no subtitles Overall style: Extreme sports mobile phone live recording, real high-altitude distance, strong sense of presence, one-shot throughout, slight handheld and high-speed motion blur, reject game CG feel GLOBAL CONTINUITY Setting: Nighttime city skyscraper rooftop, green helicopter landing pad, yellow circular markings, low concrete parapet. A vertical street canyon formed between two tall buildings, with vehicles, streetlights, and intersections visible on the ground. Lower apparatus: A huge circular black elastic rebound device is set in the center of the street, with a deep black elastic surface in the center, surrounded by a continuous rainbow light belt in the outer ring. The device is huge and directly opposite the edge of the roof, serving as the accurate landing point for the protagonist to fall and bounce. Main subject: @Image1 is the sole protagonist. Identity, face, and styling remain consistent throughout. Bystanders: Three to four friends standing on the left side of the roof, filming with mobile phones and waiting for the protagonist to return. They must not steal the focus from the main subject. CAMERA CONTINUITY The entire video is a one-shot filmed by a friend on the roof with a mobile phone. The filmer first follows the run-up behind the protagonist; after the protagonist jumps, the filmer quickly rushes to the parapet to look down; then the camera continues to lock on the protagonist, gradually lifting from vertical downward to the sky; after the protagonist bounces back to the roof, the camera returns to eye level. No cuts, no teleporting, no changing perspectives. STUNT ENGINE The action loop must be fixed: Rooftop run-up → Leap over parapet → High-altitude fall → Hit the center of the circular elastic surface → Deep depression of the device → Strong rebound → Protagonist rises at high speed → Mid-air tuck and flip → Positioning for landing → Feet return to the same rooftop → Knee-bend landing → Cheering celebration. SHOT 1 (00:00-00:10) High-altitude Rebound Stunt Subject: @Image1 protagonist stands at the back of the rooftop helipad, facing the distant parapet. Friends are on the left side of the frame filming. Action: 00:00-00:01.50 | Fast Run-up The protagonist's back is to the camera, running quickly from the center of the helipad to the edge of the roof. Strides gradually increase, body leans forward, arms swing naturally. The filmer follows closely behind the protagonist with a mobile phone, creating realistic footstep vibrations. A friend stands on the left holding up a phone, watching tensely. 00:01.50-00:02.30 | Leap Off Rooftop The protagonist takes a powerful final step, leaping over the low parapet. At the moment of leaving the roof, arms spread to the sides, body leans slightly forward, actively diving into the gap between the two tall buildings. The filmer rushes to the parapet, the camera quickly tilts downward, always keeping the protagonist in the center of the frame. 00:02.30-00:04.80 | High-altitude Fall The camera is almost vertically downward. The protagonist descends rapidly through the space between the buildings, body adjusting from a forward lean to facing downward, arms staying spread to stabilize direction. As the protagonist descends, streets, vehicles, and intersections quickly appear. A giant black circular elastic device appears from the bottom of the frame, the rainbow light ring illuminating the surrounding buildings. The protagonist's descent trajectory must accurately target the center of the black elastic surface, not hitting the light ring or the buildings. 00:04.80-00:05.50 | Hitting the Center The protagonist's body lands right in the center of the black elastic surface. The elastic surface clearly forms a deep depression after the impact, the rainbow light ring remains fixed, and the device must not break. After a brief compression, the elastic surface returns to its original state with huge force, popping the protagonist vertically upward. Must clearly show the four stages: "contact—depression—compression—rebound," no premature reverse flight before contact. 00:05.50-00:08.20 | High-speed Rebound and Mid-air Flip The filmer is still standing at the rooftop parapet. The filmer's feet briefly appear at the bottom of the frame, reinforcing the realistic first-person perspective and high-altitude distance. The protagonist rises at high speed from the center of the circular device, returning along the original vertical path to the roof. The camera continues to lift from vertically downward to upward, following the protagonist through the space between the city buildings. After taking off, the protagonist tightens the abdomen, knees close to the chest, arms holding the shins, forming a tight tuck, and completes a continuous rapid flip in the air. Do not lock a specific rotation direction, prioritize natural continuous rotation. As the protagonist approaches the roof height, they begin to open the body: release the legs, look up to find the roof, turn feet downward, and spread arms for balance. 00:08.20-00:09.40 | Return to Rooftop The protagonist approaches the camera at high speed, leaping back onto the helipad from outside the parapet. Both feet contact the green ground simultaneously, knees and hips bend deeply to absorb the landing impact in a low squat. The landing must have clear weight: soles or feet contact, legs compressing, body sinking, slight rebound to recover. Must not land standing straight up or lightly. The filmer quickly takes half a step back to avoid the protagonist hitting the camera while maintaining a frontal close-up. 00:09.40-00:10.00 | Realistic Celebration The protagonist quickly stands up from the squat, looking excitedly at the camera and cheering. Rooftop friends rush into the frame, surrounding the protagonist with phones, patting shoulders, punching the air, and celebrating loudly. The camera shakes slightly due to the crowd approaching, ending in a realistic mobile phone selfie video state. Environment: Tall building lights, street vehicles, and the rainbow light ring maintain spatial stability. The fall and rise must happen along the same vertical line, and the protagonist eventually returns to the same rooftop they jumped from. Camera: 24mm mobile phone wide-angle, one-shot. Begins with a low-position follow-up from behind; after jumping, becomes an over-the-shoulder downward shot; during rebound, continuously lifts from vertical downward to upward; finally returns to eye-level close-up. Style: Realistic night mobile phone exposure, tall buildings have accurate perspective and scale. Wind noise increases during the descent phase, and city lights form natural motion trails; the protagonist returns to the roof extremely fast, but the human silhouette remains clear. Constraints: This is a professionally arranged fictional extreme sports scene. Must fully show the circular elastic device catching and rebounding the protagonist, not showing a free fall without protection. The protagonist's descent and ascent must be continuously traceable. The rebound comes from the physical compression of the black elastic surface, not flight, teleportation, rope pulling, or superpowers. Negative: Changing @Image1 character styling, redesigning clothes, clothing drift, face drift, character replacement, mid-cut, camera teleportation, scene jump, filmer suddenly appearing on the ground, third-person aerial photography, protagonist flying directly, floating, invisible rope lift, anti-gravity, instantly returning to the roof, no elastic device, wrong landing point, landing on rainbow light ring, hitting buildings, hitting parapet, rebounding before contact, elastic surface not sinking, device breaking, device deformation and disappearance, descent direction change, ascent path offset, body passing through elastic surface, abnormal character size, distorted limbs during flipping, extra arms, extra legs, joint inversion, body melting, duplicate characters, landing without weight, landing standing straight, feet penetrating the ground, falling and injured, blood, serious injury, friends blocking the camera early, crowd frozen, phone deformed, tall buildings bent, floating vehicles, anime rendering, game CG, plastic skin, cheap green screen, excessive lighting effects, excessive slow motion, subtitles, screen text, watermark, brand logo, voiceover, extra dialogue

(1998 Tim and Eric Infomercial Aesthetic) (Medium: SD BetaSP Broadcast Camera) [SCENE START] INT/EXT. SUBURBAN HOUSE AND STREET - DAY Camera: Handheld tracking, quick snap zooms, low-resolution NTSC color bleed, harsh video lighting Lighting: Flat bright studio fills mixed with harsh overhead sunlight, slight chromatic aberration SUBJECT: @steve: oversized vintage ugly plaid suit jacket, holding slim black folding smartphone, deadpan face. Crowd: Suburban neighbor walking dog outside. ACTION: [Time 00:00-00:02]: @seeksteve pulls black brick phone from pocket, unfolding screen twice, VO: 'They folded twice.' Third panel keeps expanding infinitely across kitchen counter with rapid hinge clicks. When screens unfold they always remain together and there’s are never gaps between them. [Time 00:02-00:08]: @seeksteve walks as screen accordion expands endlessly through dining table crushing it as we witness splintering wood snapping the table in half, smashes through sliding glass door with realistic glass-shattering physics as the door shatters the wall starts falling apart with drywall caving in and dust building causing absolute mayhem, deploying like black glass carpet onto driveway with rapid machine gun clicks, VO: 'We kept going. Galaxy Hundredfold. Phone. Tablet. Driveway.' [Time 00:08-00:12]: High angle shot shows @seeksteve standing at end of black glass runway stretching down street, glass phone runway stretches all the way to house in house in background, car swerves to avoid the glass phone runway but drives into house, house was already crumbling but it now falls down completely, VO: 'Know when to hold em, know when to fold em… Unlimited.' Smash cut to product title text Samsung Galaxy Hundredfold, placed over scene depicting firefighters arriving to the scene, black gradient slightly blurred so product text remains focus. ATMOSPHERE: The vibe is deadpan and surreal and destructive. Absurdly commercial tone with @seeksteve maintaining serious product presenter energy throughout extreme physical impossibility and destruction. [STYLE MODIFIERS] Reference: Tim and Eric Awesome Show, VHS Tape, Commercial B-Roll, Disaster Footage Audio implication: Deadpan male voiceover, rapid mechanical hinge clicking, wood table splintering, glass shattering, wall crumbling, muffled car honk, screeching car tires, impact of vehicle with house, dead silence at end
Create a Vlog-style home video of a quiet and cool high school library committee girl after school, filmed by a fellow committee member friend. 480p. Consist of a hard-cut montage of short shots (approx. 2 seconds each). Each shot is a different moment, where 1 shot = 1 small event. Do not use transitions or fades. Since it is filmed by a friend, she is at least somewhat relaxed and shows her true expression at the end. Main Subject: The same Japanese high school girl throughout all shots. A cool beauty with single-lidded almond eyes, long downcast lashes, finely shaped eyebrows, translucent white realistic skin texture, no makeup, a slim nose, thin lips, and a sharp jawline. Quiet eyes behind thin silver-rimmed glasses. Straight black hair to the shoulders. White short-sleeved shirt, navy pleated skirt, and indoor school shoes. Quiet with few expressions. Keep facial features, body type, hairstyle, glasses, and uniform completely consistent from start to finish. Location: The school library during summer after school until closing. Rows of tall bookshelves, a checkout counter, window seats with evening sun, and a corner for children's books. No advertisements or recognizable brands. Camera / Visual Style: Common to all shots: An old handheld home digital camera. Natural camera shake, imperfect framing, occasional focus hunting, exposure fluctuations from the setting sun, light motion blur, subtle noise, and slightly muted colors. No stabilization, gimbals, drones, slow motion, or cinematic lighting. Shot List (In order, approx. 2s each, all hard cuts): 1. Walking between shelves holding returned books to her chest. Noticing the camera and putting a finger to her lips. 2. Stretching to return a book to a high shelf, failing, and silently going to get a step stool. 3. Rhythmic and precise hands stamping return dates at the counter. 4. A profile of her reading by the window in the evening sun. Slender fingers turning a page. 5. After closing, opening a picture book in the deserted children's corner. Physical Realism: Maintain authentic real-world physics. Hands, fingers, hair, glasses, uniforms, books, step stools, and stamps behave naturally. No extra fingers, fused hands, distorted bodies, floating objects, disappearing objects, or sudden deformations. Keep book text blurred and unreadable. Maintain subject consistency across all shots. Audio: Natural environmental sounds only. The silence of the library, the sound of pages turning, the sound of the stamp, the sound of indoor shoes, distant voices from club activities, and a small voice reading aloud (words unintelligible). No music, narration, or artificial sound effects. Final Atmosphere: A record of a cool and quiet girl's unseen practice sessions that happened to be caught on film. Not a commercial work or a drama. The gap between the silence and her resigned smile when caught is endearing. Quiet, dedicated, colored by the evening sun, warm, and deeply human. Prioritize the feeling that the camera just happened to be there.
exhales a long slow drift of glowing golden mist over the open ocean, a soft ribbon of dawn-colored vapor
a young man dressing up, cut to him wearing his jacket, cut to him walking out the door, cut to him walking in the streets, cut to him opening a sofa shop.